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Colonial Spectacles

Colonial Spectacles Author Marieke Bloembergen
ISBN-10 9971693305
Release 2006-01-01
Pages 478
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Dutch colonial presentations at the world exhibitions in the period 1880-1931 served to legitimize the Dutch imperialist project and highlight the problem of Dutch identity and the Netherlands' place in the world. At these exhibitions, the Netherlands showed off its colonies by erecting models of schools, sugar-factories, bridges, and railways exhibits, which were meant to give proof of the good works of modern colonial administration and enterprise. Not only were there displays of ethnographic objects, life-size temples and villages inhabited by authentic Javanese and Sumatrans were brought to Europe specifically for these expositions. Their presence took the viewer into an "Other" world that provided an "immediacy" for visitors to the exhibition. While these colonial spectacles helped legitimize Dutch imperialism project, they also provided lenses for understanding the colonial world as it was constructed according to the prevailing evolutionist worldview at the time.



Colonial Transformations

Colonial Transformations Author R. Bach
ISBN-10 9781137080998
Release 2016-04-30
Pages 290
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Colonial Transformations covers early modern English poetry and plays, Gaelic poetry, and a wide range of English colonial propaganda. In the book, Bach contends that England's colonial ambitions surface in all of its literary texts. Those texts played multiple roles in England's colonial expansions and emerging imperialism. Those roles included publicizing colonial efforts, defining some people as white and some as barbarians, constituting enduring stereotypes of native people, and resisting official versions of colonial encounters.



Health Race and Empire Popular Scientific Spectacles and National Identity in Imperial Germany 1871 1914

Health   Race  and Empire  Popular Scientific Spectacles and National Identity in Imperial Germany  1871 1914 Author Eike Reichardt
ISBN-10 9781435712690
Release 2008
Pages 294
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Establishing the context within which organizers who staged spectacular popular science exhibitions for urban middle-class audiences and the physicians as well as activists who provided commentaries functioned; this dissertation is a study in social history that seeks to determine how presentations of what it meant to be German evolved from the 1870s to the eve of the Great War in 1914. Research topics include: * Hagenbeck's Ethnographic People Shows * The Berlin Hygiene Exhibition of 1883 * The Berlin Trade & Colonial Fair of 1896 * Karl August Lingner, mouthwash magnate, philanthropist and innovator of the textbook-style exhibit * Taking the first major international health exhibition from idea to reality * The International Hygiene Exhibition in Dresden in 1911 *** [Reprint of Dissertation with Minor Corrections and New Pagination]



Spectacles of Blood

Spectacles of Blood Author Swaralipi Nandi
ISBN-10 9789383074136
Release 2014-03-11
Pages
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This book places itself at the nexus of current issues of violence, masculinity and power in the postcolonial context and its representation in its films in challenging, normalising, or contesting these major concerns of our times. The essays address the interplay of critical and theoretical insights both from literature and social studies in analysing the films based on societal violence in postcolonial cultures: be it in the context of sophisticated terrorism, suicide bombings, the underworld, any organised crime, mob violence etc. The writers look at the the dynamics of the representation of these issues as cinematic plots and techniques. They draw attention to the affective value of the films in generating and foregrounding the questions of feelings invoked by the onscreen violence, and the impact of this emotive state on the issues of national and cosmopolitan identity formation. Together, the essays enrich both literary studies and social studies with a nuanced borrowing and intermixing of their primary texts and modes of interpretation. This new collection of essays, thus, brings together, in one volume, the interplay of critical and theoretical insights from Literature, Sociology and Media Studies. Published by Zubaan.



Word Image in Colonial and Postcolonial Literatures and Cultures

Word   Image in Colonial and Postcolonial Literatures and Cultures Author Michael Meyer
ISBN-10 9789042027435
Release 2009-01
Pages 379
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Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries.Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.



Music Travel and Imperial Encounter in 19th Century France

Music  Travel  and Imperial Encounter in 19th Century France Author Ruth Rosenberg
ISBN-10 9781317677963
Release 2014-09-19
Pages 222
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This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.



The Discipline of Leisure

The Discipline of Leisure Author Simon Coleman
ISBN-10 1845453727
Release 2007
Pages 202
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The burgeoning social scientific study of tourism has emphasized the effects of the post-industrial economy on travel and place. However, this volume takes some of these issues into a different area of leisure: the spare-time carved out by people as part of their everyday lives - time that is much more intimately juxtaposed with the pressures and influences of work life, and which often involves specific bodily practices associated with hobbies and sports. An important focus of the book is the body as a site of identity formation, experience, and disciplined recreation of the self. Contributors examine the ways rituals, sports, and forms of bodily transformation mediate between contemporary ideologies of freedom, choice and self-control.



Spectacle and Topophilia

Spectacle and Topophilia Author David R. Castillo
ISBN-10 9780826518163
Release 2012
Pages 276
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Offers an understanding of the modern spectacle by combining the emerging fields of urban studies, landscape studies and space with Antonio Maravall's theory on the culture of the baroque and the Frankfurt School's theory of mass culture. Simultaneous.



