Download or read online books in PDF, EPUB and Mobi Format. Click Download or Read Online button to get book now. This site is like a library, Use search box in the widget to get ebook that you want.

Loot Legitimacy and Ownership

Loot  Legitimacy and Ownership Author Colin Renfrew
ISBN-10 0715630342
Release 2000-10-20
Pages 160
Download Link Click Here

Colin Renfrew argues that what is most precious in archaeology is the information that excavations can shed on our human past. Yet the clandestine and unpublished digging of archaeological sites for gain - looting - is destroying the context in which archaeological findings can be understood, as well as sabotaging the most valuable information. It is the source of most of the antiquities that appear on the art market today - unprovenanced antiquities, the product of illicit traffic financed, knowingly or not by the collectors and museums that buy them on a no-questions-asked basis. This trade has turned London as well as other international centres into a 'thieves kitchen' where greed triumphs over serious appreciation of the past. Unless a solution is found to this ethical crisis in archaeology, Renfrew argues that our record of the past will be vastly diminished, and his book lays bare the misunderstanding and hypocrisy that underlies that crisis.



Stealing History

Stealing History Author Roger Atwood
ISBN-10 1429901357
Release 2007-04-01
Pages 352
Download Link Click Here

Roger Atwood knows more about the market for ancient objects than almost anyone. He knows where priceless antiquities are buried, who is digging them up, and who is fencing and buying them. In this fascinating book, Atwood takes readers on a journey through Iraq, Peru, Hong Kong, and across America, showing how the worldwide antiquities trade is destroying what's left of the ancient sites before archaeologists can reach them, and thus erasing their historical significance. And it is getting worse. The discovery of the legendary Royal Tombs of Sipan in Peru started an epidemic. Grave robbers scouring the courntryside for tombs--and finding them. Atwood recounts the incredible story of the biggest piece of gold ever found in the Americas, a 2,000-year-old, three-pound masterpiece that cost one looter his life, sent two smugglers to jail, and wrecked lives from Panama to Pennsylvainia. Packed with true stories, this book not only reveals what has been found, but at what cost to both human life and history.



Against Cultural Property

Against Cultural Property Author John Carman
ISBN-10 UVA:X004835052
Release 2005-09-08
Pages 144
Download Link Click Here

This series of short volumes, each devoted to a theme which is the subject of contemporary debate in archaeology, ranges from issues in theory and method to aspects of world archaeology. If 'all property is theft', then cultural property is nothing less than the theft of culture. The term 'cultural property' is widespread in the field of heritage management and is a particularly powerful concept in legal approaches. The term and the concept it represents are never discussed, however. The idea that material that comes to us from the past should be considered 'property' accordingly seems to be taken for granted by those charged with its care. Any debate that does take place is limited to comparing private with state ownership, often under the pretence that the latter represents a form of 'stewardship'. This radical work seeks to challenge the dominance of these limiting ideas by looking for alternatives. Taking as a starting-point the four different types of property relation generally recognised by lawyers and economists, the book explores the implications for cultural objects of different property regimes.In presenting an argument that the concept of 'property' is inappropriate for the heritage, the book challenges much that is taken for granted and undiscussed in the field of heritage management.



Who Owns Antiquity

Who Owns Antiquity Author James Cuno
ISBN-10 1400839246
Release 2010-10-18
Pages 288
Download Link Click Here

Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.



The Classical Debt

The Classical Debt Author Johanna Hanink
ISBN-10 9780674978300
Release 2017-05-22
Pages 352
Download Link Click Here

“Greek debt” means one thing to the country’s creditors. But for millions who prize culture over capital, it means the symbolic debt we owe Greece for democracy, philosophy, mathematics, and fine art. Johanna Hanink shows that our idealized image of ancient Greece dangerously shapes our view of the country’s economic hardship and refugee crisis.



Who Owns the Past

Who Owns the Past Author Kate Fitz Gibbon
ISBN-10 0813536871
Release 2005
Pages 362
Download Link Click Here

.



