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Television

Television Author Raymond Williams
ISBN-10 9780415314565
Release 2003
Pages 172
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First published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules, Williams' analysis of television's history, its institutions, programmes and practices, and its.



Television

Television Author Raymond Williams
ISBN-10 9781134379378
Release 2004-06-01
Pages 192
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Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.



Raymond Williams on Television Routledge Revivals

Raymond Williams on Television  Routledge Revivals Author Raymond Williams
ISBN-10 9781136447563
Release 2013-05-13
Pages 266
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First Published in 1989, this work is based around a monthly TV column which Raymond Williams wrote for The Listener between 1968 and 1972. Those were the years of the Prague Spring, of anti-Vietnam war demonstrations, of fighting in Cambodia and Northern Ireland, of hope for McGovern in the United States and attacks on the Wilson Labour Government in Britain. In The Listener articles Williams comments on all of these events, providing a rare glimpse not only into the events of his daily life but also into the continuing development of a personal sociology of culture. The articles also discuss such television forms as detective series, science programmes and sports, travelogue, education, gardening, and children’s programming. The book also includes Williams’ key lecture "Drama in a Dramatised Society", which sets a framework for his analysis; a London Review of Books piece on the Falklands/Malvinas adventure as a "tele-war"; and an interview with Williams on television and teaching. Cited by The Guardian as "The foremost political thinker of his generation", Williams’ writing amounts to a primer on ways of watching television and of critiquing its profound social and political impact.



Logics of Television

Logics of Television Author Patricia Mellencamp
ISBN-10 0851702783
Release 1990
Pages 307
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Logics of Television has been writing in one form or another for most of life. You can find so many inspiration from Logics of Television also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Logics of Television book for free.



Inside Prime Time

Inside Prime Time Author Todd Gitlin
ISBN-10 9781134886586
Release 2005-08-12
Pages 384
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Prime time: those precious few hours every night when the three major television networks garner millions of dollars while tens of millions of Americans tune in. Inside Prime Time is a classic study of the workings of the Hollywood television industry, newly available with an updated introduction. Inside Prime Time takes us behind the scenes to reveal how prime-time shows get on the air, stay on the air, and are shaped by the political and cultural climate of their times. It provides an ethnography of the world of American commercial television, an analysis of that world's unwritten rules, and the most extensive study of the industry ever made.



The Television History Book

The Television History Book Author Michele Hilmes
ISBN-10 0851709877
Release 2003
Pages 163
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Over the last half century, developments in television broadcasting have exerted an immeasurable influence over our social, cultural, and economic practices. With contributions by leading media scholars, The Television History Book presents an overview of the of history of broadcasting in Great Britain and the United States. With its integrated format, The Television History Book encourages readers to make connections between events and tendencies that both unite and differentiate these national broadcasting traditions. From the origins of the public service and commercial systems of broadcasting to the current period of technological and economic convergence, the book provides an accessible overview of the history of television technology, institutions, polices, programs, and audiences. The numerous "gray box" case studies illustrate the course of television innovation and are accompanied by lists of recommended further reading and an extensive bibliography Over the last half century, developments in television broadcasting have exerted an immeasurable influence over our social, cultural, and economic practices. With contributions by leading media scholars, The Television History Book presents an overview of the of history of broadcasting in Great Britain and the United States. With its integrated format, The Television History Book encourages readers to make connections between events and tendencies that both unite and differentiate these national broadcasting traditions. From the origins of the public service and commercial systems of broadcasting to the current period of technological and economic convergence, the book provides an accessible overview of the history of television technology, institutions, polices, programs, and audiences. The numerous "gray box" case studies illustrate the course of television innovation and are accompanied by lists of recommended further reading and an extensive bibliography



Cultural Technologies

Cultural Technologies Author Göran Bolin
ISBN-10 9781136302961
Release 2012-09-10
Pages 222
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The essays in this volume discuss both the culture of technology that we live in today, and culture as technology. Within the chapters of the book cultures of technology and cultural technologies are discussed, focussing on a variety of examples, from varied national contexts. The book brings together internationally recognised scholars from the social sciences and humanities, covering diverse themes such as intellectual property, server farms and search engines, cultural technologies and epistemology, virtual embassies, surveillance, peer-to-peer file-sharing, sound media and nostalgia and much more. It contains both historical and contemporary analyses of technological phenomena as well as epistemological discussions on the uses of technology.



