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Notes on the Cinematograph

Notes on the Cinematograph Author Robert Bresson
ISBN-10 9781681370248
Release 2016
Pages 88
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The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for �students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.



Bresson on Bresson

Bresson on Bresson Author Robert Bresson
ISBN-10 9781681370446
Release 2016
Pages 285
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One of the most influential directors in the history of French cinema, Robert Bresson never strayed from his iconoclastic ways, insisting on the use of nonprofessional actors, shunning the oadvanceso of Cinerama and CinemaScope (and the work of most of his predecessors and peers), mincing no words about the damaging influence of capitalism and the studio system on the still-developing-in his view-art of film. Organized chronologically, this collection of interviews and testimonials reveals the development of Bresson's thought over the course of forty years, punctuated by recurring mantras such as oSound cinema invented silence,o oCharacters don't make a film; a film makes its characters,o oCinema is a form of writing,o and (paraphrased from the Bible) oEvery idle word shall be counted.o His integrity and originality earned him the respect of younger innovators, notably the filmmakers of the French New Wave, whose importance he recognized from the start. Perhaps the most striking cumulative effect of this palimpsest of self-interpretation is the revelation, beneath the apparently hyper-controlled aesthetic of Bresson's films, of a near-religious belief in the value of intuition, not only that of the creator but that of the general public, which he claims to deeply respect- oPeople are always ready to feel before they understand. And that's how it should be.o



The Films in My Life

The Films in My Life Author François Truffaut
ISBN-10 9781626813960
Release 2014-08-26
Pages 287
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An icon. A rebel. A legend. The films of Francois Truffaut defined an exhilarating new form of cinema for moviegoers the world over. Before Francois Truffaut was a great director, he was a critic who stood at the vanguard, pioneering an innovative way to view movies and to write about the cinematic arts. Now, for the first time in eBook, the legendary director shares his own words, as one of the most influential filmmakers of all time examines the art of movie-making through engaging and deeply personal reviews about the movies he loves. Truffaut writes extensively about his heroes, from Hitchcock to Welles, Chaplin to Renoir, Bunuel to Bergman, Clouzot to Cocteau, Capra to Hawks, Guitry to Fellini, sharing analysis and insight as to what made them film legends, and how their work led Truffaut and his fellow directors into classics like THE 400 BLOWS, JULES AND JIM, and the French New Wave Movement. Articulate and candid, THE FILMS IN MY LIFE is for everyone who has sat in a dark movie theater and dreamed. "Truffaut brings the same intelligence and grace to the printed page that he projects onto the screen. THE FILMS IN MY LIFE provides a rare knowledgeable look at movies and moviemaking." —NEWSDAY



A Third Face

A Third Face Author Samuel Fuller
ISBN-10 1557836272
Release 2004
Pages 592
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(Applause Books). Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set out to capture the truth of war, racism and human frailties, and incorporate some of his own experiences. His film Park Row was inspired by his years in the New York newspaper business, where his beat included murders, suicides, state executions and race riots. He writes about hitchhiking across the country at the height of the Great Depression. His years in the army in World War II are captured in his hugely successful pictures The Big Red One , The Steel Helmet and Merrill's Marauders . Fuller's other films include Pickup on South Street ; Underworld U.S.A. , a movie that shows how gangsters in the 1960s were seen as "respected" tax-paying executives; Shock Corridor , which exposed the conditions in mental institutions; and White Dog , written in collaboration with Curtis Hanson ( L.A. Confidential ), a film so controversial that Paramount's then studio heads Jeffrey Katzenberg and Michael Eisner refused to release it. In addition to his work in film, Samuel Fuller (1911-1997) wrote eleven novels. He lived in Los Angeles with his wife and their daughter. A Third Face was completed by Jerome Henry Rudes, Fuller's longtime friend, and his wife, Christa Lang Fuller. "Fuller wasn't one for tactful understatement and his hot-blooded, incident-packed autobiography is accordingly blunt ... A Third Face is a grand, lively, rambunctious memoir." Janet Maslin, The New York Times ; "Fuller's last work is a joy and an important addition to film and popular culture literature." Publishers Weekly ; "If you don't like the films of Sam Fuller, then you just don't like cinema." Martin Scorsese, from the book's introduction



Renoir

Renoir Author Jean Renoir
ISBN-10 0940322773
Release 2001
Pages 437
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The son of the great French impressionist painter offers readers a loving portrait of his father's life and career spiced with plentiful anecdotes and details of his relationship with other artistic giants such as Monet and CTzanne. Reprint.



