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Spill

Spill Author Alexis Pauline Gumbs
ISBN-10 9780822373575
Release 2016-10-07
Pages 184
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In Spill, self-described queer Black troublemaker and Black feminist love evangelist Alexis Pauline Gumbs presents a commanding collection of scenes depicting fugitive Black women and girls seeking freedom from gendered violence and racism. In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.



Spill

Spill Author Alexis Pauline Gumbs
ISBN-10 0822362724
Release 2016-10-28
Pages 184
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In "Spill" poet, independent scholar, and activist Alexis Pauline Gumbs presents a commanding collection of poetry inspired by Black feminist literary critic Hortense Spillers depicting scenes of fugitive Black women and girls seeking freedom from gendered violence and racism.



Spill

Spill Author Alexis Pauline Gumbs
ISBN-10 0822362562
Release 2016-10-28
Pages 184
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In "Spill" poet, independent scholar, and activist Alexis Pauline Gumbs presents a commanding collection of poetry inspired by Black feminist literary critic Hortense Spillers depicting scenes of fugitive Black women and girls seeking freedom from gendered violence and racism.



M Archive

M Archive Author Alexis Pauline Gumbs
ISBN-10 0822370697
Release 2018
Pages 248
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Engaging with the work of M. Jacqui Alexander and Black feminist thought more generally, Alexis Pauline Gumbs's M Archive is a series of prose poems that speculatively documents the survival of Black people following a worldwide cataclysm while examining the possibilities of being that exceed the human.



Revolutionary Mothering

Revolutionary Mothering Author Mai'a Williams
ISBN-10 9781629632452
Release 2016-01-29
Pages 272
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An anthology that gives access to the voices of mothers of color and marginalized mothers Revolutionary Mothering: Love on the Frontlines is an anthology that centers mothers of color and marginalized mothers' voices—women who are in a world of necessary transformation. The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day. Motivated to create spaces for this discourse because of the authors' passionate belief in the power of a radical conversation about mothering, they have become the go-to people for cutting-edge inspired work on this topic for an overlapping committed audience of activists, scholars, and writers. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together. Contributors include alba onofrio, Alexis Pauline Gumbs, Ariel Gore, Arielle Julia Brown, Autumn Brown, Cheryl Boyce-Taylor, China Martens, Christy NaMee Eriksen, Claire Barrera, Cynthia Dewi Oka, Esteli Juarez Boyd, Fabielle Georges, Fabiola Sandoval, Gabriela Sandoval, H. Bindy K. Kang, Irene Lara, June Jordan, Karen Su, Katie Kaput, Layne Russell, Lindsey Campbell, Lisa Factora-Borchers, Loretta J. Ross, Mai'a Williams, Malkia A. Cyril, Mamas of Color Rising, Micaela Cadena, Noemi Martinez, Norma A. Marrun, Panquetzani, Rachel Broadwater, Sumayyah Talibah, Tara CC Villaba, Terri Nilliasca, tk karakashian tunchez, Victoria Law, and Vivian Chin.



Black White and in Color

Black  White  and in Color Author Hortense J. Spillers
ISBN-10 0226769798
Release 2003-04-28
Pages 552
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Black, White, and in Color offers a long-awaited collection of major essays by Hortense Spillers, one of the most influential and inspiring black critics of the past twenty years. Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project. Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.



Black Women Identity and Cultural Theory

Black Women  Identity  and Cultural Theory Author Kevin Everod Quashie
ISBN-10 0813533678
Release 2004
Pages 228
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Kevin Everod Quashie explores the metaphor of the "girlfriend" as a new way of understanding three central concepts of cultural studies: self, memory and language. He considers how the works of writers such as Toni Morrison and Ama Ata Aidoo inform the debates over the concept of identity.



Writing the Black Revolutionary Diva

Writing the Black Revolutionary Diva Author Kimberly Nichele Brown
ISBN-10 9780253004703
Release 2010-09-09
Pages 294
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Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.



Getting Personal

Getting Personal Author Nancy K. Miller
ISBN-10 9781317960928
Release 2014-06-03
Pages 184
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First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.



Freedom Dreams

Freedom Dreams Author Robin D. G. Kelley
ISBN-10 0807009776
Release 2003
Pages 248
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". . . [a] bold and provocative celebration of the black radical imagination in the 20th century." —The New York Times Book Review Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From "the preeminent historian of black popular culture" (Cornel West), an inspiring work on the power of imagination to transform society. "Based on Kelley's belief that to make a better world we must first imagine it, this brilliantly conceived and written book recounts the accomplishments of black activists and thinkers over the past century who have been committed to remaking the world." —Library Journal Robin D. G.Kelley is professor of history and Africana studies at New York University and author of Hammer and Hoe, Race Rebels, and Yo' Mama's Disfunktional! (Beacon / 0941-5 / $14.00 pb). He lives in New York City.



Bodies in Dissent

Bodies in Dissent Author Daphne Brooks
ISBN-10 0822337223
Release 2006
Pages 475
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Performance and identity in nineteenth and early twentieth-century Arican-American creative work.



