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Double Exposures

Double Exposures Author Mieke Bal
ISBN-10 9781135210502
Release 2012-09-10
Pages 352
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A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.



The Practice of Cultural Analysis

The Practice of Cultural Analysis Author Mieke Bal
ISBN-10 0804730679
Release 1999
Pages 392
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Cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of enquiry.



Quoting Caravaggio

Quoting Caravaggio Author Mieke Bal
ISBN-10 0226035573
Release 2001-03-01
Pages 328
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The author's primary object of investigation in this text is not the Caravaggio, but rather the issue of temporality in art. She analyzes the productives relationship between Caravaggio and a number of late-20th century artists who "quote" the baroque master in their own works.



Double Exposure

Double Exposure Author Olga Shevchenko
ISBN-10 9781351521673
Release 2017-09-08
Pages 252
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Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography's effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction's Memory and Narrative series.



Environmental Change and Globalization Double Exposures

Environmental Change and Globalization  Double Exposures Author Robin Leichenko
ISBN-10 0199720991
Release 2008-08-28
Pages 192
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This book explores the connections between two of the most transformative processes of the twenty-first century, namely climate change and globalization. In this book, Leichenko and O'Brien present a conceptual framework for analyzing the interactions between these two processes, and illustrate, through case studies, how these interactions create situations of "double exposure." Drawing upon prominent recent and current climate-related events -- Hurricane Katrina in New Orleans, recurring droughts in India, and the melting of Arctic sea ice -- the case studies each demonstrate a different pathway of interaction between globalization and global environmental change. Through exploration of these pathways of double exposure, the book also shows how broader human security concerns including growing inequalities, growing vulnerabilities, and unsustainable rates of development are integrally connected to both processes of global change. The double exposure framework not only sheds light on the challenges raised by these two global processes, but also reveals possibilities for using the interactions to generate positive opportunities for action.



Conceptual Odysseys

Conceptual Odysseys Author Griselda Pollock
ISBN-10 1845115228
Release 2007
Pages 245
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Discusses concepts and theory in art.



Psychoanalysis and the Image

Psychoanalysis and the Image Author Griselda Pollock
ISBN-10 9780470680612
Release 2008-04-15
Pages 264
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Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods Covers topics including melancholia, sex, and pathology to the body, and parent-child relations Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art Edited by internationally renowned art historian Griselda Pollock.



Museums After Modernism

Museums After Modernism Author Griselda Pollock
ISBN-10 9781405182171
Release 2008-04-15
Pages 272
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock



Shroud

Shroud Author John Banville
ISBN-10 9780307427731
Release 2007-12-18
Pages 272
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One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton’s Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville’s masterful new novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie. Now those lies have been unraveled by a mysterious young woman whom Vander calls “Miss Nemesis.” They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him—or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire, Shroud is Banville’s most rapturous performance to date. From the Trade Paperback edition.