Why Read the Classics

Why Read the Classics Author Italo Calvino
ISBN-10 9780544146372
Release 2014-12-16
Pages 288
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A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.



Transcendental Style in Film

Transcendental Style in Film Author Paul Schrader
ISBN-10 9780520969148
Release 2018-05-25
Pages 232
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With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.



Sculpting in Time

Sculpting in Time Author Andrey Tarkovsky
ISBN-10 0292776241
Release 1987
Pages 254
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A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity



Nyrb Classics 10th Anniversary Complete Collection

Nyrb Classics 10th Anniversary Complete Collection Author RANDOM HOUSE INC
ISBN-10 1590173570
Release 2009-10-27
Pages
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The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dante Alighieri The Ten Thousand Things by Maria Dermout The Unpossessed by Tess Slesinger The Middle of the Journey by Lionel Trilling The World of Odysseus by M.I. Finley The Book of My Life by Girolamo Cardano The Moon and the Bonfires by Cesare Pavese Paris Stories by Mavis Gallant Troubles by J.G. Farrell In the Freud Archives by Janet Malcolm The Private Memoirs and Confessions of a Justified Sinner by James Hogg A Sorrow Beyond Dreams by Peter Handke The Fountain Overflows by Rebecca West Prisoner of Love by Jean Genet We Always Treat Women Too Well by Raymond Queneau Witch Grass by Raymond Queneau The Stuffed Owl by D.B. Wyndham Lewis To the Finland Station by Edmund Wilson The Vet's Daughter by Barbara Comyns Walter Benjamin by Gershom Scholem Fancies and Goodnights by John Collier Shelley: The Pursuit by Richard Holmes In Parenthesis by David Jones Peking Story by David Kidd Rene Leys by Victor Segalen Black Sun by Geoffrey Wolff Dirty Snow by Georges Simenon The Invention of Morel by Adolfo Bioy Casares The Day of the Owl by Leonardo Sciascia Equal Danger by Leonardo Sciascia Monsieur Proust by Celeste Albaret Three Bedrooms in Manhattan by Georges Simenon The Tenants of Moonbloom by Edward Lewis Wallant The Towers of Trebizond by Rose MacAulay Varieties of Exile by Mavis Gallant My Century by Aleksander Wat The World I Live In by Helen Keller American Humor by Constance Rourke The Ivory Tower by Henry James The Gallery by John Horne Burns Paris and Elsewhere by Richard Cobb Apartment in Athens by Glenway Wescott Envy by Yuri Olesha The Moro Affair by Leonardo Sciascia Nights in the Gardens of Brooklyn by Harvey Swados Part of Our Time by Murray Kempton The Case of Comrade Tulayev by Victor Serge Boredom by Alberto Moravia Contempt by Alberto Moravia The Diary of a Rapist by Evan S. Connell Monsieur Monde Vanishes by Georges Simenon The Siege of Krishnapur by J.G. Farrell W. H. Auden's Book of Light Verse by W. H. Auden Asleep in the Sun by Adolfo Bioy Casares The Bog People by P.V. Glob Moravagine by Blaise Cendrars The Selected Poems of Osip Mandelstam by Osip Mandelstam Cassandra at the Wedding by Dorothy Baker The Furies by Janet Hobhouse Hons and Rebels by Jessica Mitford Indian Summer by William Dean Howells Memoirs of Hecate County by Edmund Wilson The Inferno of Dante Alighieri by Dante Alighieri The Year of the French by Thomas Flanagan Flaubert and Madame Bovary by Francis Steegmuller The Late Mattia Pascal by Luigi Pirandello The Life of Lazarillo de Tormes by W.S. Merwin The Peregrine by J.A. Baker Blood on the Forge by William Attaway The Child by Jules Valles The Lord Chandos Letter by Hugo Von Hofmannsthal The Singapore Grip by J.G. Farrell Count D'Orgel's Ball by Raymond Radiguet War and the Iliad by Simone Weil Anglo-Saxon Attitudes by Angus Wilson The Crisis of the Negro Intellectual by Harold Cruse Kaputt by Curzio Malaparte Memed, My Hawk by Yashar Kemal The Notebooks of Joseph Joubert by Joseph Joubert The