No Tea No Shade

No Tea  No Shade Author E. Patrick Johnson
ISBN-10 9780822373711
Release 2016-09-16
Pages 440
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The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions. Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ramón H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler



Scandalize My Name

Scandalize My Name Author Terrion L. Williamson
ISBN-10 9780823274727
Release 2016-10-03
Pages 256
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"From sapphire, mammy, and jezebel to the angry black woman, baby mama, and nappy-headed ho, black female iconography has had a long and tortured history in public culture. The telling of this history has long occupied the work of black female theorists--much of which has been foundational in situating black women within the matrix of sociopolitical thought and practice in the United States. Scandalize My Name builds upon the rich tradition of this work while taking a detour from conventional stereotype discourse to argue that black social life defies the limitations of representational thought and practice. By approaching the study of black female representation not as a mechanism of negative or positive valuation but as an opening onto a serious contemplation of the vagaries of black social life, Williamson makes a case for a radical black subject position that structures and is structured by an amorphous social order that ultimately destabilizes the very notion of "civil society." At turns memoir, sociological inquiry, literary analysis, and cultural critique, Scandalize My Name explores topics as varied as serial murder, reality television, Christian evangelism, and the novels of Toni Morrison, to advance black feminist practice as a modality through which black sociality is both theorized and made material."



Remaking Black Power

Remaking Black Power Author Ashley D. Farmer
ISBN-10 9781469634388
Release 2017-10-10
Pages 288
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In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created--the "Militant Black Domestic," the "Revolutionary Black Woman," and the "Third World Woman," for instance--spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era's organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women's artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life.



Healing Identities

Healing Identities Author Cynthia Burack
ISBN-10 0801441463
Release 2004
Pages 203
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Group identifications famously pose the problem of destructive rhetoric and action against others. Cynthia Burack brings together the theory work of women of color and the tools of psychoanalysis to examine the effects of group collaborations for social justice and progressive politics. This juxtaposition illuminates some assumptions about race and equality encoded in psychoanalysis. Burack's discursive analysis suggests the positive, identity-affirming aspects of group relational life for African American women.One analytic response to groups emphasizes the dangers of these identifications and exhorts people to abandon or transcend them for their own good and for the good of others who may be harmed by group-based forms of cultural or material violence. Another response understands that people feel a need for group identifications and asks how they may be made more resistant to malignant group-based discourse and action.What can black feminist thought teach scholars and democratic citizens about groups? Burack shows how the rhetoric of black feminism models reparative, rather than destructive, forms of group dialogue and action. Although it may be impossible to eliminate group identifications that provide much of the impetus for bias and violence, she argues, we can encourage more progressive forms of leadership, solidarity, and coalition politics.



Pedagogies of Crossing

Pedagogies of Crossing Author M. Jacqui Alexander
ISBN-10 9780822386988
Release 2005-12-28
Pages 423
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M. Jacqui Alexander is one of the most important theorists of transnational feminism working today. Pedagogies of Crossing brings together essays she has written over the past decade, uniting her incisive critiques, which have had such a profound impact on feminist, queer, and critical race theories, with some of her more recent work. In this landmark interdisciplinary volume, Alexander points to a number of critical imperatives made all the more urgent by contemporary manifestations of neoimperialism and neocolonialism. Among these are the need for North American feminism and queer studies to take up transnational frameworks that foreground questions of colonialism, political economy, and racial formation; for a thorough re-conceptualization of modernity to account for the heteronormative regulatory practices of modern state formations; and for feminists to wrestle with the spiritual dimensions of experience and the meaning of sacred subjectivity. In these meditations, Alexander deftly unites large, often contradictory, historical processes across time and space. She focuses on the criminalization of queer communities in both the United States and the Caribbean in ways that prompt us to rethink how modernity invents its own traditions; she juxtaposes the political organizing and consciousness of women workers in global factories in Mexico, the Caribbean, and Canada with the pressing need for those in the academic factory to teach for social justice; she reflects on the limits and failures of liberal pluralism; and she presents original and compelling arguments that show how and why transgenerational memory is an indispensable spiritual practice within differently constituted women-of-color communities as it operates as a powerful antidote to oppression. In this multifaceted, visionary book, Alexander maps the terrain of alternative histories and offers new forms of knowledge with which to mold alternative futures.



Territories of the Soul

Territories of the Soul Author Nadia Ellis
ISBN-10 9780822375104
Release 2015-08-17
Pages 256
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Nadia Ellis attends to African diasporic belonging as it comes into being through black expressive culture. Living in the diaspora, Ellis asserts, means existing between claims to land and imaginative flights unmoored from the earth—that is, to live within the territories of the soul. Drawing on the work of Jose Muñoz, Ellis connects queerness' utopian potential with diasporic aesthetics. Occupying the territory of the soul, being neither here nor there, creates in diasporic subjects feelings of loss, desire, and a sensation of a pull from elsewhere. Ellis locates these phenomena in the works of C.L.R. James, the testy encounter between George Lamming and James Baldwin at the 1956 Congress of Negro Artists and Writers in Paris, the elusiveness of the queer diasporic subject in Andrew Salkey's novel Escape to an Autumn Pavement, and the trope of spirit possession in Nathaniel Mackey's writing and Burning Spear's reggae. Ellis' use of queer and affect theory shows how geographies claim diasporic subjects in ways that nationalist or masculinist tropes can never fully capture. Diaspora, Ellis concludes, is best understood as a mode of feeling and belonging, one fundamentally shaped by the experience of loss.