Watching Dallas

Watching Dallas Author Ien Ang
ISBN-10 9781136109089
Release 2013-09-13
Pages 160
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Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?



Modern Tragedy

Modern Tragedy Author Raymond Williams
ISBN-10 9781448191307
Release 2013-11-30
Pages 288
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In Modern Tragedy, Williams bridges the gap between literary and socio-economic study, tracing the notion of tragedy from its philosophical and dramatic origins with Aristotle. In addition, Williams discusses tragedy in Chaucher, Nietzche, Brecht, Sartre and other leading figures in the history of thought, as well as elements of tragic experience – both political and personal - in socialist revolutions of the 20th century.



Understanding Social Media

Understanding Social Media Author Sam Hinton
ISBN-10 9781446283127
Release 2013-06-17
Pages 168
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Understanding Social Media provides a critical and timely conceptual toolbox for navigating the evolution and practices of social media. Taking an interdisciplinary and intercultural approach, this book provides a clear and concise explanation of the key concepts but also goes beyond specific brands, sites and practices to show readers how to place social media more critically within the changing media and cultural landscape. As an aid to understanding, key concepts in each chapter are illustrated by case studies to give real-world examples of theory in action. Cutting across the many dimensions of social media, from the political, economic and visual, this book explores the industries, ideologies and cultural practices that are increasingly becoming part of global popular culture.



The Routledge Companion to British Media History

The Routledge Companion to British Media History Author Martin Conboy
ISBN-10 9781317629474
Release 2014-09-15
Pages 610
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The Routledge Companion to British Media History provides a comprehensive exploration of how different media have evolved within social, regional and national contexts. The 50 chapters in this volume, written by an outstanding team of internationally respected scholars, bring together current debates and issues within media history in this era of rapid change, and also provide students and researchers with an essential collection of comparable media histories. The first two parts of the Companion comprise a series of thematic chapters reflecting broadly on historiography, providing historical context for discussions of the power of the media and their social importance, arranged in the following sections: Media History Debates Media and Society The subsequent parts are made up of in-depth sections on different media formats, exploring various approaches to historicizing media futures, divided as follows: Newspapers Magazines Radio Film Television Digital Media The Routledge Companion to British Media History provides an essential guide to key ideas, issues, concepts and debates in the field. Chapter 40 of this book is freely available as a downloadable Open Access PDF at www.tandfebooks.com/openaccess. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license.



Branding Television

Branding Television Author Catherine Johnson
ISBN-10 9781136618543
Release 2012-03-12
Pages 224
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Branding Television examines why and how the UK and US television industries have turned towards branding as a strategy in response to the rise of satellite, cable and digital television, and new media, such as the internet and mobile phone. This is the first book to offer a sustained critical analysis of this new cultural development. Branding Television examines the industrial, regulatory and technological changes since the 1980s in the UK and the USA that have led to the adoption of branding as broadcasters have attempted to manage the behaviour of viewers and the values associated with their channels, services and programmes in a world of increased choice and interactivity. Wide-ranging case studies drawn from commercial, public service, network and cable/satellite television (from NBC and HBO to MTV, and from BBC and Channel 4 to UKTV and Sky) analyse the role of marketing and design in branding channels and corporations, and the development of programmes as brands. Exploring both successful and controversial uses of branding, this book asks what problems there are in creating television brands and whether branding supports or undermines commercial and public service broadcasting. Branding Television extends and complicates our understanding of the changes to television over the past 30 years and of the role of branding in contemporary Western culture. It will be of particular interest to students and researchers in television studies, but also in creative industries and media and cultural studies more generally.



