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New Vocabularies in Film Semiotics

New Vocabularies in Film Semiotics Author Robert Stam
ISBN-10 9781134963164
Release 2005-07-08
Pages 256
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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.



A Companion to Film Theory

A Companion to Film Theory Author Toby Miller
ISBN-10 9780470700631
Release 2008-06-09
Pages 440
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A Companion to Film Theory has been writing in one form or another for most of life. You can find so many inspiration from A Companion to Film Theory also informative, and entertaining. Click DOWNLOAD or Read Online button to get full A Companion to Film Theory book for free.



Unthinking Eurocentrism

Unthinking Eurocentrism Author Ella Shohat
ISBN-10 9781317675402
Release 2014-06-05
Pages 508
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Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s – the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade – a process which culminates in the post-War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a "polycentric" approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of "positive image" analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the "transnational," the "commons," "indigeneity," and the "Red Atlantic" have come to the fore. The afterword also explores some cinematic trends such as "indigenous media" and "postcolonial adaptations" that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies.



Art and Intercultural Dialogue

Art and Intercultural Dialogue Author Susana Gonçalves
ISBN-10 9789463004237
Release 2016-03-22
Pages 285
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How can art act as an intercultural mediator for dialogue? In order to scrutinize this question, relevant theoretical ideas are discussed and artistic intervention projects examined so as to highlight its cultural, political, economic, social, and transformational impacts. This thought-provoking work reveals why art is needed to help multicultural neighbourhoods and societies be sustainable, as well as united by diversity. This edited collection underlines the significance of arts and media as a tool of understanding, mediation, and communication across and beyond cultures. The chapters with a variety of conceptual and methodological approaches from particular contexts demonstrate the complexity in the dynamics of (inter)cultural communication, culture, identity, arts, and media. Overall, the collection encourages readers to consider themselves as agents of the communication process promoting dialogue.



Mapping Controversies in Architecture

Mapping Controversies in Architecture Author Albena Yaneva
ISBN-10 9781317100928
Release 2016-05-13
Pages 144
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The book tackles a number of challenging questions: How can we conceptualize architectural objects and practices without falling into the divides architecture/society, nature/culture, materiality/meaning? How can we prevent these abstractions from continuing to blind architectural theory? What is the alternative to critical architecture? Mapping controversies is a research method and teaching philosophy that allows divides to be crossed. It offers a new methodology for following debates surrounding contested urban knowledge. Engaging in explorations of on-going and recent controversies and re-visiting some well-known debates, the analysis foregrounds, traces and maps the changing sets of positions triggered by design: the 2012 Olympics stadium in London, the Welsh parliament in Cardiff, the Heathrow airport runway extension, the Sydney Opera House, the Eiffel Tower. By mobilizing digital technologies and new computational design techniques we are able to visualize the variety of factors that impinge on design and track actors' trajectories, changing groupings, concerns and modalities of action. The book places architecture at the intersection of the human and the nonhuman, the particular and the general. It allows its networks to be re-established and to run between local and global, social and technical. Mapping controversies can be extrapolated to a wide range of complex phenomena of hybrid nature.



Framed Time

Framed Time Author Garrett Stewart
ISBN-10 9780226774572
Release 2008-09-15
Pages 320
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Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema’s 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films—from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Caché —Stewart investigates how their treatments of time reflect the change in media from film’s original rolling reel to today’s digital pixel. He goes on to show—with 140 stills—how American and European narratives confront this shift differently: while Hollywood movies tend to revolve around ghostly afterlives, psychotic doubles, or violent time travel, their European counterparts more often feature second sight, erotic telepathy, or spectral memory. Stewart questions why these recent plots, in exploring temporality, gravitate toward either supernatural or uncanny apparitions rather than themes of digital simulation. In doing so, he provocatively continues the project he began with Between Film and Screen, breaking new ground in visual studies, cinema history, and media theory.



Looking for the Proletariat

Looking for the Proletariat Author Stephen Hastings-King
ISBN-10 9789004235373
Release 2014-05-08
Pages 354
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Looking for the Proletariat is the first English-language history of the French revolutionary group Socialisme ou Barbarie from 1949 to 1957. It explores the group, its contexts and the collapse of the Marxist Imaginary captured in texts by Daniel Mothé.



