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Revolutionary Time and the Avant Garde

Revolutionary Time and the Avant Garde Author John Roberts
ISBN-10 9781781689141
Release 2015-09-15
Pages 336
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Why the avant-garde of art needs to be rehabilitated today Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening crisis of contemporary capitalism. An invigorating revitalization of the Frankfurt School legacy, Roberts’s book defines and validates the avant-garde idea with an erudite acuity, providing a refined conceptual set of tools to engage critically with the most advanced art theorists of our day, such as Hal Foster, Andrew Benjamin, Alain Badiou, Jacques Rancière, Paolo Virno, Claire Bishop, Michael Hardt, and Toni Negri. From the Trade Paperback edition.



The Ethnic Avant Garde

The Ethnic Avant Garde Author Steven S. Lee
ISBN-10 9780231540117
Release 2015-10-20
Pages 304
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During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called “the magic pilgrimage” to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued “ethnic avant-garde.” These writers and artists cohered around a distinct form that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where an international avant-garde converged with the Communist International. Chapters explore Vladimir Mayakovsky’s 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an “Afro-Cuban” voice; Langston Hughes’s translations of these poems while in Moscow, which he visited to assist on a Soviet film on African American life; a futurist play condemning Western imperialism in China, which became Broadway’s first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this book remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.



The Sixth Sense of the Avant Garde

The Sixth Sense of the Avant Garde Author Irina Sirotkina
ISBN-10 9781350014336
Release 2017-04-20
Pages 232
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The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.



Revolutionary

Revolutionary Author Brigitta Milde
ISBN-10 3954983001
Release 2017-02-20
Pages 424
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Between 1905 and 1920 Russia was convulsed by revolutions, war and civil war. At the same time a young generation of artists ventured a new beginning. In exhibitions and publications they cooperated with the Western European avant-garde and developed artistic approaches of their own like Cubo-Futurism and Suprematism. The London collection of Vladimir Tsarenkov illustrates the aesthetic revolt and utopian social ambitions of these upstarts in paintings, drawings and prints - by Natalia Goncharova, Kazimir Malevich, Alexander Deineka and many other major artists - as well as in designs for applied art. Among the collection's highlights are its numerous high-quality porcelains from the period with constructivist or agitprop decor.



Poetry of the Revolution

Poetry of the Revolution Author Martin Puchner
ISBN-10 0691122601
Release 2006
Pages 315
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Martin Puchner tells the story of political and artistic upheavals through the political manifestos of the 19th and 20th centuries. He argues that the manifesto was the genre through which modern culture articulated its revolutionary ambitions and desires.



Aesthetic Revolutions and Twentieth Century Avant Garde Movements

Aesthetic Revolutions and Twentieth Century Avant Garde Movements Author Aleš Erjavec
ISBN-10 9780822375661
Release 2015-05-08
Pages 344
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This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic



Mexico s Revolutionary Avant gardes

Mexico s Revolutionary Avant gardes Author Tatiana Flores
ISBN-10 9780300184488
Release 2013
Pages 348
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"A groundbreaking look at avant-garde art and literature in the wake of the Mexican Revolution, illustrating Mexico City's importance as a major center for the development of modernism"--Provided by publisher.



The Idea of the Avant Garde

The Idea of the Avant Garde Author Marc James Léger
ISBN-10 071909691X
Release 2014
Pages 285
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This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.This is an extraordinarily rich collection and is sure to be a benchmark for many years.



Strike Art

Strike Art Author Yates McKee
ISBN-10 9781784781897
Release 2016-03-08
Pages 304
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The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other—oftentimes directly targeting major art institutions themselves as sites of action. Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement. Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.



The Time that Remains

The Time that Remains Author Giorgio Agamben
ISBN-10 0804743835
Release 2005
Pages 197
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Situating Paul's texts in the context of early Jewish messianism, this book is part of a set of critiques devoted to the period when Judaism and Christianity were not fully distinct, placing Paul in the context of what has been called "Judaeo-Christianity." The exploration of messianism leads to the other figure discussed, Walter Benjamin.



In the Flow

In the Flow Author Boris Groys
ISBN-10 9781784783495
Release 2016-03-08
Pages 208
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The leading art theorist takes on art in the age of the Internet In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Acclaimed art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices (from performance art to relational aesthetics) that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.



Art and Production

Art and Production Author Boris Arvatov
ISBN-10 0745337368
Release 2017-08-15
Pages 160
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Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.



Harmony and Dissent

Harmony and Dissent Author R. Bruce Elder
ISBN-10 9781554580866
Release 2010-04-22
Pages 540
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Ryerson University in hosting a symposium entitled The New Paragone: The Cinema and Vanguard Art Movements. Inspired by Harmony & Dissent the 3-day symposium examines Elder’s startling claims about the influence of early cinema on avant-garde art movements. There will be panel discussions with key figures in visual art and film, screenings, and a book launch. Visit the Symposium website for more details. R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.



Theatre in Revolution

Theatre in Revolution Author Nancy Van Norman Baer
ISBN-10 UOM:39015024954953
Release 1991
Pages 207
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Theatre in Revolution has been writing in one form or another for most of life. You can find so many inspiration from Theatre in Revolution also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Theatre in Revolution book for free.



Brave New Avant Garde

Brave New Avant Garde Author Marc James Leger
ISBN-10 9781780990514
Release 2012-02-24
Pages 198
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Brave New Avant Garde is a collection of essays that ask the questions: what is an adequate model of contemporary avant garde practice and what are its theoretical premises? With this it asks the related question, echoing Alain Badiou: must the avant garde hypothesis be abandoned? Brave New Avant Garde stands in opposition to postmodern post-politics and the view that radical practice has no other future than its reduction to the workings of the free market in the form of the "simple process of cultural production" or to variations on the cultural politics of representation. Today's avant garde, formed in the wake of the end of the Soviet Union and the rise of the anti-globalization movement, represents a counter-power that rejects the inevitability of capitalist integration. The way out for artists in today's world of creative industries is defined in these pages as a psychoanalytically informed sinthomeopathic practice, a critical identification with prevailing conditions of production that avoids the surplus enjoyment of the ideology of postmodern pluralism.



Caught in the Revolution

Caught in the Revolution Author Helen Rappaport
ISBN-10 9781466860452
Release 2017-02-07
Pages 448
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From the New York Times bestselling author of The Romanov Sisters, Caught in the Revolution is Helen Rappaport's masterful telling of the outbreak of the Russian Revolution through eye-witness accounts left by foreign nationals who saw the drama unfold. Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil – felt nowhere more keenly than on the fashionable Nevsky Prospekt. There, the foreign visitors who filled hotels, clubs, offices and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows. Among this disparate group were journalists, diplomats, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva. Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to an assortment of individuals who suddenly felt themselves trapped in a "red madhouse."



Russian Avant Garde

Russian Avant Garde Author Evgueny Kovtun
ISBN-10 9781783103812
Release 2014-05-10
Pages 245
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The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.