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Songwriters of the American Musical Theatre

Songwriters of the American Musical Theatre Author Nathan Hurwitz
ISBN-10 9781317428329
Release 2016-09-01
Pages 332
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From the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft.



A History of the American Musical Theatre

A History of the American Musical Theatre Author Nathan Hurwitz
ISBN-10 9781317912057
Release 2014-06-27
Pages 260
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From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.



Beating Broadway

Beating Broadway Author Steve Cuden
ISBN-10 148122302X
Release 2013-04-05
Pages 466
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The popularity of musicals has reached an all-time high leading to the development of numerous original shows. In this comprehensive new guide, Beating Broadway: How to Create Stories for Musicals That Get Standing Ovations, written by veteran storyteller and successful creator of musicals Steve Cuden, readers learn how the plots and stories behind musicals are developed and honed. With a breezy, lighthearted approach, creators at all levels are provided key advice for building winning musical stories. Cuden, who has been there, done that, offers writers the know-how and encouragement to construct brilliant, attention-grabbing musical storylines. Beating Broadway provides readers with practical, down-to-earth advice for crafting successful musical theater stories that will reach audiences everywhere. This complete, two-part manual also guides aspiring writers in what it takes to develop shows that can attract Broadway producers. By showing writers the ins and outs of storytelling required for today's commercial musical theater, Beating Broadway places success firmly within grasp. Readers also gain insight into how stories function in forty of the world's most beloved stage and movie musicals as Cuden breaks down each one into key narrative beats and plot points. “Beating Broadway is a take-you-by-the-hand guided tutorial written by a seasoned professional who really knows his stuff. This book feeds your mind with how stories for musicals are made. If you are interested in creating or producing a musical, Steve's insights will be helpful and inspiring to you.JEFF MARX, Tony winning Composer/Lyricist of Avenue Q “Beating Broadway digs deep to the core of how stories for successful musicals are created. This is a must-have book for anyone who wants to write exceptional musicals or is just a fan.”SCOTT WITTMAN, Tony Winning Lyricist of Hairspray and Co-Lyricist and Executive Producer for the Hit TV Series, Smash “Beat-by-beat, Steve Cuden breaks down story, structure, and song spotting so you can beat the Broadway musical before it beats you!”CHERI STEINKELLNER, Emmy-winning Writer/Producer of Cheers and Teacher's Pet, Tony-nominated Writer of Sister Act



Making Musicals

Making Musicals Author Tom Jones
ISBN-10 9781617748707
Release 2004-08-01
Pages
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(Limelight). The lyricist/librettist of The Fantasticks , the longest-running show in the history of the American theater, takes on a new role as your guide through the magical world of the stage musical.



The Cambridge Paperback Guide to Theatre

The Cambridge Paperback Guide to Theatre Author Sarah Stanton
ISBN-10 0521446546
Release 1996-03-07
Pages 419
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Derived from The Cambridge guide to theatre_



Be the Best Swing on Broadway

Be the Best Swing on Broadway Author Jennie Ford
ISBN-10 1497464749
Release 2014-07-01
Pages 162
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There are thousands of performing arts schools grooming students for Broadway. Broadway is revered as the pinnacle of every performer's career. It's the “Olympics” of our sport that we have trained and worked so hard for. Would you be confident if you received a Broadway contract that said you were going to be a swing, a dance captain or an understudy? Hopefully you would reply, “yes”...after all, you have a college degree in the arts right? Half of the Broadway swings this season made their Broadway debut! These are fundamental jobs in every Broadway musical, so why aren't graduates prepared to do these jobs? The problem is that there is “book knowledge” from school and “learned knowledge” from being on the job. This book series is here to bridge the gap between the two. Students are taught how to pick songs for the roles they are right for, how to perform them, how to study scripts, how to audition and how to show the best of themselves. They study the history of theatre and graduate with confidence that they can nail that audition and land a job. What happens when a talented performer actually books a job? What skill-set do they have to prepare them for the responsibilities that come along with performing under a union contract? It's a rude awakening for some performers to find out that about 85% of Broadway performers are not principal performers. Even those principals are not always principals! The career choices are endless on Broadway and the idea is to prepare yourself for all opportunities. “Be the best on Broadway” is a how-to-series that will demystify and teach those who really want a career on Broadway, no matter how much schooling you may (or may not) have. Each book is written by a Broadway professional with first-hand experience and is regarded as an expert. Each writer is respected by their peers for the work they contribute on a daily basis on Broadway. The series breaks down the different job particulars in depth and provides tangible Broadway show examples. The goal is to combine valuable insight and resources into one book series to strengthen the chance of success for those who have the Broadway dream! “Be The Best on Broadway” series is intended to be the newest “gold standard” of this industry. It will become one of those “must have” book series similar to “Audition” by Michael Shurtleff, “Meisner on Acting” by Sanford Meisner”, and “Respect for Acting” by Uta Hagen. This particular book will prove to be invaluable to swings as well as any performer who wants to learn through this special “lens” ...the eye of a swing! This book looks at Broadway through the unique perspective of a swing. It will help you understand the chorus better and you will gain an appreciation for the old Broadway adage “the show must go on”. Swings are the very reason that the show can go on and you will soon see why. It is a job function on Broadway that is not widely written about or taught in schools. Until now, it's been every actor fending for themselves when offered a swing contract. I have been there! It took me many years of being a Broadway swing to figure out what works and what doesn't. I wish I had someone or some book to give me guidance at the beginning of my career. Think of this book as a “book of secrets” to give you the chance to be an outstanding swing. There is nothing more rewarding than being recognized by your peers for doing your job well. There is a high percentage of performers on Broadway that, at one time or another, have been asked to be a swing. The tips in this book will make you stand out as a swing. It also deals with relationship skills needed for a career on Broadway. “Talent” doesn't give you opportunities, relationships do! The goal is not to just do it well, but to become “the best” at it! The ultimate goal is to have it be the only book you will ever need to be the best swing on Broadway.