Thirty Years War by C.V. Wedgwood Shakespeare by Mark Van Doren The Stalin Front by Gert Ledig Tropic Moon by Georges Simenon Between the Woods and the Water by Patrick Leigh Fermor A Time of Gifts by Patrick Leigh Fermor Jejuri by Arun Kolatkar The Man Who Watched Trains Go By by Georges Simenon Mouchette by Georges Bernanos Warlock by Oakley Hall The New York Stories of Henry James by Henry James Chess Story by Stefan Zweig What's for Dinner? by James Schuyler English, August by Upamanyu Chatterjee Conundrum by Jan Morris Life and Fate by Vasily Grossman Mani by Patrick Leigh Fermor Roumeli by Patrick Leigh Fermor Beware of Pity by Stefan Zweig Stoner by John Williams The Big Clock by Kenneth Fearing Red Lights by Georges Simenon The Jeffersonian Transformation by Henry Adams Love in a Fallen City by Eileen Chang A Savage War of Peace by Alistair Horne Clark Gifford's Body by Kenneth Fearing The Strangers in the House by Georges Simenon Pages from the Goncourt Journals by Edmond and Jules de Goncourt They Burn the Thistles by Yashar Kemal Born Under Saturn by Rudolf and Margot Wittkower The Stray Dog Cabaret by Edited by Honor Moore and Catherine Ciepiela Butcher's Crossing by John Williams Dante by Erich Auerbach The Slaves of Solitude by Patrick Hamilton That Awful Mess on the Via Merulana by Carlo Emilio Gadda The Engagement by Georges Simenon The Enchanted April by Elizabeth von Arnim The Slynx by Tatyana Tolstaya White Walls by Tatyana Tolstaya Memoirs of Montparnasse by John Glassco The Dud Avocado by Elaine Dundy The Education Of A Gardener by Russell Page The Book of Ebenezer Le Page by G. B. Edwards Sunflower by Gyula Krudy Novels in Three Lines by Felix Feneon The Goshawk by T. H. White The New York Stories of Edith Wharton by Edith Wharton A Time to Keep Silence by Patrick Leigh Fermor All About H. Hatterr by G. V. Desani Rogue Male by Geoffrey Household Memoirs of an Anti-Semite by Gregor von Rezzori Soul by Andrey Platonov Sheppard Lee, Written by Himself by Robert Montgomery Bird Poems of the Late T'ang by A. C. Graham Twenty Thousand Streets Under the Sky by Patrick Hamilton Unforgiving Years by Victor Serge Belchamber by Howard Sturgis A Journey Round My Skull by Frigyes Karinthy The Widow by Georges Simenon The Post-Office Girl by Stefan Zweig Afloat by Guy de Maupassant The Family Mashber by Der Nister The Summer Book by Tove Jansson Names on the Land by George R. Stewart Miami and the Siege of Chicago by Norman Mailer Inverted World by Christopher Priest My Fantoms by Theophile Gautier Stones of Aran: Pilgrimage by Tim Robinson In Hazard by Richard Hughes Victorine by Maude Hutchins Grief Lessons by Euripides Rock Crystal by Adalbert Stifter The Liberal Imagination by Lionel Trilling The Queue by Vladimir Sorokin Ringolevio by Emmett Grogan Defeat: Napoleon’s Russian Campaign by Philippe-Paul de Segur Don't Look Now by Daphne Du Maurier The Chrysalids by John Wyndham Pinocchio by Carlo Collodi The Snows of Yesteryear by Gregor von Rezzori The Rider on the White Horse by Theodor Storm School for Love by Olivia Manning Chaos and Night by Henry de Montherlant A Meaningful Life by L. J. Davis Short Letter, Long Farewell by Peter Handke Slow Homecoming by Peter Handke Season of Migration to the North by Tayeb Salih The Foundation Pit by Andrey Platonov The Complete Fiction by Francis Wyndham The One-Straw Revolution by Masanobu Fukuoka The Old Man and Me by Elaine Dundy Summer Will Show by Syliva Townsend Warner Niki by Tibor Dery Hard Rain Falling by Don Carpenter Stones of Aran: Labyrinth by Tim Robinson The Cost of Living by Mavis Gallant Memories of the Future by Sigizmund Krzhizhanovsky Poem Strip by Dino Buzzati No Tomorrow by Vivant Denon The Way of the World by Nicolas Bouvier



What is Cinema

What is Cinema Author André Bazin
ISBN-10
Release 1967
Pages 200
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Translation of selections from Qu'est-ce que le cinema?



