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In Search of the Black Fantastic

In Search of the Black Fantastic Author Richard Iton
ISBN-10 9780199733606
Release 2010
Pages 424
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Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change. But as Richard Iton shows, despite the changes politics, black artists have continued to play a significant role in the making of critical social spaces.



The Power of Race in Cuba

The Power of Race in Cuba Author Danielle Pilar Clealand
ISBN-10 9780190632311
Release 2017-06-30
Pages 240
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In The Power of Race in Cuba, Danielle Pilar Clealand analyzes racial ideologies that negate the existence of racism and their effect on racial progress and activism through the lens of Cuba. Since 1959, Fidel Castro and the Cuban government have married socialism and the ideal of racial harmony to create a formidable ideology that is an integral part of Cubans' sense of identity and their perceptions of race and racism in their country. While the combination of socialism and a colorblind racial ideology is particular to Cuba, strategies that paint a picture of equality of opportunity and deflect the importance of race are not particular to the island's ideology and can be found throughout the world, and in the Americas, in particular. By promoting an anti-discrimination ethos, diminishing class differences at the onset of the revolution, and declaring the end of racism, Castro was able to unite belief in the revolution to belief in the erasure of racism. The ideology is bolstered by rhetoric that discourages racial affirmation. The second part of the book examines public opinion on race in Cuba, particularly among black Cubans. It examines how black Cubans have indeed embraced the dominant nationalist ideology that eschews racial affirmation, but also continue to create spaces for black consciousness that challenge this ideology. The Power of Race in Cuba gives a nuanced portrait of black identity in Cuba and through survey data, interviews with formal organizers, hip hop artists, draws from the many black spaces, both formal and informal to highlight what black consciousness looks like in Cuba.



London Is the Place for Me

London Is the Place for Me Author Kennetta Hammond Perry
ISBN-10 9780190240202
Release 2016-01-04
Pages 336
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Black people in the British Empire have long challenged the notion that "there ain't no black in the Union Jack." For the post-World War II wave of Afro-Caribbean migrants, many of whom had long been subjects of the Empire, claims to a British identity and imperial citizenship were considered to be theirs by birthright. However, while Britain was internationally touted as a paragon of fair play and equal justice, they arrived in a nation that was frequently hostile and unwilling to incorporate Black people into its concept of what it meant to be British. Black Britons therefore confronted the racial politics of British citizenship and became active political agents in challenging anti-Black racism. In a society with a highly racially circumscribed sense of identity-and the laws, customs, and institutions to back it up-Black Britons had to organize and fight to assert their right to belong. In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics. She situates their experience within a broader context of Black imperial and diasporic political participation, and examines the pushback-both legal and physical-that the migrants' presence provoked. Bringing together a variety of sources including calypso music, photographs, migrant narratives, and records of grassroots Black political organizations, London Is the Place for Me positions Black Britons as part of wider public debates both at home and abroad about citizenship, the meaning of Britishness and the politics of race in the second half of the twentieth century. The United Kingdom's postwar discriminatory curbs on immigration and explosion of racial violence forced White Britons as well as Black to question their perception of Britain as a racially progressive society and, therefore, to question the very foundation of their own identities. Perry's examination expands our understanding of race and the Black experience in Europe and uncovers the critical role that Black people played in the formation of contemporary British society.



The Price of the Ticket

The Price of the Ticket Author Fredrick Harris
ISBN-10 9780199910700
Release 2012-06-01
Pages 232
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The historical significance of Barack Obama's triumph in the presidential election of 2008 scarcely requires comment. Yet it contains an irony: he won a victory as an African American only by denying that he should discuss issues that target the concerns of African Americans. Obama's very success, writes Fredrick Harris, exacted a heavy cost on black politics. In The Price of the Ticket, Harris puts Obama's career in the context of decades of black activism, showing how his election undermined the very movement that made it possible. The path to his presidency began just before passage of the 1965 Voting Rights Act, when black leaders began to discuss strategies to make the most of their new access to the ballot. Some argued that black voters should organize into a cohesive, independent bloc to promote both targeted and universal polices; others urged a more race-neutral approach, working together with other racial minorities as well as like-minded whites. This has been the fundamental divide within black politics ever since. At first, the gap did not seem serious. But the post-civil-rights era has accelerated a shift towards race-neutral politics. Obama made a point of distancing himself from older race-conscious black leaders, such as Jesse Jackson- and leaders of the Congressional Black Caucus-even though, as Harris shows, he owes much to Jackson's earlier campaigns for the White House. Unquestionably Obama's approach won support among whites, but Harris finds the results troublesome. The social problems targeted by an earlier generation of black politicians--racial disparities in income and education, stratospheric incarceration and unemployment rates--all persist, yet Obama's election, ironically, marginalized those issues, keeping them off the political agenda. Meanwhile, the civil-rights movement's militancy to attack the vestiges of racial inequality is fading. Written by one of America's leading scholars of race and politics, The Price of the Ticket will reshape our understanding of the rise of Barack Obama and the decline of a politics dedicated to challenging racial inequality head on.



