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Paul on Mazursky

Paul on Mazursky Author Sam Wasson
ISBN-10 9780819571441
Release 2011-08-15
Pages 348
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Paul Mazursky’s nearly twenty films as writer/director represent Hollywood’s most sustained comic expression of the 1970s and 1980s. But they have not been given their due, perhaps because Mazursky’s films—both sincere and ridiculous, realistic and romantic—are pure emotion. This makes films like Bob & Carol & Ted & Alice, An Unmarried Woman, and Enemies, A Love Story difficult to classify, but that’s what makes a human comedy human. In the first ever book-length examination of one of America’s most important and least appreciated filmmakers, Sam Wasson sits down with Mazursky himself to talk about his movies and how he makes them. Going over Mazursky’s oeuvre one film at a time, interviewer and interviewee delve into the director’s life in and out of Hollywood, laughing, talking, and above all else, feeling—like Mazursky’s people always do. The book includes a filmography and never-before-seen photos.



A Splurch in the Kisser

A Splurch in the Kisser Author Sam Wasson
ISBN-10 9780819569776
Release 2010-03-01
Pages 370
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With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards’s propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards’s Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.



The Actor s Book of Movie Monologues

The Actor s Book of Movie Monologues Author Marisa Smith
ISBN-10 014009475X
Release 1986
Pages 240
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A long-awaited and much-needed collection of long and short monologues for alltypes, taken from great films.



Fifth Avenue 5 A M

Fifth Avenue  5 A M Author Sam Wasson
ISBN-10 9781845136550
Release 2011-09-25
Pages 256
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DIV Before Breakfast at Tiffany’s Audrey Hepburn was still a little-known actress with few film roles to speak of; after it – indeed, because of it - she was one of the world’s most famous fashion, style and screen icons. It was this film that matched her with Hubert de Givenchy’s “little black dress”. Meanwhile, Truman Capote’s original novel is itself a modern classic selling huge numbers every year, and its high-living author of perennial interest. Now, this little book tells the story of how it all happened: how Audrey got the role (for which at first she wasn’t considered, and which she at first didn’t want); how long it took to get the script right; how it made Blake Edwards’ name as a director after too many trashy films had failed to; and how Henry Mancini’s soundtrack with its memorable signature tune ‘Moon River’ completed the irresistible package. This is the story of how one shy, uncertain, inexperienced young actress was persuaded to take on a role she at first thought too hard-edged and amoral – and how it made Audrey Hepburn into gamine, elusive Holly Golightly in the little black dress - and a star for the rest of her life. /div



The Cinema of Errol Morris

The Cinema of Errol Morris Author David Resha
ISBN-10 9780819575357
Release 2015-04-08
Pages 288
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The Cinema of Errol Morris offers close analyses of the director’s films—from box office successes like The Thin Blue Line and The Fog of War to Morris’s early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha’s reappraisal of Morris’s films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality—in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage.



Improv Nation

Improv Nation Author Sam Wasson
ISBN-10 9780544558250
Release 2017-12-05
Pages 464
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From the best-selling author of Fosse, a sweeping yet intimate—and often hilarious—history of a uniquely American art form that has never been more popular. At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots—the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative that, like its subject, moves fast and digs deep. He shows us the chance meeting at a train station between Mike Nichols and Elaine May. We hang out at the after-hours bar Dan Aykroyd opened so that friends like John Belushi, Bill Murray, and Gilda Radner would always have a home. We go behind the scenes of landmark entertainments from The Graduate to Caddyshack, The Forty-Year Old Virgin to The Colbert Report. Along the way, we commune with a host of pioneers—Mike Nichols and Harold Ramis, Dustin Hoffman, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many more. With signature verve and nuance, Wasson shows why improv deserves to be considered the great American art form of the last half-century—and the most influential one today.



Fosse

Fosse Author Sam Wasson
ISBN-10 9780547999227
Release 2013-11-05
Pages 672
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“Wasson is a smart and savvy reporter, and his book abounds with colorful firsthand tales.” — Janet Maslin, New York Times “Fascinating . . . Wasson has taken complete control of his subject.” — Wall Street Journal The only person ever to win Oscar, Emmy, and Tony awards in the same year, Bob Fosse revolutionized nearly every facet of American entertainment. His signature style would influence generations of performing artists. Yet in spite of Fosse’s innumerable—including Cabaret, Pippin, All That Jazz, and Chicago, one of the longest-running Broadway musicals ever—his offstage life was shadowed by deep wounds and insatiable appetites. To craft this richly detailed account, best-selling author Sam Wasson has drawn on a wealth of unpublished material and hundreds of sources: friends, enemies, lovers, and collaborators, many of them speaking publicly about Fosse for the first time. With propulsive energy and stylish prose, Fosse is the definitive biography of one of Broadway and Hollywood’s most complex and dynamic icons. “Spellbinding.” —Entertainment Weekly “Impeccably researched.” —Vanity Fair An NPR Best Book of the Year



The Director Within

The Director Within Author Rose Eichenbaum
ISBN-10 9780819574947
Release 2014-10-14
Pages 308
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In Rose Eichenbaum’s latest book on the confluence of art making and human expression, she sits down with thirty-five modern day storytellers—the directors of theater, film, and television. Eichenbaum’s subjects speak with revealing clarity about the entertainment industry, the role and life of the director, and how theatrical and cinematic storytelling impacts our culture and our lives. The Director Within includes interviews with Peter Bogdanovich (The Last Picture Show), Julie Taymor (The Lion King), Mel Brooks (Blazing Saddles), Tim Van Patten (The Sopranos, Boardwalk Empire), Hal Prince (The Phantom of the Opera), Barry Levinson (Rain Man), and many others. The interviews are skillfully crafted, sensitively executed, and brimming with honesty and insight. The accompanying portraits demonstrate Eichenbaum’s mastery of photography and convey the truth, depth, and intimacy of their subjects. The Director Within is an inspirational, informative, and entertaining resource for anyone interested in creativity, art making, and artistic collaboration. The book includes a listing of works from each of the directors.