Improvisation and Social Aesthetics

Improvisation and Social Aesthetics Author Georgina Born
ISBN-10 9780822374015
Release 2017-03-03
Pages 360
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Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities. Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, Zoë Svendsen, Darren Wershler



The Films of Martin Scorsese 1978 99

The Films of Martin Scorsese  1978 99 Author Leighton Grist
ISBN-10 1403920354
Release 2013-01-30
Pages 357
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Martin Scorsese is one of the world's great filmmakers, and a genuine auteur. A follow up to The Films of Martin Scorsese, 1963-77, this book covers his work from The Last Waltz to Bringing Out the Dead. Central is the detailed, theoretically informed discussion of all of the Scorsese-directed features released during this period, which, for Scorsese, was marked by both considerable artistic achievement and a shifting and at times uncertain relationship with the Hollywood film industry. Filmic discussion is correspondingly situated in relation to a range of forces and developments – institutional, but also of larger historical reference – that shape the films and Scorsese's authorial discourse. Another stimulating demonstration of sustained textual analysis, The Films of Martin Scorsese, 1978-99 presents an extended critical affirmation of the continuing pertinence of the concept of film authorship and illuminates Hollywood cinema from the late 1970s to the turn of the millennium. Like its predecessor, the book is about authorship and context. Discussion of the films is founded upon a combination of formal, psychoanalytic, and ideological approaches.



Films that Work

Films that Work Author Vinzenz Hediger
ISBN-10 9789089640130
Release 2009
Pages 491
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Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.



With a Little Help

With a Little Help Author Cory Doctorow
ISBN-10 0557943051
Release 2009
Pages 362
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Anyone who grooved to the counterculture vibe of Doctorow's young-adult novels Little Brother (2008) and For the Win (2010) will embrace these stories heartily-no one can dole out technological cautionary tales while simultaneously celebrating technology as cunningly as Doctorow. This volume's single never-before-published story, "Epoch," is the standout, an ethically thorny but heartfelt update on the classic sf conceit of an AI that becomes too self-aware. Never one to avoid the jugular, Doctorow doesn't bother to assign Google an alias in "Scroogled"; the depiction of a world where we're all "Googlestalked" until we're "guilty of something" feels chillingly immediate. It's not always easy to warm up to Doctorow's purposeful characters, but it's easy to be swept up in their just-barely-futuristic travails of surveillance gone wrong and privacy shattered. Reading this on your iPhone? Then these stories are probably for you. -- Booklist



NASCAR Sturgis and the New Economy of Spectacle

NASCAR  Sturgis  and the New Economy of Spectacle Author Daniel Krier
ISBN-10 9789004300613
Release 2016-10-07
Pages 240
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NASCAR, Sturgis, and the New Economy of Spectacle vividly illustrates how legendary spectacles, such as those in NASCAR racing and the Sturgis Motorcycle Rally, generate a triple-circuit of profit.



Harun Farocki

Harun Farocki Author Thomas Elsaesser
ISBN-10 9789053566350
Release 2004
Pages 379
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Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children’s television features, “learning films” in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki’s own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.



The Cambridge Companion to Greek and Roman Theatre

The Cambridge Companion to Greek and Roman Theatre Author Marianne McDonald
ISBN-10 9781139827256
Release 2007-05-31
Pages
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This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.



Entangled

Entangled Author Ian Hodder
ISBN-10 9780470672112
Release 2012-05-08
Pages 252
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A powerful and innovative argument that explores the complexity of the human relationship with material things, demonstrating how humans and societies are entrapped into the maintenance and sustaining of material worlds Argues that the interrelationship of humans and things is a defining characteristic of human history and culture Offers a nuanced argument that values the physical processes of things without succumbing to materialism Discusses historical and modern examples, using evolutionary theory to show how long-standing entanglements are irreversible and increase in scale and complexity over time Integrates aspects of a diverse array of contemporary theories in archaeology and related natural and biological sciences Provides a critical review of many of the key contemporary perspectives from materiality, material culture studies and phenomenology to evolutionary theory, behavioral archaeology, cognitive archaeology, human behavioral ecology, Actor Network Theory and complexity theory



A Companion to Early Cinema

A Companion to Early Cinema Author André Gaudreault
ISBN-10 9781118293874
Release 2012-07-17
Pages 648
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An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context



Phenomenology and the Future of Film

Phenomenology and the Future of Film Author J. Chamarette
ISBN-10 9781137283740
Release 2012-09-28
Pages 271
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Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.