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The Electronic Word

The Electronic Word Author Richard A. Lanham
ISBN-10 0226469123
Release 2010-06-15
Pages 302
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The personal computer has revolutionized communication, and digitized text has introduced a radically new medium of expression. Interactive, volatile, mixing word and image, the electronic word challenges our assumptions about the shape of culture itself. This highly acclaimed collection of Richard Lanham's witty, provocative, and engaging essays surveys the effects of electronic text on the arts and letters. Lanham explores how electronic text fulfills the expressive agenda of twentieth-century visual art and music, revolutionizes the curriculum, democratizes the instruments of art, and poses anew the cultural accountability of humanism itself. Persuading us with uncommon grace and power that the move from book to screen gives cause for optimism, not despair, Lanham proclaims that "electronic expression has come not to destroy the Western arts but to fulfill them." The Electronic Word is also available as a Chicago Expanded Book for your Macintosh®. This hypertext edition allows readers to move freely through the text, marking "pages," annotating passages, searching words and phrases, and immediately accessing annotations, which have been enhanced for this edition. In a special prefatory essay, Lanham introduces the features of this electronic edition and gives a vividly applied critique of this dynamic new edition.



The Economics of Attention

The Economics of Attention Author Richard A. Lanham
ISBN-10 9780226468822
Release 2006-04-21
Pages 312
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If economics is about the allocation of resources, then what is the most precious resource in our new information economy? Certainly not information, for we are drowning in it. No, what we are short of is the attention to make sense of that information. With all the verve and erudition that have established his earlier books as classics, Richard A. Lanham here traces our epochal move from an economy of things and objects to an economy of attention. According to Lanham, the central commodity in our new age of information is not stuff but style, for style is what competes for our attention amidst the din and deluge of new media. In such a world, intellectual property will become more central to the economy than real property, while the arts and letters will grow to be more crucial than engineering, the physical sciences, and indeed economics as conventionally practiced. For Lanham, the arts and letters are the disciplines that study how human attention is allocated and how cultural capital is created and traded. In an economy of attention, style and substance change places. The new attention economy, therefore, will anoint a new set of moguls in the business world—not the CEOs or fund managers of yesteryear, but new masters of attention with a grounding in the humanities and liberal arts. Lanham’s The Electronic Word was one of the earliest and most influential books on new electronic culture. The Economics of Attention builds on the best insights of that seminal book to map the new frontier that information technologies have created.



The Motives of Eloquence

The Motives of Eloquence Author Richard A. Lanham
ISBN-10 9781592445790
Release 2004-03-15
Pages 250
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The Motives of Eloquence has been writing in one form or another for most of life. You can find so many inspiration from The Motives of Eloquence also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The Motives of Eloquence book for free.



Feminist Cyberscapes

Feminist Cyberscapes Author Kristine Blair
ISBN-10 9781567504392
Release 1999-01-01
Pages 458
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Explores the varying virtual, physical, cultural and institutional contexts influencing the nature of electronic space for women, and, the intersection of feminisms, power, authority, voice, and computer technologies.



Culture and Citizenship

Culture and Citizenship Author Nick Stevenson
ISBN-10 0761955607
Release 2001-01-26
Pages 216
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`Culture' and `citizenship' are two of the most hotly contested concepts in the social sciences. What are the relationships between them? This book explores the issues of inclusion and exclusion, the market and policy, rights and responsibilities, and the definitions of citizens and non-citizens. Substantive topics investigated in the various chapters include: cultural democracy; intersubjectivity and the unconscious; globalization and the nation state; European citizenship; and the discourses on cultural policy.



International Handbook of Research in Arts Education

International Handbook of Research in Arts Education Author Liora Bresler
ISBN-10 9781402030529
Release 2007-09-04
Pages 1629
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Providing a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.



