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The Film Factory

The Film Factory Author Ian Christie
ISBN-10 9781135082512
Release 2012-10-12
Pages 484
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First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.



Inside the Film Factory

Inside the Film Factory Author Ian Christie
ISBN-10 9781134944330
Release 2005-08-19
Pages 280
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This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.



Historical Dictionary of Russian and Soviet Cinema

Historical Dictionary of Russian and Soviet Cinema Author Peter Rollberg
ISBN-10 9781442268425
Release 2016-07-20
Pages 890
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Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.



Stalinism and Soviet Cinema

Stalinism and Soviet Cinema Author Derek Spring
ISBN-10 9781136128288
Release 2013-11-05
Pages 296
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Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.



Post revolution Nonfiction Film

Post revolution Nonfiction Film Author Joshua Malitsky
ISBN-10 9780253007643
Release 2013
Pages 273
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In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.



Cinemas of the World

Cinemas of the World Author James Chapman
ISBN-10 9781861895745
Release 2004-06-03
Pages 480
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The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History



British Cinema and the Cold War

British Cinema and the Cold War Author Tony Shaw
ISBN-10 1845112113
Release 2006-09-03
Pages 280
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Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall.



Early Cinema in Russia and its Cultural Reception

Early Cinema in Russia and its Cultural Reception Author Yuri Tsivian
ISBN-10 9781317928379
Release 2013-12-13
Pages 304
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This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.



Death 24x a Second

Death 24x a Second Author Laura Mulvey
ISBN-10 9781861895769
Release 2006-03-01
Pages 216
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Death 24x a Second is a fascinating exploration of the role new media technologies play in our experience of film. Addressing some of the key questions of film theory, spectatorship, and narrative, Laura Mulvey here argues that such technologies, including home DVD players, have fundamentally altered our relationship to the movies. According to Mulvey, new media technologies give viewers the ability to control both image and story, so that movies meant to be seen collectively and followed in a linear fashion may be manipulated to contain unexpected and even unintended pleasures. The individual frame, the projected film’s best-kept secret, can now be revealed by anyone who hits pause. Easy access to repetition, slow motion, and the freeze-frame, Mulvey argues, may shift the spectator’s pleasure to a fetishistic rather than a voyeuristic investment in film. By exploring how technology can give new life to old cinema, Death 24x a Second offers an original reevaluation of film’s history and its historical usefulness.



Cinematic Chronotopes

Cinematic Chronotopes Author Pepita Hesselberth
ISBN-10 9781623566470
Release 2014-06-19
Pages 208
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The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.



The Big Screen

The Big Screen Author David Thomson
ISBN-10 9781466827714
Release 2012-10-16
Pages 608
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The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen—smaller now, but ever more ubiquitous—as important as the images it carries. The Big Screen is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media—moving from Eadweard Muybridge to Steve Jobs, from Sunrise to I Love Lucy, from John Wayne to George Clooney, from television commercials to streaming video—to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life—the stories, the stars, the look—and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room. Does the big screen take us out into the world, or merely mesmerize us? That is Thomson's question in this grand adventure of a book. Books about the movies are often aimed at film buffs, but this passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens—the age that, more than ever, we are living in.



The cinema of Russia and the former Soviet Union

The cinema of Russia and the former Soviet Union Author Birgit Beumers
ISBN-10 UOM:39015069368101
Release 2007
Pages 283
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The cinema of the Russia and the former Soviet Union ranges from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include The Strike (1925), Earth (1930), Ivan's Childhood (1962), Brother (1997) and Russian Ark (2002).



Handbook of Soviet and East European films and filmmakers

Handbook of Soviet and East European films and filmmakers Author Thomas J. Slater
ISBN-10 031326239X
Release 1992
Pages 443
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One of the most fascinating aspects of film studies is how it can explain more about the nature of "closed" societies. In Eastern Europe, artists, intellectuals, and entertainers are now free to create film outside the direct control of the state. This unique handbook convincingly shows how much film art was still being produced behind the Iron Curtain even during such repressive periods as those under Stalin and Brezhnev. Thomas J. Slater has compiled a valuable history of cinematic evolution in the Soviet Union and Eastern Europe through the use of detailed historiographical essays for each country. The dramatic changes in the political and economic structures of Eastern Europe that occurred during 1989-90 have revealed even more about courageous filmmakers who worked under difficult conditions. Many were still able to produce artistically important films, but filmmakers were often forced to become propagandizers for their authoritarian governments. This book outlines the film achievements in the Soviet Union, Poland, Czechoslovakia, Yugoslavia, Hungary, East Germany, Romania, and Bulgaria, and how their people responded to the films they were allowed to see. An appendix contains a chronology of major historical, cultural, and film events in the Soviet Union and Eastern Europe during the past 100 years. This book will be of great value to scholars not only of film studies, but also of history, social and political science, communications, culture, and the fine arts. The handbook is an excellent addition to the collections of academic and public libraries and provides a vital listing for film historians and filmmakers.



The New Film History

The New Film History Author James Chapman
ISBN-10 0230001696
Release 2007-05-15
Pages 288
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The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Designed for use on courses in film history, The New Film History offers readers an overview of key areas of research, including reception studies, genre, authorship and the historical film, together with detailed case studies centred on well-known American, Australian, British and European films. With contributions from fifteen leading film historians, this is the first major overview of the field of film history to be published in twenty years.



Screen

Screen Author
ISBN-10 STANFORD:36105123025988
Release 2005
Pages
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Screen has been writing in one form or another for most of life. You can find so many inspiration from Screen also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Screen book for free.



Wide Angle

Wide Angle Author
ISBN-10 UOM:39015041859276
Release 1993
Pages
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A quarterly journal of film history, theory, criticism, and practice.



Histoire Russe

Histoire Russe Author
ISBN-10 UOM:39015041814057
Release 1993
Pages
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Histoire Russe has been writing in one form or another for most of life. You can find so many inspiration from Histoire Russe also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Histoire Russe book for free.