The Art of Art History A Critical Anthology

The Art of Art History   A Critical Anthology Author Donald Preziosi
ISBN-10 9780191552021
Release 1998-04-30
Pages 608
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What is art history? Why, how, and where did it originate, and how have its aims and methods changed over time? This anthology is a guide to understanding art history through a critical reading of the field's key texts over the past two centuries. Each section focuses on a major issue: aesthetics, style, history as an art, iconography and semiology, modernity and post-modernity, gender, deconstruction, and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofksy, Nanette Salomon, and Mary Kelly are brought together, and Donald Preziosi's introductions to each topic provide background information and to elucidation of the critical issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. `vivid and inspiring prose ... a flamboyant book that offers anything but a celebratory reading of art history ... Preziosi frames his selection of texts, and threads through them with an array of different strategic voices' Professor Johanne Lamoureux, University of Montreal - ;What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through a critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner, Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen and Nestor Canclini are brought together, and Donald Preziosi's introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. From the pre-publication reviews: 'Until now, anthologies about the history of art have tended to be worthy yet inert, plotting a linear evolution from the great precursors (Vasari, Winckelmann) to the founding fathers of the modern discipline (W--ouml--;lfflin, Riegl, Panofsky) to the achievements and refinements of today's scholarship. The texts that Donald Preziosi has brought together provide something far more challenging: the juxtapositions and alignments between individual essays point the reader towards unresolved problems, ongoing debates, and paths not takenor not taken yet. In place of the consoling tale of intellectual progress, the collection defamiliarizes the whole field, and opens up a space for radical reflection on its basic procedures and assumptions. Definitely the best introduction to art history currently available.' Professor Norman Bryson, Harvard University 'Donald Preziosi has prepared an anthologyfrom the Greek, a collection of flowersof art history. His bouquet contains representatives from the discipline's two-hundred year history, arranged in standard and innovative methodological categories. Within each, the readings selected provide stimulating congruencies and contradictions that will inspire productive debate and contemplation. But what makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought. His introduction and concluding chapter write around and under the subjects presented, emphasizing the 'art' of art history, its kinship with modernity's post-Enlightenment project, and its collaboration with the rise of nationalism. Thus the discipline's past is probed and questioned and made relevant for its present and future. The whole thereby addresses, without healing or concealing, the disciplinary ruptures of modernism. The book might also have explored further nature of art history's history within the emergent discourse of post-colonialism and the globalization of culture Yet the many new perspectives it does offer help to re-present the discipline for its readers, students, teachers, and curators, for other areas of humanistic inquiry, which are being subject to similar critiques, and for artists and the larger art community, for whom history, narrative, and an accounting of art's past have once again become vital issues' Professor Robert S. Nelson, Professor of Art History and Chair, Committee for the History of Culture, University of Chicago 'Rather than focusing on its Vasarian moment or on the later academic institutionalization of art history in the 19th and 20th centuries, Donald Preziosi, in The Art of Art History, constructs a reading of this hegemonic and reductive practice of making 'the visible legible' as one that is inextricably tied to the museographic paradigm of late 18th and early 19th centuries. This shift, he sees as equivalent in importance to the brought by the 'invention' of perspective. But the author goes further than to underline the implication of art history with the premises of modernity, he makes a strong case, in a vivid and inspiring prose, for a tighter equation between art history and modernity: an equation grounded in his insightful considerations (and meteoric formulations) of the epistemological setting, rhetorical operations political (colonialist) aims and schizophrenic yet all-invasive aestheticization of knowledge that, in the last two centuries, have fashioned what we will no longer dare to call the discipline of art history. The result is a flamboyant book that offers anything but a celebratory reading of art history. It does not constitute an articulation of canonical texts or an up-to-date menu of art historical currents, methods, or trends. Yet it manages to avoid none of these dimensions. Art history is not envisages as the learned discourse of modernity on a specific class of objects nor is it reduced to a genealogy of outstanding artist-subjects and their volatile constellations of contemporary subjects-readers. It becomes a practice wherein objects and subjects relate and relations often crystallize, under the unrecognized aegis of the fetish, this Other of art, since Preziosi concisely defines art as 'the anti-fetish fetish'. Far from the fantastic neutrality that is traditionally found in the format of such an historiographic endeavour, Preziosi frames his selection of text and threads through them with an array of different strategic voices, superimposed (to stress a spatial figure he is keen to discern) in order to elaborate a strong polemic position that situates art history as an enduring and well disguised fictional genre. In the process, the author courageously takes on the paradox that is at the core of his project: to introduce students to the coming out o art history... as art, one that is not necessarily meant to be our coming out of it but that certainly well establishes our motives to continue to shake its grounds and its multi-storied apparatus.' Professor Johanne Lamoureux, University of Montreal. -



Double Exposure

Double Exposure Author Bernard Faure
ISBN-10 0804743479
Release 2004
Pages 195
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This book explores the possible relations between Western types of rationality and Buddhism. It also examines some clichés about Buddhism and questions the old antinomies of Western culture ("faith and reason," or "idealism and materialism"). The use of the Buddhist notion of the Two Truths as a hermeneutic device leads to a double or multiple exposure that will call into question our mental habits and force us to ask questions differently, to think "in a new key." Double Exposure is somewhat of an oddity. Written by a specialist for nonspecialists, it is not a book of vulgarization. Although it aims at a better integration of Western and Buddhist thought, it is not an exercise in comparative philosophy or religion. It is neither a contribution to Buddhist scholarship in the narrow sense, nor a contribution to some vague Western "spirituality." Cutting across traditional disciplines and blurring established genres, it provides a leisurely but deeply insightful stroll through philosophical and literary texts, dreams, poetry, and paradoxes.



