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Early Medieval Art

Early Medieval Art Author Lawrence Nees
ISBN-10 0192842439
Release 2002
Pages 272
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Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation, in this detailed and up-to-date study of the artworks of the medieval age. Early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe, are presented by Nees not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe.



Medieval Art

Medieval Art Author Veronica Sekules
ISBN-10 0192842412
Release 2001-04-26
Pages 228
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This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.



Byzantine Art

Byzantine Art Author Robin Cormack
ISBN-10 9780191084478
Release 2018-03-08
Pages 304
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The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.



Medieval Architecture

Medieval Architecture Author Nicola Coldstream
ISBN-10 0192842765
Release 2002
Pages 256
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Presents an overview of Medieval architecture, describing the similarity of the features of both religious and secular structures and how these buildings reflect the people who built and used them.



Early Medieval Architecture

Early Medieval Architecture Author R. A. Stalley
ISBN-10 0192842234
Release 1999
Pages 272
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The early middle ages were an exciting period in the history of European architecture, culminating in the development of the Romanesque style. Major architectural innovations were made during this time including the medieval castle, the church spire, and the monastic cloister. By avoiding the traditional emphasis on chronological development, Roger Stalley provides a radically new approach to the subject, exploring issues and themes rather than sequences and dates. In addition to analysing the language of the Romanesque, the book examines the engineering achievements of the builders, and clearly how the great monuments of the age were designed and constructed. Ranging from Gotland to Apulia, the richness and variety of European architecture is explored in terms of the social and religious aspirations of the time. Symbolic meanings associated with architecture are also thoroughly investigated. Written with style and humour, the lively text includes many quotations from ancientsources, providing a fascinating insight into the way that medieval buildings were created, and in the process enlivening study of this period.



Medieval Art

Medieval Art Author Marilyn Stokstad
ISBN-10 9780429974663
Release 2018-05-04
Pages 432
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This beautifully produced survey of over a thousand years of Western art and architecture introduces the reader to a vast period of history ranging from ancient Rome to the age of exploration. The monumental arts and the diverse minor arts of the Middle Ages are presented here within the social, religious, and political frameworks of lands as varied as France and Denmark, Spain and Turkey. Marilyn Stokstad also teaches her reader how to look at medieval art-which aspects of architecture, sculpture, or painting are important and for what reasons. Stylistic and iconographic issues and themes are thoroughly addressed with attention paid to aesthetic and social contexts. Significantly updated, this second edition of Medieval Art spans the period from the second to the fifteenth centuries and includes over 4000 illustrations, over 100 in color, detailed maps, a time-line, glossary, bibliography, and index-all in a larger 8 by 10 inch trim size.



Northern Renaissance Art

Northern Renaissance Art Author Susie Nash
ISBN-10 9780192842695
Release 2008-11-27
Pages 354
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The history of northern Renaissance art, from the late 14th to the early 16th century, drawing on a rich range of sources to show how northern European art dominated the visual culture of Europe in this formative period



Art of the Middle Ages

Art of the Middle Ages Author Janetta Rebold Benton
ISBN-10 0500203504
Release 2002
Pages 320
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Presents a chronological introduction to Medieval art, including stained glass, illuminated manuscripts, mural and panel paintings, metalwork, tapestries, sculpture, and architecture.



Renaissance Architecture

Renaissance Architecture Author Christy Anderson
ISBN-10 9780191625268
Release 2013-02-28
Pages 272
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The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.



Beauty and Art

Beauty and Art Author Elizabeth Prettejohn
ISBN-10 9780191516511
Release 2005-05-05
Pages 224
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What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?



Art in Renaissance Italy 1350 1500

Art in Renaissance Italy  1350 1500 Author Evelyn S. Welch
ISBN-10 019284279X
Release 2000
Pages 351
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Between the `Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential and exciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.



Early Medieval Art 300 1150

Early Medieval Art  300 1150 Author Caecilia Davis-Weyer
ISBN-10 0802066283
Release 1971
Pages 182
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Originally published by Prentice-Hall, 1971.



A Companion to Medieval Art

A Companion to Medieval Art Author Conrad Rudolph
ISBN-10 9781444357226
Release 2011-09-07
Pages 704
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A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.



The Art of Solidarity in the Middle Ages

The Art of Solidarity in the Middle Ages Author Gervase Rosser
ISBN-10 9780198201571
Release 2015
Pages 235
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Explores the motives and experiences of the medieval men and women who joined together in guilds, family-like societies that affected most aspects of their members' lives



Image on the Edge

Image on the Edge Author Michael Camille
ISBN-10 9781780232508
Release 2013-06-01
Pages 176
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What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.



The Dictionary of Art

The Dictionary of Art Author Jane Turner
ISBN-10 0195170687
Release 2003-02
Pages 32600
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Boasting well over 6,000 contributors from 12 countries, the Dictionary offers its readers authoritative and comprehensive global coverage. A resource for both art and cultural studies, the Dictionary serves as a unique guide to all the visual arts: painting, sculpture, architecture, photography, drawing, printmaking, as well as the decorative arts. The Dictionary ranges far both geographically and historically; it features unparalleled coverage of Africa, Southeast Asia, Central Asia and Mongolia, China, India, the Islamic world, Japan, Korea, Native North America, Pacific and Aboriginal Australia, Pre-Columbian America, Ancient Egypt, Ancient Greece, the Ancient Near East, and Ancient Rome. Providing depth as well as breadth, The Dictionary of Art examines important art forms and key issues of design, taste, function, and patronage, illuminating them in light of the cultural context in which they developed.



Seeing Medieval Art

Seeing Medieval Art Author Herbert L. Kessler
ISBN-10 1551115352
Release 2004
Pages 256
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"Experts and non-experts alike will find much to delight and challenge them in Kessler's rich embroidery of text and image." - Mary Carruthers, New York University