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Notes on the Cinematograph

Notes on the Cinematograph Author Robert Bresson
ISBN-10 9781681370248
Release 2016
Pages 88
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The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors--models, as he called them--and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for �students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.



Bresson on Bresson

Bresson on Bresson Author Robert Bresson
ISBN-10 9781681370446
Release 2016
Pages 285
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One of the most influential directors in the history of French cinema, Robert Bresson never strayed from his iconoclastic ways, insisting on the use of nonprofessional actors, shunning the oadvanceso of Cinerama and CinemaScope (and the work of most of his predecessors and peers), mincing no words about the damaging influence of capitalism and the studio system on the still-developing-in his view-art of film. Organized chronologically, this collection of interviews and testimonials reveals the development of Bresson's thought over the course of forty years, punctuated by recurring mantras such as oSound cinema invented silence,o oCharacters don't make a film; a film makes its characters,o oCinema is a form of writing,o and (paraphrased from the Bible) oEvery idle word shall be counted.o His integrity and originality earned him the respect of younger innovators, notably the filmmakers of the French New Wave, whose importance he recognized from the start. Perhaps the most striking cumulative effect of this palimpsest of self-interpretation is the revelation, beneath the apparently hyper-controlled aesthetic of Bresson's films, of a near-religious belief in the value of intuition, not only that of the creator but that of the general public, which he claims to deeply respect- oPeople are always ready to feel before they understand. And that's how it should be.o



Notes of a Crocodile

Notes of a Crocodile Author Qiu Miaojin
ISBN-10 9781681370767
Release 2017
Pages 242
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"Set in the post-martial-law era of 1990s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon. Afflicted by her fatalistic attraction to Shui Ling, an older woman who is alternately hot and cold toward her, Lazi turns for support to a circle of friends that includes the devil-may-care, rich-kid-turned-criminal Meng Sheng and his troubled, self-destructive gay lover Chu Kuang, as well as the bored, mischievous overachiever Tun Tun and her alluring slacker artist girlfriend Zhi Rou. Bursting with the optimism of newfound liberation and romantic idealism despite corroding innocence, Notes of a Crocodile is a poignant and intimate masterpiece of social defiance by a singular voice in contemporary Chinese literature"--]cProvided by publisher.



Renoir

Renoir Author Jean Renoir
ISBN-10 0940322773
Release 2001
Pages 437
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The son of the great French impressionist painter offers readers a loving portrait of his father's life and career spiced with plentiful anecdotes and details of his relationship with other artistic giants such as Monet and CTzanne. Reprint.



Robert Bresson

Robert Bresson Author Joseph Cunneen
ISBN-10 0826416055
Release 2004-04-19
Pages 199
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Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up."



Why Read the Classics

Why Read the Classics Author Italo Calvino
ISBN-10 9780544146372
Release 2014-12-16
Pages 288
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A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.



Transcendental Style in Film

Transcendental Style in Film Author Paul Schrader
ISBN-10 9780520969148
Release 2018-05-25
Pages 232
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With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.



Kuleshov on Film

Kuleshov on Film Author Lev Vladimirovich Kuleshov
ISBN-10 0520026594
Release 1974-01-01
Pages 226
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Kuleshov on Film has been writing in one form or another for most of life. You can find so many inspiration from Kuleshov on Film also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Kuleshov on Film book for free.