Escape Velocity

Escape Velocity Author Bradley Schauer
ISBN-10 9780819576606
Release 2017-01-03
Pages 288
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Today, movie theaters are packed with audiences of all ages marveling to exciting science fiction blockbusters, many of which are also critically acclaimed. However, when the science fiction film genre first emerged in the 1950s, it was represented largely by exploitation horror films—lurid, culturally disreputable, and appealing to a niche audience of children and sci-fi buffs. How did the genre evolve from B-movie to blockbuster? Escape Velocity charts the historical trajectory of American science fiction cinema, explaining how the genre transitioned from eerie low-budget horror like It Came from Outer Space to art films like Slaughterhouse-Five, and finally to the extraordinary popularity of hits like E.T. Bradley Schauer draws on primary sources such as internal studio documents, promotional materials, and film reviews to explain the process of cultural, aesthetic, and economic legitimation that occurred between the 1950s and 1980s, as pulp science fiction tropes were adapted to suit the tastes of mainstream audiences. Considering the inescapable dominance of today’s effects-driven blockbusters, Escape Velocity not only charts the history of science fiction film, but also gives an account of the origins of contemporary Hollywood.



Show Me the Magic

Show Me the Magic Author Paul Mazursky
ISBN-10 UOM:39015047458073
Release 1999
Pages 270
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A memoir from one of Hollywood's most beloved writer/directors offers a behind-the-scenes look at the making of movies and provides portraits of many of Hollywood's legends



J J Abrams vs Joss Whedon

J J  Abrams vs  Joss Whedon Author Wendy Sterba
ISBN-10 9781442269910
Release 2016-12-08
Pages 304
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In J.J. Abrams vs. Joss Whedon, Wendy Sterba compares the parallel careers in film and television of two creative masterminds—pitting one against the other in a light-hearted competition. The author looks back upon the beginnings of both men’s careers—Whedon’s stint as a writer on Roseanne and Abrams’ early scripts for films like Regarding Henry—and forward to their most recent blockbusters, Avengers: Age of Ultron and Star Wars: The Force Awakens. This books also looks at non-fantasy successes (Abrams series Felicity; Whedon’s adaptation of Much Ado about Nothing), as well as commercial failures. At the heart of this study, however, is a tour of their genre-defining hits: Alias and Buffy, Lost and Angel, Super 8 and Serenity, along with Whedon’s Avengers films, and Abrams’ rebooted Star Trek adventures.



The Sherlockian

The Sherlockian Author Graham Moore
ISBN-10 0446573957
Release 2010-12-01
Pages 368
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Hurtling from present day New York to Victorian London, The Sherlockian weaves the history of Sherlock Holmes and Sir Arthur Conan Doyle into an inspired and entertaining double mystery that proves to be anything but "elementary." In December 1893, Sherlock Holmes-adoring Londoners eagerly opened their Strand magazines, anticipating the detective's next adventure, only to find the unthinkable: his creator, Arthur Conan Doyle, had killed their hero off. London spiraled into mourning-crowds sported black armbands in grief-and railed against Conan Doyle as his assassin. Then in 1901, just as abruptly as Conan Doyle had "murdered" Holmes in "The Final Problem," he resurrected him. Though the writer kept detailed diaries of his days and work, Conan Doyle never explained this sudden change of heart. After his death, one of his journals from the interim period was discovered to be missing, and in the decades since, has never been found.... Or has it? When literary researcher Harold White is inducted into the preeminent Sherlock Holmes enthusiast society, The Baker Street Irregulars, he never imagines he's about to be thrust onto the hunt for the holy grail of Holmes-ophiles: the missing diary. But when the world's leading Doylean scholar is found murdered in his hotel room, it is Harold-using wisdom and methods gleaned from countless detective stories-who takes up the search, both for the diary and for the killer.



American Film

American Film Author
ISBN-10 UOM:39015007246823
Release 1980
Pages
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American Film has been writing in one form or another for most of life. You can find so many inspiration from American Film also informative, and entertaining. Click DOWNLOAD or Read Online button to get full American Film book for free.



Tashlinesque

Tashlinesque Author Ethan de Seife
ISBN-10 9780819572417
Release 2012-03-01
Pages 272
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Frank Tashlin (1913–1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director’s films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin’s distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin’s large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can’t Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.



Action Speaks Louder

Action Speaks Louder Author Eric Lichtenfeld
ISBN-10 0819568015
Release 2007-04-27
Pages 383
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An authoritative and entertaining history of the action film



Brutal Intimacy

Brutal Intimacy Author Tim Palmer
ISBN-10 9780819570000
Release 2011-03-01
Pages 304
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Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France’s growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France’s cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.



An Empire of Their Own

An Empire of Their Own Author Neal Gabler
ISBN-10 030777371X
Release 2010-11-17
Pages 512
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A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry. The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost in the process is the exhilarating story of An Empire of Their Own.