Democracy Remixed

Democracy Remixed Author Cathy J. Cohen
ISBN-10 9780199703227
Release 2012-02-17
Pages 304
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In Democracy Remixed, award-winning scholar Cathy J. Cohen offers an authoritative and empirically powerful analysis of the state of black youth in America today. Utilizing the results from the Black Youth Project, a groundbreaking nationwide survey, Cohen focuses on what young Black Americans actually experience and think--and underscores the political repercussions. Featuring stories from cities across the country, she reveals that black youth want, in large part, what most Americans want--a good job, a fulfilling life, safety, respect, and equality. But while this generation has much in common with the rest of America, they also believe that equality does not yet exist, at least not in their lives. Many believe that they are treated as second-class citizens. Moreover, for many the future seems bleak when they look at their neighborhoods, their schools, and even their own lives and choices. Through their words, these young people provide a complex and balanced picture of the intersection of opportunity and discrimination in their lives. Democracy Remixed provides the insight we need to transform the future of young Black Americans and American democracy.



I Am Your Sister

I Am Your Sister Author Rudolph P. Byrd
ISBN-10 9780199887743
Release 2009-04-21
Pages 304
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Audre Lorde was not only a famous poet; she was also one of the most important radical black feminists of the past century. Her writings and speeches grappled with an impressive broad list of topics, including sexuality, race, gender, class, disease, the arts, parenting, and resistance, and they have served as a transformative and important foundation for theorists and activists in considering questions of power and social justice. Lorde embraced difference, and at each turn she emphasized the importance of using it to build shared strength among marginalized communities. I Am Your Sister is a collection of Lorde's non-fiction prose, written between 1976 and 1990, and it introduces new perspectives on the depth and range of Lorde's intellectual interests and her commitments to progressive social change. Presented here, for the first time in print, is a major body of Lorde's speeches and essays, along with the complete text of A Burst of Light and Lorde's landmark prose works Sister Outsider and The Cancer Journals. Together, these writings reveal Lorde's commitment to a radical course of thought and action, situating her works within the women's, gay and lesbian, and African American Civil Rights movements. They also place her within a continuum of black feminists, from Sojourner Truth, to Anna Julia Cooper, Amy Jacques Garvey, Lorraine Hansberry, and Patricia Hill Collins. I Am Your Sister concludes with personal reflections from Alice Walker, Gloria Joseph, Johnnetta Betsch Cole, Beverly Guy-Sheftall, and bell hooks on Lorde's political and social commitments and the indelibility of her writings for all who are committed to a more equitable society.



Solidarity Blues

Solidarity Blues Author Richard Iton
ISBN-10 9780807860762
Release 2003-06-19
Pages 360
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A number of arguments have been made to explain the relative weakness of the American Left. A preference for individualism, the effects of prosperity, and the miscalculations of different components of the Left, including the labor movement, have been cited, among other factors, as possible explanations for this puzzling aspect of American exceptionalism. But these arguments, says Richard Iton, overlook a crucial factor--the powerful influence of race upon American life. Iton argues that the failure of the American Left lies in its inability to come to grips with the centrality of race in the American experience. Placing the history of the American Left in an illuminating comparative context, he also broadens our definition of the Left to include not just political parties and labor unions but also public policy and popular culture--an important source for the kind of cultural consensus needed to sustain broad social and collectivist efforts, Iton says. In short, by exposing the impact of race on the development of the American Left, Iton offers a provocative new way of understanding the unique orientation of American politics.



Black Resonance

Black Resonance Author Emily J. Lordi
ISBN-10 9780813562513
Release 2013-11-08
Pages 304
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Ever since Bessie Smith’s powerful voice conspired with the “race records” industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women’s singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith’s blues and Richard Wright’s neglected film of Native Son, Mahalia Jackson’s gospel music and Ralph Ellison’s Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century’s most beloved and challenging voices.



Humane Insight

Humane Insight Author Courtney R. Baker
ISBN-10 9780252097591
Release 2015-08-30
Pages 160
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In the history of black America, the image of the mortal, wounded, and dead black body has long been looked at by others from a safe distance. Courtney Baker questions the relationship between the spectator and victim and urges viewers to move beyond the safety of the "gaze" to cultivate a capacity for humane insight toward representations of human suffering. Utilizing the visual studies concept termed the "look," Baker interrogates how the notion of humanity was articulated and recognized in oft-referenced moments within the African American experience: the graphic brutality of the 1834 Lalaurie affair; the photographic exhibition of lynching, Without Sanctuary ; Emmett Till's murder and funeral; and the devastation caused by Hurricane Katrina. Contemplating these and other episodes, Baker traces how proponents of black freedom and dignity used the visual display of violence against the black body to galvanize action against racial injustice. An innovative cultural study that connects visual theory to African American history, Humane Insight asserts the importance of ethics in our analysis of race and visual culture, and reveals how representations of pain can become the currency of black liberation from injustice.