The Optical Journal and Review of Optometry

The Optical Journal and Review of Optometry     Author
ISBN-10 CHI:097877862
Release 1921
Pages
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The Optical Journal and Review of Optometry has been writing in one form or another for most of life. You can find so many inspiration from The Optical Journal and Review of Optometry also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The Optical Journal and Review of Optometry book for free.



Empire Review

Empire Review Author
ISBN-10 WISC:89012899662
Release 1907
Pages
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Empire Review has been writing in one form or another for most of life. You can find so many inspiration from Empire Review also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Empire Review book for free.



Colonial Narratives Cultural Dialogues

Colonial Narratives Cultural Dialogues Author Jyotsna Singh
ISBN-10 9781134886173
Release 2003-09-02
Pages 208
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Colonial Narratives/Cultural Dialogues demonstrates the continuing validity of the colonial paradigm as it maps the geographical, political, and imaginative space of 'India/Indies' from the seventeenth century to the present. Breaking new ground in postcolonial studies, Jyotsna Singh highlights the interconnections among early modern colonial encounters, later manifestations in the Raj and their lingering influence in the postcolonial Indian nationalist state. Singh challenges the assumption of eye-witness accounts and unmeditated experiences implcit in colonial representational practices, and often left unchallenged in the postcolonial era. Essential introductory reading for students and academics, Colonial Narratives/Cultural Dialogues re-evaluates the following texts: * seventeenth century travel narratives about India * eighteenth century 'nabob' texts * letters of the Orientalist, Sir William Jones * reviews of Shakespearean productions in Calcutta and postcolonial Indo-Anglian novels



Rituals of Rule Rituals of Resistance

Rituals of Rule  Rituals of Resistance Author William H. Beezley
ISBN-10 0842024174
Release 1994-01-01
Pages 374
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Presents readers with scholarship on public celebrations and popular culture throughout Mexican history. This book discusses aspects of Mexico's popular culture from the seventeenth century onwards. It examines a range of Mexican expression, including Corpus Christi celebrations, New Spain, stone murals, and folk theater.



The Roots of Obama s Rage

The Roots of Obama s Rage Author Dinesh D'Souza
ISBN-10 9781596982871
Release 2011-10-03
Pages 258
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Critics of President Obama have attacked him as a socialist, an African-American radical, a big government liberal. But somehow the critics have failed to reveal what's truly driving Barack Obama. Now bestselling author Dinesh D’Souza throws out these misplaced attacks in his new book, The Roots of Obama’s Rage. The reason, explains D'Souza, that Obama appears to be working to destroy America from within is found, as Obama himself admits, in "The Dreams of His Father": a deeply-hostile anti-colonialism. Instilled in him by his father, this worldview has led President Obama to resent America and everything for which we stand. Viewing Obama through this anti-colonialism prism and drawing evidence from President Obama’s own life and writings, D’Souza masterfully shows how Obama is working to weaken and punish America here and abroad.



Colonial Voices

Colonial Voices Author Pramod K. Nayar
ISBN-10 9781118278970
Release 2012-02-28
Pages 256
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This accessible cultural history explores 400 years of British imperial adventure in India, developing a coherent narrative through a wide range of colonial documents, from exhibition catalogues to memoirs and travelogues. It shows how these texts helped legitimize the moral ambiguities of colonial rule even as they helped the English fashion themselves. An engaging examination of European colonizers’ representations of native populations Analyzes colonial discourse through an impressive range of primary sources, including memoirs, letters, exhibition catalogues, administrative reports, and travelogues Surveys 400 years of India’s history, from the 16th century to the end of the British Empire Demonstrates how colonial discourses naturalized the racial and cultural differences between the English and the Indians, and controlled anxieties over these differences



Shakespeare and the Spectacles of Strangeness

Shakespeare and the Spectacles of Strangeness Author John G. Demaray
ISBN-10 0820702846
Release 1998
Pages 174
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Shakespeare and the Spectacles of Strangeness pays close attention to genre, structure and issues of printing and textual scholarship. Demaray examines the First Folio printings of The Tempest and of printings of drama, masques, balets de cour, spectacle productions and stage documents. On the basis of these primary documents, Demaray is able to show the influence of the conventions of court presentations on Shakespeare's theatrical references, and to reveal new accounts of the imaginative significance of stage illusions designed by Inigo Jones in the early 1600s.



Aesthetic Constructions of Korean Nationalism

Aesthetic Constructions of Korean Nationalism Author Hong Kal
ISBN-10 9781136719325
Release 2011-05-12
Pages 184
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While most studies on Korean nationalism centre on textual analysis, Aesthetic Constructions of Korean Nationalism offers a different approach. It looks at expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, urban space and governmentality, this book explores how such notions made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for the state and contributed to the shaping of collective identities in colonial and postcolonial Korea. The author further examines how their different modes were associated with the change in governmentality in Korea. In addressing these questions, the book interprets the politics behind the culture of displays and shows both the continuity and the transformation of spectacles as a governing technology in twentieth-century Korea. Aesthetic Constructions of Korean Nationalism is a significant contribution to a study of the politics of visual culture in colonial and postcolonial Korea. The book will be of interest to students and scholars of Korean Studies, Culture and Heritage Studies and Asian Studies.



Lynching and Spectacle

Lynching and Spectacle Author Amy Louise Wood
ISBN-10 0807878111
Release 2011-02-01
Pages 368
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Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.