Masters of Light

Masters of Light Author Dennis Schaefer
ISBN-10 9780520956490
Release 2013-01-19
Pages 374
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Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.



Something Like An Autobiography

Something Like An Autobiography Author Akira Kurosawa
ISBN-10 9780307803214
Release 2011-07-27
Pages 240
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Translated by Audie E. Bock. "A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction." --Variety "For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments." --Washington Post Book World



Robert Bresson

Robert Bresson Author Keith Reader
ISBN-10 0719053668
Release 2000-09-02
Pages 166
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This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of “models” (he refuses the term “actors”), his sparse and elliptical editing style, his rejection of conventional psychological realism make his work all but unique and instantly recognizable. This is the first monograph on his work to appear in English for many years, and deals with his thirteen feature-length films and his short treatise “Notes on Cinematography.”



L Argent

L Argent Author Kent Jones
ISBN-10 UOM:39015048943164
Release 1999-10-27
Pages 96
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Made when the director was almost 80, Robert Bresson's "L'Argent" (1983) is a study of murder and motive adapted from Tolstoy. The author compares "L'Argent" to Bresson's other work and places the film at the crossroads of recent cinema trends - those of the vigilante and serial killer films.



Paris Vagabond

Paris Vagabond Author Jean-Paul Clebert
ISBN-10 9781590179581
Release 2016-04-12
Pages 336
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An NYRB Classic Original Jean-Paul Clébert was a boy from a respectable middle-class family who ran away from school, joined the French Resistance, and never looked back. Making his way to Paris at the end of World War II, Clébert took to living on the streets, and in Paris Vagabond, a so-called “aleatory novel” assembled out of sketches he jotted down at the time, he tells what it was like. His “gallery of faces and cityscapes on the road to extinction” is an astonishing depiction of a world apart—a Paris, long since vanished, of the poor, the criminal, and the outcast—and a no less astonishing feat of literary improvisation: Its long looping breathless sentences, streetwise, profane, lyrical, incantatory, are an adventure in their own right. Praised on publication by the great novelist and poet Blaise Cendrars and embraced by the young Situationists as a kind of manual for living off the grid, Paris Vagabond—here published with the starkly striking photographs of Clébert’s friend Patrice Molinard—is a raw and celebratory evocation of the life of a city and the underside of life.



Cassavetes on Cassavetes

Cassavetes on Cassavetes Author John Cassavetes
ISBN-10 0571201571
Release 2001-08-15
Pages 526
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"For more than thirty years John Cassavetes, the spiritual father of American independent filmmaking, steered a courageous course freelancing on the fringes of the Hollywood studio system. This is the autobiography he never lived to write." "In his own words Cassavetes tells the story of his life as he lived it, day by day, year by year. He begins with his family and childhood and describes his high school, college, and drama school days. He talks about the years he spent pounding the pavement in New York as a young, unemployed actor unable to get a job - or even an agent. Then he takes the reader behind the scenes to sit in on the planning, rehearsing, shooting, and editing of each of his films - from Shadows, Faces, and Husbands, to Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, Opening Night, Gloria, and Love Streams. He describes the battles to get them made and the even greater struggle to get them into theaters. It is an extraordinary personal saga of dreams, triumphs, and frustrations; of high-stakes financial gambles, crazy artistic risk-taking, and midnight visions of glory. This is Cassavetes at his most candid and outspoken - uncompromising, humane, and passionate about both life and art." "Ray Carney, the leading authority on Cassavetes' life and work, spent more than ten years assembling the text, based on new and previously published interviews with Cassavetes and artists who knew him - including Gena Rowlands, Peter Falk, Ben Gazzara and scores of others."--BOOK JACKET.



The Book of Laughter and Forgetting

The Book of Laughter and Forgetting Author Milan Kundera
ISBN-10 9780060932145
Release 1999-04-07
Pages 320
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Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.