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British Cinema in the Fifties

British Cinema in the Fifties Author Christine Geraghty
ISBN-10 9781134694648
Release 2002-01-04
Pages 240
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In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.



The British Working Class in Postwar Film

The British Working Class in Postwar Film Author Philip Gillett
ISBN-10 0719062586
Release 2003-06-28
Pages 230
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This book uses a sociological model to examine how working class people are portrayed in British feature films from the decade after World War II.



Media and Cultural Theory

Media and Cultural Theory Author James Curran
ISBN-10 9781134372300
Release 2007-05-07
Pages 288
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Containing new thinking and original surveys, Media & Cultural Theory brings together leading international scholars to address key issues and debates within media and cultural studies. Through the use of contemporary media and film texts such as Bridget Jones’ Diary and The Lord of the Rings trilogy, and using case studies of the USA and the UK after September 11th, James Curran and David Morley examine central topics including: media representations of the new woman in contemporary society the creation of self in lifestyle media the nature of globalization the rise of digital actors and media. Ideal as a course reader, with each essay covering a different major area or advance in original research, Media & Cultural Theory is global in its reach. Through its engagement with broad questions, it is an invaluable book that can be applied to the studies of media and cultural studies students the English-speaking world over.



Lawrence Alloway

Lawrence Alloway Author Lucy Bradnock
ISBN-10 9781606064429
Release 2015-07-01
Pages 224
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Lawrence Alloway (1926–1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual art and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical discourse. This volume illuminates how he often shaped the field and anticipated approaches such as social art history and visual and cultural studies. Lawrence Alloway: Critic and Curator provides the first critical analysis of the multiple facets of Alloway’s life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. The nine essays in this volume depend on primary archival research, much of it conducted in the Lawrence Alloway Papers held by the Getty Research Institute. Each author addresses a distinct aspect of Alloway’s eclectic professional interests and endeavors.



Capital Punishment in Twentieth Century Britain

Capital Punishment in Twentieth Century Britain Author Lizzie Seal
ISBN-10 9781136250712
Release 2014-03-05
Pages 200
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Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment. Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment and public responses to and understandings of capital cases are also discussed, particularly in relation to conceptualisations of justice. Miscarriages of justice were significant to capital punishment’s increasingly fraught nature in the mid twentieth-century and the book analyses the unsettling power of two such high profile miscarriages of justice. The final chapters consider the continuing relevance of capital punishment in Britain after abolition, including its symbolism and how people negotiate memories of the death penalty. Capital Punishment in Twentieth-Century Britain is groundbreaking in its attention to the death penalty and the effect it had on everyday life and it is the only text on this era to place public and popular discourses about, and reactions to, capital punishment at the centre of the analysis. Interdisciplinary in focus and methodology, it will appeal to historians, criminologists, sociologists and socio-legal scholars.



Stardom and Celebrity

Stardom and Celebrity Author Sean Redmond
ISBN-10 9781446202388
Release 2007-10-02
Pages 400
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"Acts as a concise introduction to the study of both contemporary and historical stardom and celebrity. Collecting together in one source companion an easily accessible range of readings surrounding stardom and celebrity culture, this book is a worthwhile addition to any library." - Kerry Gough, Birmingham City University "Absolutely wonderful. The inclusion of seminal works and more recent works makes this a very valuable read." - Beschara Karam, University of South Africa "An engaging and often insightful book." - Media International Australia This book brings together some of the seminal interventions which have structured the development of stardom and celebrity studies, while crucially combining and situating these within the context of new essays which address the contemporary, cross-media and international landscape of today's fame culture. From Max Weber, Walter Benjamin and Roland Barthes to Catherine Lumby, Chris Rojek and Graeme Turner. At the core of the collection is a desire to map out a unique historical trajectory - both in terms of the development of fame, as well as the historical development of the field.



Narrating media history

Narrating media history Author Michael Bailey
ISBN-10 0415419166
Release 2008-10-15
Pages 275
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Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives. This unique and timely collection brings together leading international media history scholars, not only to identify and contrast the various interrelationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including: liberalism - feminism - populism - nationalism - libertarianism - radicalism - technological determinism Essays by distinguished academics cover television, radio, newspaper press and advertising (among others) and illustrate the particularities, affinities, strengths and weaknesses within media history. Each section includes a brief introduction by the editor, with discussion topics and suggestions for further reading, making this an invaluable guide for students of media history.



Books in Print

Books in Print Author
ISBN-10 UOM:39015049090585
Release 2001
Pages
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Books in print is the major source of information on books currently published and in print in the United States. The database provides the record of forthcoming books, books in-print, and books out-of-print.



Books in Print Supplement

Books in Print Supplement Author
ISBN-10 STANFORD:36105025417838
Release 2002
Pages
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Books in Print Supplement has been writing in one form or another for most of life. You can find so many inspiration from Books in Print Supplement also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Books in Print Supplement book for free.



Now a Major Motion Picture

Now a Major Motion Picture Author Christine Geraghty
ISBN-10 0742538214
Release 2008
Pages 223
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Now a Major Motion Picture is a unique look at the many sources, literary and otherwise, that influence film adaptations. Christine Geraghty subverts the idea that film adaptations of novels and plays must be faithful to the original texts. She is more interested in how, while a film reflects its literary source, it also invites comparisons to our memories and associations with other versions. Geraghty looks at a variety of adaptations, from the works of Jane Austen and Tennessee Williams to Brokeback Mountain and the adaptation of a setting, historical New York City.