Handbook of Research on Teaching Literacy Through the Communicative and Visual Arts

Handbook of Research on Teaching Literacy Through the Communicative and Visual Arts Author James Flood
ISBN-10 9781135603700
Release 2004-09-22
Pages 936
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The Handbook of Research on Teaching Literacy Through the Communicative and Visual Arts, a comprehensive overview of research on this topic, extends conceptualizations of literacy to include all of the communicative arts (reading, writing, speaking, listening, viewing) and the visual arts of drama, dance, film, art, video, and computer technology.



Digital Arts and Entertainment Concepts Methodologies Tools and Applications

Digital Arts and Entertainment  Concepts  Methodologies  Tools  and Applications Author Management Association, Information Resources
ISBN-10 9781466661158
Release 2014-06-30
Pages 1661
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In today’s interconnected society, media, including news, entertainment, and social networking, has increasingly shifted to an online, ubiquitous format. Artists and audiences will achieve the greatest successes by utilizing these new digital tools. Digital Arts and Entertainment: Concepts, Methodologies, Tools, and Applications examines the latest research and findings in electronic media, evaluating the staying power of this increasingly popular paradigm along with best practices for those engaged in the field. With chapters on topics ranging from an introduction to online entertainment to the latest advances in digital media, this impressive three-volume reference source will be important to researchers, practitioners, developers, and students of the digital arts.



The Future of Modernism

The Future of Modernism Author Hugh Witemeyer
ISBN-10 0472108352
Release 1997
Pages 259
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Argues for the complex and vital legacy of major modernist authors



Reading at a Crossroads

Reading at a Crossroads Author Rand J. Spiro
ISBN-10 9781136741104
Release 2015-03-05
Pages 198
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The Internet is transforming the experience of reading and learning-through-reading. Is this transformation effecting a radical change in reading processes as readers synthesize understandings from fragments across multiple texts? Or, conversely, is the Internet merely a new place to use the same reading skills and processes developed through experience with traditional print-based media? Are the changes in reading processes a matter of degree, or are they fundamentally new? And if so, how must reading theory, research, and instruction adjust? This volume brings together distinguished experts from the fields of reading research, teacher education, educational psychology, cognitive science, rhetoric and composition, digital humanities, and educational technology to address these questions. Every question is not answered in every chapter. How could they be? But every contributor has many thoughtful things to say about a subset of these important questions. Together, they add up to a comprehensive response to the issues the field faces as it approaches what may well be—or not —a crossroads. A website devoted to extending discussion around the book in creative (and disjunctive) ways [readingatacrossroads.net] moves it beyond the printed page.



Writing Material

Writing Material Author Evelyn B. Tribble
ISBN-10 0321077172
Release 2003
Pages 544
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This reader considers how writing practices, old and new, affect the ways we write, read, think, and looks at how writing is influenced by historical events, cultural values, and technological advances. This challenging reader examines transformations in reading and writing, from the oral traditions of the pre-print era to the hypertext of the digital age, to analyze the impact of these changes on our reading and writing practices. With its historical and cultural analysis perspectives, it has appeal for any instructor interested in having their students think critically about the changing nature of writing. The readings–which include ancient philosophy, personal essays, literary narratives, and accessible scholarly discussions all centered on the past, present, and future of writing–are intellectually ambitious and encourage active, critical reading. A pedagogical system of “Suggested Groupings” in the back of the text clusters the readings under specific themes that explore the complex relationships between the selections. Innovative writing assignments let students experiment with different communicative forms and media. Numerous visual images emphasize visual literacy.



Literary Texts in an Electronic Age

Literary Texts in an Electronic Age Author Brett Sutton
ISBN-10 UCAL:$B718045
Release 1994
Pages 207
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Literary Texts in an Electronic Age has been writing in one form or another for most of life. You can find so many inspiration from Literary Texts in an Electronic Age also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Literary Texts in an Electronic Age book for free.



