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Stanley Kubrick and Me

Stanley Kubrick and Me Author Emilio D'Alessandro
ISBN-10 9781628726718
Release 2016-05-17
Pages 384
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This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker—for the first time. Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life.



Stanley Kubrick and Me

Stanley Kubrick and Me Author Emilio D'Alessandro
ISBN-10 1628726695
Release 2016-05-03
Pages 352
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Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula One driver who was a minicab chauffer in London during the Swinging Sixties, he took a job driving a giant phallus through the city with a devilish-looking, black-bearded man in the backseat. Honest, reliable, ready to take on any work, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidante, living with him from A Clockwork Orange until his death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life.



Stanley Kubrick and Me

Stanley Kubrick and Me Author Emilio D'Alessandro
ISBN-10 9781628726718
Release 2016-05-17
Pages 384
Download Link Click Here

This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker—for the first time. Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life.



Stanley Kubrick

Stanley Kubrick Author Stanley Kubrick
ISBN-10 9781578062973
Release 2001-01-01
Pages 207
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By allowing readers to see the inner workings of this reclusive filmmaker, this comprehensive collection of his interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests--nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess--and discloses how each affects his films. Film stills.



Eyes Wide Open

Eyes Wide Open Author Frederic Raphael
ISBN-10 0752818686
Release 1999
Pages 186
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¿I¿ve never achieved spectacular success with a film. My reputation has grown slowly. I suppose you could say that I¿m a successful film-maker ¿ in that a number of people speak well of me...¿ Stanley Kubrick Frederic Raphael first worked with Stanley Kubrick in the 1970s. Since then he has worked with him at various times but no project has been as intense and demanding as his collaboration with Kubrick on his final film Eyes Wide Shut which was finished just before Kubrick¿s death in March 1999. This memoir will be about this collaboration and will be written in a cinematic form ¿ partly prose, partly film script. It will be a movie on the page and will give the reader a chance to ¿hear¿ the thinking, attitudes and methods of a great director woven with many anecdotes about stars he worked with along the way such as James Mason, Kirk Douglas, Marisa Berenson, Leonard Rossiter, Brando, Gregory Peck and many more. The long conversations between Raphael and Kubrick, usually conducted on the telephone, were not only about the problems concerning the film but also about many other things from Julius Caesar to the Holocaust, the films of Kieslowski and Tarantino. Kubrick was unusually revealing about his early life in the cinema and of the reverses and humiliations which he had to endure.



Stanley Kubrick

Stanley Kubrick Author Vincent Lobrutto
ISBN-10 0306809060
Release 1999-05-07
Pages 606
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Stanley Kubrick, director of the acclaimed filmsPath of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: Space Odyssey. A Clockwork Orange, The Shining, and Full Metal Jacket, is arguably one of the greatest American filmmakers. Yet, despite being hailed as “a giant” by Orson Welles, little is known about the reclusive director. Stanley Kubrick—the first full-length study of his life—is based on assiduous archival research as well as new interviews with friends, family, and colleagues.Film scholar Vincent LoBRutto provides a comprehensive portrait of the director, from his high school days, in the Bronx and his stint as a photographer for Look magazine, through the creation of his wide-ranging movies, including the long-awaited Eyes Wide Shut. The author provides behind-the-scenes details about writing, filming, financing, and reception of the director's entire output, paying close attention to the technical innovations and to his often contentious relationships with actors. This fascinating biography exposes the enigma that is Stanley Kubrick while placing him in context of film history.



Kubrick

Kubrick Author Michael Herr
ISBN-10 0802138187
Release 2000
Pages 96
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A screenwriter and author of Dispatches provides a firsthand portrait of his friend and colleague, Stanley Kubrick, describing the life and career of the legendary director, dispelling myths about him, and reflecting on his seminal influence on the world of filmmaking. Reprint.



The Philosophy of Stanley Kubrick

The Philosophy of Stanley Kubrick Author Jerold J. Abrams
ISBN-10 9780813137193
Release 2007-05-04
Pages 288
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In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism -- the belief that philosophical truth has meaning only if it is chosen by the individual -- has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears -- especially the fear of death -- when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director's stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick's signature films.



Space Odyssey

Space Odyssey Author Michael Benson
ISBN-10 9781501163951
Release 2018-04-03
Pages 512
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Celebrating the fiftieth anniversary of the film’s release, this is the definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, including the inside account of how director Stanley Kubrick and writer Arthur C. Clarke created this cinematic masterpiece. Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence. Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others. A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.