The Secret Life of the American Musical

The Secret Life of the American Musical Author Jack Viertel
ISBN-10 9780374711252
Release 2016-03-01
Pages 336
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A New York Times Bestseller For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical? In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward. Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.



Rent

Rent Author Jonathan Larson
ISBN-10 1557837376
Release 2008
Pages 141
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(Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is "no day but today." Includes 16 color photographs of productions of Rent from around the world, plus an introduction ("Rent Is Real") by Victoria Leacock Hoffman.



Singer s Musical Theatre Anthology Children s Edition

Singer s Musical Theatre Anthology   Children s Edition Author Hal Leonard Corp.
ISBN-10 9781540000170
Release 2016-06-01
Pages 188
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(Vocal Collection). This volume of the Singer's Musical Theatre Anthology series is specially designed for child theatre singers, with songs originally sung by children, in authentic editions. The collection features a mix of classic and contemporary songs and includes plot notes on each show. Contents: THE ADDAMS FAMILY: What If * ANNIE: Maybe * I Don't Need Anything But You * You're Never Fully Dressed Without a Smile * ANNIE WARBUCKS: I Always Knew * BILLY ELLIOT: Electricity * Expressing Yourself * THE BOY FROM OZ: When I Get My Name in Lights * A CHRISTMAS STORY - THE MUSICAL: Counting Down to Christmas * Red Ryder Carbine Action BB Gun * Somewhere Hovering Over Indiana * FANNY: Be Kind to Your Parents * FROZEN (film): Do You Want to Build a Snowman? * GYPSY: Let Me Entertain You * INTO THE WOODS: I Know Things Now * Into the Woods * THE KING AND I: Getting to Know You * I Whistle a Happy Tune * MAME: My Best Girl * MATILDA THE MUSICAL: Naughty * Quiet * When I Grow Up * LES MISERABLES: Castle on a Cloud * Little People * THE MUSIC MAN: Gary, Indiana * NINE: Getting Tall * OLIVER!: Where Is Love? * Who Will Buy? * RUTHLESS: Born to Entertain * THE SECRET GARDEN: The Girl I Mean to Be * Round-Shouldered Man * SEUSSICAL THE MUSICAL: Green Eggs and Ham * It's Possible (In McElligot's Pool) * SHREK THE MUSICAL: I Know It's Today * SOUTH PACIFIC: Dites-Moi (Tell Me Why) * TARZAN: I Need to Know



The American Musical Theatre

The American Musical Theatre Author Steven Porter
ISBN-10 UOM:39015031190575
Release 1987
Pages 138
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The American Musical Theatre has been writing in one form or another for most of life. You can find so many inspiration from The American Musical Theatre also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The American Musical Theatre book for free.