Nyrb Classics 10th Anniversary Complete Collection

Nyrb Classics 10th Anniversary Complete Collection Author RANDOM HOUSE INC
ISBN-10 1590173570
Release 2009-10-27
Pages
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The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dante Alighieri The Ten Thousand Things by Maria Dermout The Unpossessed by Tess Slesinger The Middle of the Journey by Lionel Trilling The World of Odysseus by M.I. Finley The Book of My Life by Girolamo Cardano The Moon and the Bonfires by Cesare Pavese Paris Stories by Mavis Gallant Troubles by J.G. Farrell In the Freud Archives by Janet Malcolm The Private Memoirs and Confessions of a Justified Sinner by James Hogg A Sorrow Beyond Dreams by Peter Handke The Fountain Overflows by Rebecca West Prisoner of Love by Jean Genet We Always Treat Women Too Well by Raymond Queneau Witch Grass by Raymond Queneau The Stuffed Owl by D.B. Wyndham Lewis To the Finland Station by Edmund Wilson The Vet's Daughter by Barbara Comyns Walter Benjamin by Gershom Scholem Fancies and Goodnights by John Collier Shelley: The Pursuit by Richard Holmes In Parenthesis by David Jones Peking Story by David Kidd Rene Leys by Victor Segalen Black Sun by Geoffrey Wolff Dirty Snow by Georges Simenon The Invention of Morel by Adolfo Bioy Casares The Day of the Owl by Leonardo Sciascia Equal Danger by Leonardo Sciascia Monsieur Proust by Celeste Albaret Three Bedrooms in Manhattan by Georges Simenon The Tenants of Moonbloom by Edward Lewis Wallant The Towers of Trebizond by Rose MacAulay Varieties of Exile by Mavis Gallant My Century by Aleksander Wat The World I Live In by Helen Keller American Humor by Constance Rourke The Ivory Tower by Henry James The Gallery by John Horne Burns Paris and Elsewhere by Richard Cobb Apartment in Athens by Glenway Wescott Envy by Yuri Olesha The Moro Affair by Leonardo Sciascia Nights in the Gardens of Brooklyn by Harvey Swados Part of Our Time by Murray Kempton The Case of Comrade Tulayev by Victor Serge Boredom by Alberto Moravia Contempt by Alberto Moravia The Diary of a Rapist by Evan S. Connell Monsieur Monde Vanishes by Georges Simenon The Siege of Krishnapur by J.G. Farrell W. H. Auden's Book of Light Verse by W. H. Auden Asleep in the Sun by Adolfo Bioy Casares The Bog People by P.V. Glob Moravagine by Blaise Cendrars The Selected Poems of Osip Mandelstam by Osip Mandelstam Cassandra at the Wedding by Dorothy Baker The Furies by Janet Hobhouse Hons and Rebels by Jessica Mitford Indian Summer by William Dean Howells Memoirs of Hecate County by Edmund Wilson The Inferno of Dante Alighieri by Dante Alighieri The Year of the French by Thomas Flanagan Flaubert and Madame Bovary by Francis Steegmuller The Late Mattia Pascal by Luigi Pirandello The Life of Lazarillo de Tormes by W.S. Merwin The Peregrine by J.A. Baker Blood on the Forge by William Attaway The Child by Jules Valles The Lord Chandos Letter by Hugo Von Hofmannsthal The Singapore Grip by J.G. Farrell Count D'Orgel's Ball by Raymond Radiguet War and the Iliad by Simone Weil Anglo-Saxon Attitudes by Angus Wilson The Crisis of the Negro Intellectual by Harold Cruse Kaputt by Curzio Malaparte Memed, My Hawk by Yashar Kemal The Notebooks of Joseph Joubert by Joseph Joubert The Thirty Years War by C.V. Wedgwood Shakespeare by Mark Van Doren The Stalin Front by Gert Ledig Tropic Moon by Georges Simenon Between the Woods and the Water by Patrick Leigh Fermor A Time of Gifts by Patrick Leigh Fermor Jejuri by Arun Kolatkar The