Archaeology Cultural Heritage and the Antiquities Trade

Archaeology  Cultural Heritage  and the Antiquities Trade Author Neil Brodie
ISBN-10 081303339X
Release 2008
Pages 349
Download Link Click Here

"The looting of archaeological sites and museums has recently been brought vividly to public attention. In this book, many of the world's experts on the subject examine the extent of the problem, how trafficking in illicit artifacts is carried out, and what can be done to save our cultural heritage."--Ellen Herscher, contributing editor, Archaeology magazine Archaeological artifacts have become a traded commodity in large part because the global reach of Western society allows easy access to the world's archaeological heritage. Acquired by the world's leading museums and private collectors, antiquities have been removed from archaeological sites, monuments, or cultural institutions and illegally traded. This collection of essays by world-recognized experts investigates the ways that com-modifying artifacts fuels the destruction of archaeological heritage and considers what can be done to protect it. Despite growing national and international legislation to protect cultural heritage, increasing numbers of archaeological sites--among them, war-torn Afghanistan and Iraq--are subject to pillage as the monetary value of artifacts rises. Offering comprehensive examinations of archaeological site looting, the antiquities trade, the ruin of cultural heritage resources, and the international efforts to combat their destruction, the authors argue that the antiquities market impacts cultural heritage around the world and is a burgeoning global crisis. Neil Brodie is research director of the Illicit Antiquities Research Centre at the McDonald Institute for Archaeological Research, University of Cambridge. Morag M. Kersel, a Ph.D. candidate at the University of Cambridge, is studying the legal trade of antiquities in the Middle East. Christina Luke is a research fellow in the department of archaeology at Boston University. Kathryn Walker Tubb is a lecturer in cultural heritage studies and conservation in the Institute of Archaeology, University College, London.



Whose Culture

Whose Culture Author James Cuno
ISBN-10 9781400833047
Release 2012-05-23
Pages 232
Download Link Click Here

The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.



De Introducing the New Testament

De Introducing the New Testament Author Todd Penner
ISBN-10 9781118432969
Release 2015-04-08
Pages 256
Download Link Click Here

In De-Introducing the New Testament, the authors argue for a renewed commitment to the defamiliarizing power of New Testament studies and a reclaiming of the discipline as one that exemplifies the best practices of the humanities. A new approach that asks us to ‘defamiliarize’ what we think we know about the New Testament, articulating themes and questions about its study that encourage further reflection and engagement Looks behind the traditional ways in which the NT is “introduced” to critically engage the conceptual framework of the field as a whole Provides a critical intervention into several methodological impasses in contemporary NT scholarship Offers an appraisal of the relationship between economics and culture in the production of NT scholarship Written in a style that is clear and concise, ideal for student readership



Debating the Archaeological Heritage

Debating the Archaeological Heritage Author Robin Skeates
ISBN-10 0715629565
Release 2000-06-22
Pages 128
Download Link Click Here

Throughout the world, competing interest groups lay claim to the material remains of the past. Archaeologists, developers, indigenous 'first peoples', looters, museum curators, national government officals, New Age worshippers, private collectors, tourists - all want their share. This introduction to contemporary debates surrounding their rival claims deals with defining, owning, protecting, managing, interpreting, and experiencing the archaeological heritage. Fundamental questions are considered: What is 'archaeological heritage'? Who should own and control the material culture of the past? How should these remains be protected? How should the archaeological heritage be presented to the public? Robin Skeates calls for greater communication and co-operation between archaeologists and other interest groups, urging archaeologists to increase the involvement of local people in the culturally valuable and vulnerable material remains of their past, and in archaeological research that attempts to be objective.



Heritage Studies

Heritage Studies Author Marie Louise Stig Sørensen
ISBN-10 9781135249502
Release 2009-09-18
Pages 360
Download Link Click Here

This is the first volume specifically dedicated to the consolidation and clarification of Heritage Studies as a distinct field with its own means of investigation. It presents the range of methods that can be used and illustrates their application through case studies from different parts of the world, including the UK and USA. The challenge that the collection makes explicit is that Heritage Studies must develop a stronger recognition of the scope and nature of its data and a concise yet explorative understanding of its analytical methods. The methods considered fall within three broad categories: textual/discourse analysis, methods for investigating people’s attitudes and behaviour; and methods for exploring the material qualities of heritage. The methods discussed and illustrated range from techniques such as text analysis, interviews, participant observation, to semiotic analysis of heritage sites and the use of GIS. Each paper discusses the ways in which methods used in social analysis generally are explored and adapted to the specific demands that arise when applied to the investigation of heritage in its many forms. Heritage Studies is a seminal volume that will help to define the field. The global perspective and the shared focus upon the development of reflexive methodologies ensure that the volume explores these central issues in a manner that is simultaneously case-specific and of general relevance.