Stanley Kubrick and the Art of Adaptation

Stanley Kubrick and the Art of Adaptation Author Greg Jenkins
ISBN-10 9781476608846
Release 2017-07-28
Pages 181
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Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick’s adaptations have consistently been among the best Hollywood has to offer. Kubrick’s film adaptations of three novels—Lolita, The Shining and Full Metal Jacket—are analyzed in this work. The primary focus is on the alterations in the characters and narrative structure, with additional attention to style, scope, pace, mood and meaning. Kubrick’s adaptations simplify, impose a new visuality, reduce violence, and render the moral slant more conventional. Instructors considering this book for use in a course may request an examination copy here.



Stanley Kubrick

Stanley Kubrick Author John Baxter
ISBN-10 0006384455
Release 1998
Pages 401
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That Stanley Kubrick has maintained his mystique for nearly forty years is both a tribute to his exceptional powers as a film-maker and a consequence of his decision to live and work on his own terms, whatever the price. For decades his films have distilled the essence of the age - from 'Paths of glory' (1957), 'Lolita' (1962), 'Dr. Strangelove' (1964) and '2001 - A space Odyssey' (1968) to 'A clockwork orange' (1971), 'Barry Lyndon' (1975), 'The Shining' (1980) and 'Full metal jacket' (1987). With his latest film ('Eyes wide shut'), Kubrick has added to the gallery of indelible images that will last as long as the cinema. With the help of actors, writers, directors, technicians and childhood friends, John Baxter offers an account of Kubrick's extraordinary life and work.



Stanley Kubrick s A Clockwork Orange

Stanley Kubrick s A Clockwork Orange Author Stuart Y. McDougal
ISBN-10 0521574889
Release 2003-07-07
Pages 168
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Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.



Listening to Stanley Kubrick

Listening to Stanley Kubrick Author Christine Lee Gengaro
ISBN-10 9780810885646
Release 2013
Pages 305
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In Listening to Stanley Kubrick, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick s films and places the preexistent music he utilized into historical context. This book offers a thoroughly researched examination into the musical elements of one of cinema s most brilliant artists."



Stanley Kubrick

Stanley Kubrick Author Rainer Crone
ISBN-10 0714863130
Release 2013-06-25
Pages 240
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The first book to document the early photographs of the famous and enigmatic film director Stanley Kubrick (1928 - 99). A fascinating account of American urban life including celebrities such as Leonard Bernstein, Kubrick documents a range of human emotion. Includes many never-before-seen photographs taken from 1945 - 50 and others not seen since their original publication in Look magazine. Sheds new light on Kubrick's apprenticeship and his early search for complex image compositions and dramatic narratives as developed in his films A Clockwork Orange and 2001: A Space Odyssey



Stanley Kubrick

Stanley Kubrick Author Nathan Abrams
ISBN-10 9780813587134
Release 2018-04-19
Pages 340
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Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.



Ko Stanley Kubrick Archives

Ko Stanley Kubrick Archives Author Alison Castle
ISBN-10 3836555824
Release 2015-04-01
Pages
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Ultimate Kubrick: The unsurpassed study of a cinematic genius In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director's philosophy. From the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick's complete films to impress through dazzling stills. In a separate section, Kubrick's creative process is brought to life through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick,and a selection of Kubrick's best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.



Life Moves Pretty Fast

Life Moves Pretty Fast Author Hadley Freeman
ISBN-10 9781501130663
Release 2016-06-14
Pages 352
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From Vogue contributor and Guardian columnist Hadley Freeman, a personalized guide to eighties movies that describes why they changed movie-making forever—featuring exclusive interviews with the producers, directors, writers and stars of the best cult classics. For Hadley Freeman, movies of the 1980s have simply got it all. Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, and Back to the Future; all a teenager needs to know in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club, and Mystic Pizza; the ultimate in action from Top Gun, Die Hard, Beverly Hills Cop, and Indiana Jones and the Temple of Doom; love and sex in 9 1/2 Weeks, Splash, About Last Night, The Big Chill, and Bull Durham; and family fun in The Little Mermaid, ET, Big, Parenthood, and Lean On Me. In Life Moves Pretty Fast, Hadley puts her obsessive movie geekery to good use, detailing the decade’s key players, genres, and tropes. She looks back on a cinematic world in which bankers are invariably evil, where children are always wiser than adults, where science is embraced with an intense enthusiasm, and the future viewed with giddy excitement. And, she considers how the changes between movies then and movies today say so much about society’s changing expectations of women, young people, and art—and explains why Pretty in Pink should be put on school syllabuses immediately. From how John Hughes discovered Molly Ringwald, to how the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy, and how Eddie Murphy made America believe that race can be transcended, this is a “highly personal, witty love letter to eighties movies, but also an intellectually vigorous, well-researched take on the changing times of the film industry” (The Guardian).