Man Who Watched Trains Go By by Georges Simenon Mouchette by Georges Bernanos Warlock by Oakley Hall The New York Stories of Henry James by Henry James Chess Story by Stefan Zweig What's for Dinner? by James Schuyler English, August by Upamanyu Chatterjee Conundrum by Jan Morris Life and Fate by Vasily Grossman Mani by Patrick Leigh Fermor Roumeli by Patrick Leigh Fermor Beware of Pity by Stefan Zweig Stoner by John Williams The Big Clock by Kenneth Fearing Red Lights by Georges Simenon The Jeffersonian Transformation by Henry Adams Love in a Fallen City by Eileen Chang A Savage War of Peace by Alistair Horne Clark Gifford's Body by Kenneth Fearing The Strangers in the House by Georges Simenon Pages from the Goncourt Journals by Edmond and Jules de Goncourt They Burn the Thistles by Yashar Kemal Born Under Saturn by Rudolf and Margot Wittkower The Stray Dog Cabaret by Edited by Honor Moore and Catherine Ciepiela Butcher's Crossing by John Williams Dante by Erich Auerbach The Slaves of Solitude by Patrick Hamilton That Awful Mess on the Via Merulana by Carlo Emilio Gadda The Engagement by Georges Simenon The Enchanted April by Elizabeth von Arnim The Slynx by Tatyana Tolstaya White Walls by Tatyana Tolstaya Memoirs of Montparnasse by John Glassco The Dud Avocado by Elaine Dundy The Education Of A Gardener by Russell Page The Book of Ebenezer Le Page by G. B. Edwards Sunflower by Gyula Krudy Novels in Three Lines by Felix Feneon The Goshawk by T. H. White The New York Stories of Edith Wharton by Edith Wharton A Time to Keep Silence by Patrick Leigh Fermor All About H. Hatterr by G. V. Desani Rogue Male by Geoffrey Household Memoirs of an Anti-Semite by Gregor von Rezzori Soul by Andrey Platonov Sheppard Lee, Written by Himself by Robert Montgomery Bird Poems of the Late T'ang by A. C. Graham Twenty Thousand Streets Under the Sky by Patrick Hamilton Unforgiving Years by Victor Serge Belchamber by Howard Sturgis A Journey Round My Skull by Frigyes Karinthy The Widow by Georges Simenon The Post-Office Girl by Stefan Zweig Afloat by Guy de Maupassant The Family Mashber by Der Nister The Summer Book by Tove Jansson Names on the Land by George R. Stewart Miami and the Siege of Chicago by Norman Mailer Inverted World by Christopher Priest My Fantoms by Theophile Gautier Stones of Aran: Pilgrimage by Tim Robinson In Hazard by Richard Hughes Victorine by Maude Hutchins Grief Lessons by Euripides Rock Crystal by Adalbert Stifter The Liberal Imagination by Lionel Trilling The Queue by Vladimir Sorokin Ringolevio by Emmett Grogan Defeat: Napoleon’s Russian Campaign by Philippe-Paul de Segur Don't Look Now by Daphne Du Maurier The Chrysalids by John Wyndham Pinocchio by Carlo Collodi The Snows of Yesteryear by Gregor von Rezzori The Rider on the White Horse by Theodor Storm School for Love by Olivia Manning Chaos and Night by Henry de Montherlant A Meaningful Life by L. J. Davis Short Letter, Long Farewell by Peter Handke Slow Homecoming by Peter Handke Season of Migration to the North by Tayeb Salih The Foundation Pit by Andrey Platonov The Complete Fiction by Francis Wyndham The One-Straw Revolution by Masanobu Fukuoka The Old Man and Me by Elaine Dundy Summer Will Show by Syliva Townsend Warner Niki by Tibor Dery Hard Rain Falling by Don Carpenter Stones of Aran: Labyrinth by Tim Robinson The Cost of Living by Mavis Gallant Memories of the Future by Sigizmund Krzhizhanovsky Poem Strip by Dino Buzzati No Tomorrow by Vivant Denon The Way of the World by Nicolas Bouvier