South Korean Golden Age Melodrama

South Korean Golden Age Melodrama Author Kathleen McHugh
ISBN-10 0814332536
Release 2005
Pages 262
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Immediately following the Korean War, South Korea’s film industry flourished with vibrant local production of high-quality films. Characterized by its stunning melodramas, this "Golden Age" of South Korean cinema produced a body of work as historically, aesthetically, and politically significant as that of other well-known national film movements such as Italian Neorealism, French New Wave, and New German Cinema. Conditions that fostered South Korea’s cinematic Golden Age were short lived; a brief period of intense poverty and struggle—but also creative freedom—was ended by the dictatorship of Park Chung Hee in the late 1960s. Strong international interest in South Korea’s current film renaissance make an analysis of this enormously underappreciated cinematic tradition long overdue. South Korean Golden Age Melodrama is the first English-language book to examine this era of remarkable activity, covering the specifics of the Golden Age as well as the influences it has had on contemporary South Korean film and television. Given the compressed, ambiguous, and fundamentally transnational social and political dramas of South Korea’s history, South Korean Golden Age Melodrama addresses the widespread appeal of particular film modes and aesthetics, especially that of the melodrama. These essays also examine genre in relation to articulations of nation and constructions of gender in Golden Age films and how the nation manifests itself in persistent gender and genre trouble. Combining textual analysis, reception, and historical/cultural detail, South Korean Golden Age Melodrama skillfully renders the complexity of the Golden Age. Contributors cite both domestic and foreign films to demonstrate the generic and transnational impact of Golden Age cinema, sometimes calling into question the very integrity of "national cinema" in light of the workings of a transcultural cinema sphere during that era. With nine chapters, sustained treatments of nine canonical Golden Age films, together with extended consideration of contemporary film and television, this volume offers a rich contribution to the theorization of film genre and national cinema and their relationship to gender.



The Routledge Companion to British Cinema History

The Routledge Companion to British Cinema History Author Ian Hunter
ISBN-10 9781315392165
Release 2017-01-12
Pages 472
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Over 39 chapters The Routledge Companion to British Cinema History offers a comprehensive and revisionist overview of British cinema as, on the one hand, a commercial entertainment industry and, on the other, a series of institutions centred on economics, funding and relations to government. Whereas most histories of British cinema focus on directors, stars, genres and themes, this Companion explores the forces enabling and constraining the films’ production, distribution, exhibition, and reception contexts from the late nineteenth century to the present day. The contributors provide a wealth of empirical and archive-based scholarship that draws on insider perspectives of key film institutions and illuminates aspects of British film culture that have been neglected or marginalized, such as the watch committee system, the Eady Levy, the rise of the multiplex and film festivals. It also places emphasis on areas where scholarship has either been especially productive and influential, such as in early and silent cinema, or promoted new approaches, such as audience and memory studies.



The Media Book

The Media Book Author Chris Newbold
ISBN-10 0340740477
Release 2002
Pages 445
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The Media Book provides today's students with a comprehensive foundation for the study of the modern media. It has been systematically compiled to map the field in a way which corresponds to the curricular organization of the field around the globe, providing a complete resource for students in their third year to graduate level courses in the U.S.



Forthcoming Books

Forthcoming Books Author Rose Arny
ISBN-10 UOM:39015046802248
Release 2000
Pages
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Forthcoming Books has been writing in one form or another for most of life. You can find so many inspiration from Forthcoming Books also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Forthcoming Books book for free.



The Godfather Effect

The Godfather Effect Author Tom Santopietro
ISBN-10 9781429952620
Release 2012-01-31
Pages 336
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A brilliant examination of our forty year obsession with the classic film trilogy—and a personal reflection on what it means to be Italian-American Forty years and one billion dollars in gross box office receipts after the initial release of The Godfather, Francis Ford Coppola's masterful trilogy continues to fascinate viewers old and new. The Godfather Effect skillfully analyzes the reasons behind this ongoing global phenomenon. Packed with behind-the-scenes anecdotes from all three Godfather films, Tom Santopietro explores the historical origins of the Mob and why they thrived in America, how Italian-Americans are portrayed in the media, and how a saga of murderous gangsters captivated audiences around the globe. Laced with stories about Brando, Pacino, and Sinatra, and interwoven with a funny and poignant memoir about the author's own experiences growing up with an Italian name in an Anglo world of private schools and country clubs, The Godfather Effect is a book for film lovers, observers of American life, and Italians of all nationalities.



Harm and Offence in Media Content

Harm and Offence in Media Content Author Andrea Millwood Hargrave
ISBN-10 9781841502380
Release 2009
Pages 344
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Children and teenagers are often the first to adopt new media technologies, and parents and policy makers continue to be concerned about the widespread use of diverse media and its potential effects on young people. Harm and Offence in Media Content presents a significant and comprehensive analysis of the benefits and dangers posed by both established and emergent technologies. Newly updated, this balanced, critical account examines all media, including interactive games, social networking and mobile phones. Many examples specifically focus on the United States, noting the ways in which young people are using new technologies and the partnerships this has given rise to between state governments, media regulators and Internet service providers. This informative guide to a controversial field of study will be a useful resource for scholars in media, communication, psychology, sociology and education.



Childhood s End

Childhood   s End Author Arthur C. Clarke
ISBN-10 9780795324970
Release 2012-11-30
Pages 240
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In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development—and their purpose is to dominate the Earth. Their demands, however, are surprisingly beneficial—end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age—or so it seems. But it comes at a price. Without conflict, humanity ceases to work toward creative achievement, and culture stagnates. And as the years pass, it becomes more and more clear that the Overlords have a hidden agenda for the evolution of the human race—that may not be as beneficial as it seems. Originally published in 1953, Childhood’s End is Clarke’s first successful novel—and is considered a classic of science fiction literature. Its dominating theme of transcendent evolution appears in many of Clarke’s later works, including the Space Odyssey series. In 2004, the book was nominated for the Retro Hugo Award for Best Novel.