The Sound of Culture

The Sound of Culture Author Louis Chude-Sokei
ISBN-10 9780819575784
Release 2015-12-29
Pages 300
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The Sound of Culture explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories. Looking at American, British, and Caribbean literature, it distills a diverse range of subject matter: minstrelsy, Victorian science fiction, cybertheory, and artificial intelligence. All of these facets, according to Louis Chude-Sokei, are part of a history in which music has been central to the equation that links blacks and machines. As Chude-Sokei shows, science fiction itself has roots in racial anxieties and he traces those anxieties across two centuries and a range of writers and thinkers—from Samuel Butler, Herman Melville, and Edgar Rice Burroughs to Sigmund Freud, William Gibson, and Donna Haraway, to Norbert Weiner, Sylvia Wynter, and Samuel R. Delany.



Amalgamation Schemes

Amalgamation Schemes Author Jared Sexton
ISBN-10 0816651043
Release 2008
Pages 345
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"In this analysis, Sexton pursues a critique of contemporary multiracialism, from the splintered political initiatives of the multiracial movement to the academic field of multiracial studies, to the melodramatic media declarations about "the browning of America." He contests the rationales of colorblindness and multiracial exceptionalism and the promotion of a repackaged family values platform in order to demonstrate that the true target of multiracialism is the singularity of blackness as a social identity, a political organizing principle, and an object of desire. From this vantage, Sexton interrogates the trivialization of sexual violence under chattel slavery and the convoluted relationship between racial and sexual politics in the new multiracial consciousness."--BOOK JACKET.



The Time is Always Now

The Time is Always Now Author Nicholas Bromell
ISBN-10 9780199973439
Release 2013-10
Pages 190
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Nick Bromell argues in The Time is Always Now that blacks' reflections on their painful experience and their ability to advocate for people 'both black and more than black' (an Obama quote) provides us with the foundation for constructing a democracy that is less angry and more welcoming of a cosmopolitan polity.



Black Cultural Traffic

Black Cultural Traffic Author Harry J. Elam
ISBN-10 9780472025459
Release 2010-02-11
Pages 416
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"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice." --Kimberly Benston, author of Performing Blackness "Black Cultural Traffic is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!" --Dwight A. McBride, author of Why I Hate Abercrombie & Fitch "The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need." --Mark Anthony Neal, author of Songs in the Key of Black Life "A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussions of racial, ethnic, and national identity." --Horace Porter, author of The Making of a Black Scholar



Cultural Theory and Popular Culture

Cultural Theory and Popular Culture Author John Storey
ISBN-10 9781351851404
Release 2018-01-17
Pages 302
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In this eighth edition of his award-winning Cultural Theory and Popular Culture: An Introduction, John Storey presents a clear and critical survey of competing theories of and various approaches to popular culture. Its breadth and theoretical unity, exemplified through popular culture, means that it can be flexibly and relevantly applied across a number of disciplines. Retaining the accessible approach of previous editions, and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. New to this edition: revised, rewritten and updated throughout brand new chapter on class and popular culture updated student resources at www.routledge.com/cw/storey. The new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects.



Black No More

Black No More Author George S. Schuyler
ISBN-10 9781524705749
Release 2018-01-16
Pages 208
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The landmark comic satire that asks, “What would happen if all black people in America turned white?” It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever wanted: money, power, good liquor, and the white woman who rejected him when he was black. Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.



Dis orienting rhythms

Dis orienting rhythms Author Sanjay Sharma
ISBN-10 1856494705
Release 1996-11-15
Pages 248
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Blurring the boundaries between academic and cultural production, this book produces a new understanding of the world significance of South Asian culture in multi-racist societies. One of the first sustained attempts to situate such production within the study of race and identity, it uncovers the crucial role that contemporary South Asian dance music has played in the formation of a new urban cultural politics. The book opens by positing new theoretical understandings of South Asian cultural representation that move beyond essentialist ethnicity in the cultural studies literature. Contributors narrate the formation of South Asian expressive culture coming emerging from the highly charged context of UK Black politics. Part three assumes the task of historical recovery, looking at the antecedents of political South Asian musical performance, autonomous anti-racist organising and problems of alliance with the white Left. Part four engages with the movements and translations of cultural productions across the world - not just in Britain or South Asia, but also Canada, North America, Fiji, Malaysia, Australia, West Africa, Europe, but particularly in the fractured spaces of a postcolonial Britain in decline.



Improvisation and Social Aesthetics

Improvisation and Social Aesthetics Author Georgina Born
ISBN-10 9780822374015
Release 2017-03-03
Pages 360
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Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities. Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, Zoë Svendsen, Darren Wershler