Strategies for Success in Musical Theatre

Strategies for Success in Musical Theatre Author Herbert D. Marshall
ISBN-10 9780190222215
Release 2016-09-05
Pages
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In Strategies for Success in Musical Theatre, veteran musical director and teacher Herbert Marshall provides an essential how-to guide for teachers or community members who find themselves in charge of music directing a show. Stepping off the podium, Marshall offers practical and often humorous real-world advice on managing auditions; organizing rehearsals; working with a choir, choreographer, and leads; how to run a sitzprobe, a technical rehearsal, and a dress rehearsal; how to manage the cast and crew energy for a successful opening night; and ways to end the experience on a high note for all involved. Throughout the book, Marshall emphasizes the importance of learning through performance and the beauty of a group united in a common goal. In doing so, he turns what can appear as a never-ending list of tasks and demand for specialized knowledge into a manageable, educational, and ultimately engaging and fun experience for all. Because the techniques in Marshall's book have been thoroughly workshopped and classroom tested, they are based in proven pedagogy and will be of particular use for the music director in acting as a teaching director: someone imparting theatrical knowledge to his or her cast and production staff. Marshall provides both extended and abbreviated timelines, flexible to fit any director's needs. Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions.



Acting in Musical Theatre

Acting in Musical Theatre Author Joe Deer
ISBN-10 9781317911968
Release 2015-09-07
Pages 396
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Acting in Musical Theatre remains the only complete course in approaching a role in a musical. It covers fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Updates in this expanded and revised second edition include: A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises. Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons New style overviews for pop and jukebox musicals Extensive updated professional insights from field testing with students, young professionals, and industry showcases Full-colour production images, bringing each chapter to life Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.



When Broadway Went to Hollywood

When Broadway Went to Hollywood Author Ethan Mordden
ISBN-10 9780199395408
Release 2016-12-01
Pages 272
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When films like The Jazz Singer started to integrate synchronized music, in the late 1920s many ambitious songwriting pioneers of the Great White Way - George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others - were enticed westward by Hollywood studios' promises of national exposure and top dollar success. But what happened when writers native to the business of Broadway ran into the very different business of Hollywood? Their movies had their producer despots, their stacking of writing teams on a single project, their use of five or six songs per story where Broadway fit in a dozen, and it seemed as if everyone in Hollywood was uncomfortable with characters bursting into song on the street, in your living room, or in "a cottage small by a waterfall." Did the movies give theatre writers a chance to expand their art, or did mass marketing ruin the musical's quintessential charm? Is it possible to trace the history of the musical through both stage and screen manifestations, or did Broadway and Hollywood give rise to two wholly irreconcilable art forms? And, finally, did any New York writer or writing team create a film musical as enthralling and timeless as their work for the stage? In When Broadway Went to Hollywood, writer and celebrated steward of musical theatre Ethan Mordden directs his unmistakable wit and whimsy to these challenging questions and more, charting the volatile and galvanizing influence of Broadway on Hollywood (and vice versa) throughout the twentieth century. Along the way, he takes us behind the scenes of the great Hollywood musicals you've seen and loved (The Wizard of Oz, Gigi, The Sound of Music, Chicago, West Side Story, The Music Man, Grease) as well as some of the outrageous flops you probably haven't. The first book to tell the story of how Broadway affected the Hollywood musical, When Broadway Goes to Hollywood is sure to thrill theatre buffs and movie lovers alike.



A Night at the Opera

A Night at the Opera Author Sir Denis Forman
ISBN-10 9780307807823
Release 2011-10-05
Pages 976
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This slightly irreverent guide to opera summarizes the plots of 17 of the world's great operas, including Aida, La Boheme, and Carmen, and describes their characters, artists, and composers. From the Hardcover edition.



Actions

Actions Author Marina Caldarone
ISBN-10 1854596748
Release 2004
Pages 158
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A vital companion for actors in rehearsal - a thesaurus of action-words to revitalise performance, with a foreword by Terry Johnson. Finding the right action is an essential part of the process of preparation for the actor. Using this thesaurus of active verbs, the actor can refine the action-word until s/he hits exactly the right one to help make the action come alive. The method of 'actioning' is widely used in rehearsal rooms, but has never before been set down in a systematic and comprehensive way. 'If you want to act, or act better, Actions will take you a long way on the journey to excellence' Terry Johnson



Music Theory for Musical Theatre

Music Theory for Musical Theatre Author John Bell
ISBN-10 9780810859012
Release 2008-08-25
Pages 117
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"Music Theory for Musical Theatre is designed to demystify music theory and analysis and make it more accessible to musical theatre students. It aims to equip them with a basic skill set to apply directly to the art form. John Bell and Steven R. Chicurel explore how musical theatre composers use basic principles of music theory to illuminate characters and tell stories, helping students understand the form, structure, and dramatic power of musical theatre repertoire."--BOOK JACKET.



The Golden Age of American Musical Theatre

The Golden Age of American Musical Theatre Author Corinne J. Naden
ISBN-10 9780810877344
Release 2011-02-01
Pages 274
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The Golden Age of American Musical Theatre provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever. Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.