Sirk on Sirk interviews with Jon Halliday

Sirk on Sirk  interviews with Jon Halliday Author Douglas Sirk
ISBN-10 UCSC:32106014248568
Release 1971
Pages 176
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Sirk on Sirk interviews with Jon Halliday has been writing in one form or another for most of life. You can find so many inspiration from Sirk on Sirk interviews with Jon Halliday also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Sirk on Sirk interviews with Jon Halliday book for free.



Masters of Light

Masters of Light Author Dennis Schaefer
ISBN-10 9780520956490
Release 2013-01-19
Pages 374
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Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.



Robert Bresson

Robert Bresson Author Keith Reader
ISBN-10 0719053668
Release 2000-09-02
Pages 166
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This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of “models” (he refuses the term “actors”), his sparse and elliptical editing style, his rejection of conventional psychological realism make his work all but unique and instantly recognizable. This is the first monograph on his work to appear in English for many years, and deals with his thirteen feature-length films and his short treatise “Notes on Cinematography.”



Cassavetes on Cassavetes

Cassavetes on Cassavetes Author John Cassavetes
ISBN-10 0571201571
Release 2001-08-15
Pages 526
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"For more than thirty years John Cassavetes, the spiritual father of American independent filmmaking, steered a courageous course freelancing on the fringes of the Hollywood studio system. This is the autobiography he never lived to write." "In his own words Cassavetes tells the story of his life as he lived it, day by day, year by year. He begins with his family and childhood and describes his high school, college, and drama school days. He talks about the years he spent pounding the pavement in New York as a young, unemployed actor unable to get a job - or even an agent. Then he takes the reader behind the scenes to sit in on the planning, rehearsing, shooting, and editing of each of his films - from Shadows, Faces, and Husbands, to Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, Opening Night, Gloria, and Love Streams. He describes the battles to get them made and the even greater struggle to get them into theaters. It is an extraordinary personal saga of dreams, triumphs, and frustrations; of high-stakes financial gambles, crazy artistic risk-taking, and midnight visions of glory. This is Cassavetes at his most candid and outspoken - uncompromising, humane, and passionate about both life and art." "Ray Carney, the leading authority on Cassavetes' life and work, spent more than ten years assembling the text, based on new and previously published interviews with Cassavetes and artists who knew him - including Gena Rowlands, Peter Falk, Ben Gazzara and scores of others."--BOOK JACKET.



Into the Wild

Into the Wild Author Jon Krakauer
ISBN-10 0307476863
Release 2009-09-22
Pages 240
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In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. His name was Christopher Johnson McCandless. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Four months later, his decomposed body was found by a moose hunter. How McCandless came to die is the unforgettable story of Into the Wild. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and , unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw the maps away. Leaving behind his desperate parents and sister, he vanished into the wild. Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless's short life. Admitting an interst that borders on obsession, he searches for the clues to the dries and desires that propelled McCandless. Digging deeply, he takes an inherently compelling mystery and unravels the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons. When McCandless's innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. Krakauer brings McCandless's uncompromising pilgrimage out of the shadows, and the peril, adversity , and renunciation sought by this enigmatic young man are illuminated with a rare understanding--and not an ounce of sentimentality. Mesmerizing, heartbreaking, Into the Wild is a tour de force. The power and luminosity of Jon Krakauer's stoytelling blaze through every page. From the Trade Paperback edition.



Andrei Rublev

Andrei Rublev Author Robert Bird
ISBN-10 184457038X
Release 2004-12-20
Pages 87
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Andrei Tarkovsky (1932-1986) was one of the great poets of world cinema. A fiercely independent artist, Tarkovsky crafted poignantly beautiful films that have proven inscrutable and been bitterly disputed. These qualities are present in abundance in Andrei Rublev (1966), Tarkovsky's first fully mature film. Ostensibly a biographical study of Russia's most famous medieval icon-painter, Andrei Rublev is both lyrical and epic, starkly naturalistic and allegorical, authentically historical and urgently topical. While much remains mysterious in Andrei Rublev, critics have recently begun to reappraise it as a groundbreaking film that undermines comfortable notions of life and spirituality. Robert Bird's multifaceted account of Andrei Rublev extends this reevaluation of Tarkovsky's radical aesthetic by establishing the film's historical context and presenting a substantially new reading of key scenes. Bird definitively establishes the film's tortured textual history, which has resulted in two vastly different versions. He relates the film to traditions in Russian art and intellectual history, but finally his analysis focuses on Andrei Rublev as a visual and narrative artwork that treats profound existential questions by challenging conventional notions of representation and vision.



Jia Zhangke Speaks Out

Jia Zhangke Speaks Out Author Jia Zhangke
ISBN-10 1626430306
Release 2015-07-15
Pages 350
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Jia Zhangke Speaks Out is a collection of writings by China’s most acclaimed film director, Jia Zhangke. The book, originally published in 2009 by Peking University Press, contains Jia’s selections of his own writings on film. While he has given numerous film-specific interviews throughout the years, his own notes on cinema, on his own production, and on Chinese culture are unknown to non-Chinese readers. This collection gives access to the key scenes of his life, films, and meetings with other filmmakers, from Hou Hsiao-hsien to Martin Scorsese. From his point of view, we get an insightful and profoundly original take on China’s film history, its ruptures and failings, as well as on the post-Tiananmen filmmaking industry, with its blockbusters on one side and indie films (like his) on the other.



My Last Breath

My Last Breath Author Luis Bunuel
ISBN-10 9781446483558
Release 2011-06-01
Pages 272
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A master filmmaker, inimitable, and unrelenting in his assault on bourgeois values. Bunuel's method is free from all artifice, and his honesty and humour are to extreme to accept any compromise in exposing our deceit and our decadence. Like Pasolini, his work offers a remarkably sophisticated political analysis, but remains based in the essentially peasant values of storytelling, and the purposefully unsystematic supervisions of laughter.