A Private Sphere

A Private Sphere Author Zizi A. Papacharissi
ISBN-10 9780745658995
Release 2013-04-23
Pages 208
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Online technologies excite the public imagination with narratives of democratization. The Internet is a political medium, borne of democracy, but is it democratizing? Late modern democracies are characterized by civic apathy, public skepticism, disillusionment with politics, and general disinterest in conventional political process. And yet, public interest in blogging, online news, net-based activism, collaborative news filtering, and online networking reveal an electorate that is not disinterested, but rather, fatigued with political conventions of the mainstream. This book examines how online digital media shape and are shaped by contemporary democracies, by addressing the following issues: How do online technologies remake how we function as citizens in contemporary democracies? What happens to our understanding of public and private as digitalized democracies converge technologies, spaces and practices? How do citizens of today understand and practice their civic responsibilities, and how do they compare to citizens of the past? How do discourses of globalization, commercialization and convergence inform audience/producer, citizen/consumer, personal/political, public/private roles individuals must take on? Are resulting political behaviors atomized or collective? Is there a public sphere anymore, and if not, what model of civic engagement expresses current tendencies and tensions best? Students and scholars of media studies, political science, and critical theory will find this to be a fresh engagement with some of the most important questions facing democracies today.



An Introductory History of British Broadcasting

An Introductory History of British Broadcasting Author Andrew Crisell
ISBN-10 9781134538058
Release 2005-06-29
Pages 352
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An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: *the latest developments in digital broadcasting and the internet *broadcasting in a multimedia era and its prospects for the future *the concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view *an evaluation of recent political pressures on the BBC and ITV duopoly *a timeline of key broadcasting events and annotated advice on further reading.



Legitimating Television

Legitimating Television Author Michael Z Newman
ISBN-10 9781136942723
Release 2012-02-27
Pages 232
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Legitimating Television: Media Convergence and Cultural Status explores how and why television is gaining a new level of cultural respectability in the 21st century. Once looked down upon as a "plug-in drug" offering little redeeming social or artistic value, television is now said to be in a creative renaissance, with critics hailing the rise of Quality series such as Mad Men and 30 Rock. Likewise, DVDs and DVRs, web video, HDTV, and mobile devices have shifted the longstanding conception of television as a household appliance toward a new understanding of TV as a sophisticated, high-tech gadget. Newman and Levine argue that television’s growing prestige emerges alongside the convergence of media at technological, industrial, and experiential levels. Television is permitted to rise in respectability once it is connected to more highly valued media and audiences. Legitimation works by denigrating "ordinary" television associated with the past, distancing the television of the present from the feminized and mass audiences assumed to be inherent to the "old" TV. It is no coincidence that the most validated programming and technologies of the convergence era are associated with a more privileged viewership. The legitimation of television articulates the medium with the masculine over the feminine, the elite over the mass, reinforcing cultural hierarchies that have long perpetuated inequalities of gender and class. Legitimating Television urges readers to move beyond the question of taste—whether TV is "good" or "bad"—and to focus instead on the cultural, political, and economic issues at stake in television’s transformation in the digital age.



Understanding Community Media

Understanding Community Media Author Kevin Howley
ISBN-10 9781483342856
Release 2009-09-11
Pages 424
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A text that reveals the value and significance of community media in an era of global communication With contributions from an international team of well-known experts, media activists, and promising young scholars, this comprehensive volume examines community-based media from theoretical, empirical, and practical perspectives. More than 30 original essays provide an incisive and timely analysis of the relationships between media and society, technology and culture, and communication and community. Key Features Provides vivid examples of community and alternative media initiatives from around the world Explores a wide range of media institutions, forms, and practices—community radio, participatory video, street newspapers, Independent Media Centers, and community informatics Offers cutting-edge analysis of community and alternative media with original essays from new, emerging, and established voices in the field Takes a multidimensional approach to community media studies by highlighting the social, economic, cultural, and political significance of alternative, independent, and community-oriented media organizations Enters the ongoing debates regarding the theory and practice of community media in a comprehensive and engaging fashion Intended Audience This core text is designed for advanced undergraduate and graduate courses such as Community Media, Alternative Media, Media & Social Change, Communication & Culture, and Participatory Communication in the departments of communication, media studies, sociology, and cultural studies.



MP3

MP3 Author Jonathan Sterne
ISBN-10 9780822352877
Release 2012-07-17
Pages 341
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Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.