The Analysis of Burned Human Remains

The Analysis of Burned Human Remains Author Christopher W. Schmidt
ISBN-10 9780128005217
Release 2015-06-01
Pages 448
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The Analysis of Burned Human Remains, Second Edition, provides a primary source for osteologists and the medical/legal community for the understanding of burned bone remains in forensic or archaeological contexts. It describes in detail the changes in human bone and soft tissues as a body burns at both the chemical and gross levels and provides an overview of the current procedures in burned bone study. Case studies in forensic and archaeological settings aid those interested in the analysis of burned human bodies, from death scene investigators to biological anthropologists. A timely state-of-the-art analyses of burned bone studies for bioarchaeologists and forensic anthropologists Covers the diagnostic patterning of color changes, the positioning of the body, and presence (or absence of soft tissues during the burning event Chapters on bones and teeth give step-by-step recommendations for hot to study and recognize burned hard tissues New chapters include improved analyses of thermally induced impacts on bone microstructure, development, and appearance; they also cover sites from a greater geographic range adding Alaska, Italy, Jordan, Mexico, and Southeast Asia



Travelling Concepts in the Humanities

Travelling Concepts in the Humanities Author Mieke Bal
ISBN-10 9781442690455
Release 2002-11-02
Pages 432
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Attempting to bridge the gap between specialised scholarship in the humanistic disciplines and an interdisciplinary project of cultural analysis, Mieke Bal has written an intellectual travel guide that charts the course 'beyond' cultural studies. As with any guide, it can be used in a number of ways and the reader can follow or willfully ignore any of the paths it maps or signposts. Bal's focus for this book is the idea that interdisciplinarity in the humanities - necessary, exciting, serious - must seek its heuristic and methodological basis in concepts rather than its methods. Concepts are not grids to put over an object. The counterpart of any given concept is the cultural text or work or 'thing' that constitutes the object of analysis. No concept is meaningful for cultural analysis unless it helps us to understand the object better on its own terms. Bal offers the reader a sustained theoretical reflection on how to 'do' cultural analysis through a tentative practice of doing just that. This offers a concrete practice to theoretical constructs, and allows the proposed method more accessibility. Please note: illustrations have been removed from the ebook at the request of the rightsholder.



The Wisdom Brokers

The Wisdom Brokers Author Frans-Willem Korsten
ISBN-10 IND:30000062284850
Release 1998-01-01
Pages 242
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The Wisdom Brokers has been writing in one form or another for most of life. You can find so many inspiration from The Wisdom Brokers also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The Wisdom Brokers book for free.



Contemporary Authors

Contemporary Authors Author Gale Group
ISBN-10 0787646083
Release 2001-10-01
Pages 480
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pIn response to the escalating need for up-to-date information on writers, IContemporary Authors New Revision /I Series brings researchers the most recent data on the world's most-popular authors. These exciting and unique author profiles are essential to your holdings because sketches are entirely revised and up-to-date, and completely replace the original IContemporary Authors /I entries. pFor your convenience, a soft-cover cumulative index is sent biannually.



Walden Two

Walden Two Author Burrhus Frederic Skinner
ISBN-10 087220779X
Release 2005
Pages 301
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A reprint of the 1976 Macmillan edition. This fictional outline of a modern utopia has been a center of controversy ever since its publication in 1948. Set in the United States, it pictures a society in which human problems are solved by a scientific technology of human conduct.



Right to Rock

Right to Rock Author Maureen Mahon
ISBN-10 0822333171
Release 2004-06-23
Pages 317
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DIVAn account of the Black Rock Coalition, which began in New York in 1985, and its relation to the results of civil rights era integration, and to the larger questions of racialization in the music industry, and American society./div