In the Shadow of World Literature

In the Shadow of World Literature Author Michael Allan
ISBN-10 9781400881093
Release 2016-04-05
Pages 200
Download Link Click Here

We have grown accustomed to understanding world literature as a collection of national or linguistic traditions bound together in the universality of storytelling. Michael Allan challenges this way of thinking and argues instead that the disciplinary framework of world literature, far from serving as the neutral meeting ground of national literary traditions, levels differences between scripture, poetry, and prose, and fashions textual forms into a particular pedagogical, aesthetic, and ethical practice. In the Shadow of World Literature examines the shift from Qur'anic schooling to secular education in colonial Egypt and shows how an emergent literary discipline transforms the act of reading itself. The various chapters draw from debates in literary theory and anthropology to consider sites of reception that complicate the secular/religious divide—from the discovery of the Rosetta stone and translations of the Qur'an to debates about Charles Darwin in the modern Arabic novel. Through subtle analysis of competing interpretative frames, Allan reveals the ethical capacities and sensibilities literary reading requires, the conceptions of textuality and critique it institutionalizes, and the forms of subjectivity it authorizes. A brilliant and original exploration of what it means to be literate in the modern world, this book is a unique meditation on the reading practices that define the contours of world literature.



Museum Ethics

Museum Ethics Author Gary Edson
ISBN-10 9781134773954
Release 2005-09-27
Pages 308
Download Link Click Here

A number of developments in the museum movement during the last few years have forced museums to give greater attention to ethical issues. Members of a profession are increasingly regarded constituting an ethical community. Every person with such a community must have a sense of personal obligation as well as a responsibilty for others to assure ethical achievement. This volume firmly places notions of ethics in the field of action. Museum Ethics considers the theoretical and practical elements of the philosophy of conduct in relation to critical contemporaty issues and museums. This discussion encompasses the procurement of artifacts, the rights of indigenous peoples, repatriation, the politics of display, the conservation of objects and the role of education, as well as the day-to-day management of a museum. All persons active in museum matters, whether custodian, curator, or trustee have an ethical obligation to the museum profession and the public. This volume will allow the professional and student to work towards a more responsible and responsive museum community.



Antiquities

Antiquities Author Maxwell L. Anderson
ISBN-10 9780190614935
Release 2016-12-01
Pages 264
Download Link Click Here

The destruction of ancient monuments and artworks by the Taliban in Afghanistan and the Islamic State in Iraq and Syria has shocked observers worldwide. Yet iconoclastic erasures of the past date back at least to the mid-1300s BCE, during the Amarna Period of ancient Egypt's 18th dynasty. Far more damage to the past has been inflicted by natural disasters, looters, and public works. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(r) analyzes continuing threats to our heritage, and offers a balanced account of treaties and laws governing the circulation of objects; the history of collecting antiquities; how forgeries are made and detected; how authentic works are documented, stored, dispersed, and displayed; the politics of sending antiquities back to their countries of origin; and the outlook for an expanded legal market. Anderson provides a summary of challenges ahead, including the future of underwater archaeology, the use of drones, remote sensing, and how invisible markings on antiquities will allow them to be traced. Written in question-and-answer format, the book equips readers with a nuanced understanding of the legal, practical, and moral choices that face us all when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.



The All American Muscle Car

The All American Muscle Car Author Jim Wangers
ISBN-10 9780760343821
Release 2013-05-26
Pages 192
Download Link Click Here

The All-American Muscle Car celebrates the fifty-year history of the breed through stunning modern and archival photography, head-to-head shootouts between the cars, past and present, and brilliant essays from today's top muscle-car writers.



Antiquities

Antiquities Author Maxwell L. Anderson
ISBN-10 9780190614959
Release 2016-11-03
Pages 240
Download Link Click Here

The destruction of ancient monuments and artworks by the Taliban in Afghanistan and the Islamic State in Iraq and Syria has shocked observers worldwide. Yet iconoclastic erasures of the past date back at least to the mid-1300s BCE, during the Amarna Period of ancient Egypt's 18th dynasty. Far more damage to the past has been inflicted by natural disasters, looters, and public works. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know® analyzes continuing threats to our heritage, and offers a balanced account of treaties and laws governing the circulation of objects; the history of collecting antiquities; how forgeries are made and detected; how authentic works are documented, stored, dispersed, and displayed; the politics of sending antiquities back to their countries of origin; and the outlook for an expanded legal market. Anderson provides a summary of challenges ahead, including the future of underwater archaeology, the use of drones, remote sensing, and how invisible markings on antiquities will allow them to be traced. Written in question-and-answer format, the book equips readers with a nuanced understanding of the legal, practical, and moral choices that face us all when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.



Palimpsestic Memory

Palimpsestic Memory Author Max Silverman
ISBN-10 9780857458841
Release 2013-02-28
Pages 216
Download Link Click Here

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.