Virtual Realities and Their Discontents

Virtual Realities and Their Discontents Author Robert Markley
ISBN-10 UOM:39015038421833
Release 1996
Pages 162
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The recognition that cyberspace is a fiction -- a narrative that creates a coherence it would like to imagine "really" exists -- is crucial to any theoretically sophisticated critique of the limitations of this consensual hallucination and the discontents it imperfectly masks. In this groundbreaking volume Robert Markley and his co-authors set out to discover why "cyberspace provokes often-rapturous rhetoric but resists critical analysis." Taking a variety of approaches, the authors explore the ways in which virtual realities conserve and incorporate rather than overthrow the assumptions and values of a traditional, logocentric humanism: the Platonist division of the world into the physical and metaphysical in which ideal forms are valued over material content. Cyberspace, David Porush suggests, represents not a break with our metaphysical past but an extension of its basic theistic postulates. Richard Grusin argues that the claims for new forms of electronic communication depend upon the very notions of authorship -- and subjectivity -- they claim to transcend. N. Katherine Hayles examines debates about cybernetics in the 1950s to demonstrate that the history of mind-body ideas in the age of computers and feedback loops is itself conflicted. David Brande analyzes cyberspace as an extension of the logic of late twentieth-century capitalism. And Robert Markley explores the entangled roots of cyberspace in the philosophy of mathematics. "One of the ironies of our culture's fascination with cyberspace is that our material and psychic investments in Virtual Reality suggest that the death of print culture -- or its disappearance into the matrix -- has been greatly exaggerated.... Cyberspace is unthinkable, literally inconceivable, without the print culture it claims to transcend. It is, in part, a by-product of a tradition of metaphysics that, boats against the current, bears us back relentlessly to our past." -- Robert Markley, from the introduction



Educom Review

Educom Review Author
ISBN-10 UOM:39015077204835
Release 1994
Pages
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Educom Review has been writing in one form or another for most of life. You can find so many inspiration from Educom Review also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Educom Review book for free.



Proceedings of the Clinic on Library Applications of Data Processing

Proceedings of the Clinic on Library Applications of Data Processing Author Brett Sutton
ISBN-10 0878450963
Release 1994
Pages 207
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Proceedings of the Clinic on Library Applications of Data Processing has been writing in one form or another for most of life. You can find so many inspiration from Proceedings of the Clinic on Library Applications of Data Processing also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Proceedings of the Clinic on Library Applications of Data Processing book for free.



Reality TV

Reality TV Author Mark Andrejevic
ISBN-10 UOM:39015057589197
Release 2004
Pages 253
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Drawing on cultural theory and interviews with fans, cast members, and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality-TV formats, the book links the rehabilitation of Big Brother to the increasingly important economic role played by the work of being watched. The author enlists critical social theory to examine how the appeal of the real is deployed as a pervasive but false promise of democratization.



Reading the Illegible

Reading the Illegible Author Craig Douglas Dworkin
ISBN-10 UOM:39015056837985
Release 2003
Pages 238
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A poet takes another's text, excises this, prints over that, cancels, erases, rearranges, defaces--and generally renders the original unreadable, at least in its original terms. What twentieth-century writers and artists have meant by such appropriations and violations, and how the "illegible" results are to be read, is the subject Craig Dworkin takes up in this ambitious work. In his scrutiny of selected works, and with reference to a rich variety of textual materials--from popular and scientific texts to visual art, political and cultural theories, and experimental films--Dworkin proposes a new way of apprehending the radical formalism of so-called unreadable texts. Dworkin unveils what he describes as "the politics of the poem"--what is signified by its form, enacted by its structures, and implicit in the philosophy of language; how it positions its reader; and other questions relating to the poem as material object. In doing so, he exposes the mechanics and function of truly radical formalism as a practice that move beyond aesthetic considerations into the realms of politics and ideology. Reading the Illegible asks us to reconsider poetry as a physical act, and helps us to see how the range of a text's linguistic and political maneuvers depends to a great extent on the material conditions of reading and writing as well as the mechanics of reproduction.