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Gauguin s Intimate Journals

Gauguin s Intimate Journals Author Paul Gauguin
ISBN-10 0486294412
Release 1921
Pages 118
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"These journals are an illuminating self-portrait of a unique personality....They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham."--Emil Gauguin, the artist's son, in the Preface. One of the great innovative figures in modern art, Gauguin was a complex, driven individual who, in 1883, gave up his job as a stockbroker in order to be free to paint every day. As time passed, he determined to sacrifice everything for his artistic vocation. Finally, in pursuit of a place to paint "natural men and women living lives unstained by the sham and hypocrisy of civilization, he took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. Completed during the artist's final sojourn in the Marquesas, these revealing journals -- reprinted from rare limited edition -- throw much light on the painter's inner life and his thoughts about a great many topics. We learn of Gauguin's first stay in Paris in 1876, and his initial encounter with Impressionism, his tumultuous relationship with van Gogh when they lived and painted together in Arles, his pithy evaluations of Degas, Cezanne, Manet, and other artists; his opinion of art dealers and critics (poor), and much more. Also here are illuminating glimpses of Gauguin's life in the islands: his delight in the simple, carefree lives of the natives and the physical charms of Polynesian women, counterbalanced by his struggles with poverty, hatred of the missionaries, and despair over the failures of French colonial justice. Witty, wide-ranging, and aphoristic, these writings are not only entertaining in themselves, they are crucial for anyone seeking to understand Gauguin and his work. The text is enhanced with 27 full-page illustrations by Gauguin. Dover (1997) unabridged republication of "Paul Gauguin's Intimate Journals, " Boni and Liveright, New York, 1921.



Intimate Journals Of Paul Gaugui

Intimate Journals Of Paul Gaugui Author Gauguin
ISBN-10 9781136141140
Release 2013-02-01
Pages 256
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The Intimate Journals of Paul Gaugui, depicts the experiences of the French artist while living on a Polynesian island and discusses the culture of the natives of the island.



Paul Gauguin s Intimate Journals

Paul Gauguin s Intimate Journals Author Paul Gauguin
ISBN-10 UCLA:L0062371687
Release 1921
Pages 172
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Paul Gauguin s Intimate Journals has been writing in one form or another for most of life. You can find so many inspiration from Paul Gauguin s Intimate Journals also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Paul Gauguin s Intimate Journals book for free.



The intimate journals of Paul Gauguin

The intimate journals of Paul Gauguin Author Paul Gauguin
ISBN-10 UOM:39015038126796
Release 1923
Pages 138
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The intimate journals of Paul Gauguin has been writing in one form or another for most of life. You can find so many inspiration from The intimate journals of Paul Gauguin also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The intimate journals of Paul Gauguin book for free.



Noa Noa

Noa Noa Author Paul Gauguin
ISBN-10 UCSC:32106006034810
Release 1920
Pages 148
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Noa Noa has been writing in one form or another for most of life. You can find so many inspiration from Noa Noa also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Noa Noa book for free.



Intimate Journals

Intimate Journals Author Paul Gauguin
ISBN-10 OCLC:153365265
Release 1936
Pages 254
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Intimate Journals has been writing in one form or another for most of life. You can find so many inspiration from Intimate Journals also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Intimate Journals book for free.



Delphi Complete Works of Paul Gauguin Illustrated

Delphi Complete Works of Paul Gauguin  Illustrated Author Paul Gauguin
ISBN-10 9781786565020
Release 2016-12-08
Pages 1217
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www.delphiclassics.com



Paul Gauguin

Paul Gauguin Author Paul Gauguin
ISBN-10 OCLC:4947633
Release 1979
Pages 255
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Paul Gauguin has been writing in one form or another for most of life. You can find so many inspiration from Paul Gauguin also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Paul Gauguin book for free.



Gauguin in the South Seas

Gauguin in the South Seas Author Bengt Danielsson
ISBN-10 STANFORD:36105005363614
Release 1966
Pages 336
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The artist's ten years in Tahiti and the Marquesas, reconstructed in the light of new-found data.



Color Your Own Gauguin Paintings

Color Your Own Gauguin Paintings Author Paul Gauguin
ISBN-10 9780486413259
Release 2001-01-01
Pages 32
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30 of the artist's finest paintings, among them Tahitian Landscape, Landscape Near Arles, Spirit of the Dead Watching, The Moon and the Earth, and Breton Girls Dancing.



The Letters of Vincent Van Gogh

The Letters of Vincent Van Gogh Author Vincent Van Gogh
ISBN-10 9781780333298
Release 2011-08-18
Pages 400
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A carefully selected edition of the letters of Van Gogh. For this great artist it is unusually difficult to separate his life from his work. These letters reveal his inner turmoil and strength of character, and provide an extraordinary insight into the intensity and creativity of his artistic life.



Primitivism in Modern Art

Primitivism in Modern Art Author Robert John Goldwater
ISBN-10 0674704908
Release 1986
Pages 339
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This now classic study maps the profound effect of primitive art on modern, as well as the primitivizing strain in modern art itself. Robert Goldwater describes how and why works by primitive artists attracted modern painters and sculptors, and he delineates the differences between what is truly primitive or archaic and what intentionally embodies such elements. His analysis distinguishes the romanticism of Gauguin; an emotional primitivism exemplified by the Brücke and Blaue Reiter groups in Germany; the intellectual primitivism of Picasso and Modigliani; and a “primitivism of the subconscious” in Miró, Klee, and Dali. Two of Goldwater's related essays—“Judgments of Primitive Art, 1905–1965” and “Art History and Anthropology”—have been added for this new paperback edition.



Cultural Contact and the Making of European Art since the Age of Exploration

Cultural Contact and the Making of European Art since the Age of Exploration Author Mary D. Sheriff
ISBN-10 9780807898192
Release 2010-06-21
Pages 240
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Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill



Charles Sheeler

Charles Sheeler Author Mark Rawlinson
ISBN-10 9780857711267
Release 2007-12-19
Pages 210
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Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler’s true relationship to progress was in fact highly negative, his ‘precisionism’ both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler’s work, Rawlinson reveals a profound critique of the processes of rationalisation and the conditions of modernity. The book argues finally for a re-evaluation of Sheeler's often dismissed late work which, it suggests, may only be understood through a radical shift in our understanding of the work of this prominent figure.



Avant garde Gambits 1888 1893

Avant garde Gambits  1888 1893 Author Griselda Pollock
ISBN-10 0500550255
Release 1992
Pages 80
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In the late 1880s Gauguin, Van Gogh and Bernard, fledgling members of the subculture we call the avant-garde, abandoned Paris, the capital of modernity, to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer nature of the countryside". Griselda Pollock challenges art history's usual interpretations of this search in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its art worlds - while being fascinated by what they imagined was a pre-modern "other". Through a thorough textual and social reading of Gauguin's 1892 painting of his Tahitian wife, Manao Tupapau, the author proposes a new theory about the avant-garde as a series of gambits, a game of reference, deference and difference. This painting refers and defers to Manet's Olympia (1863), a notorious avant-garde image of prostitution in the modern city. Where it was seen to differ was in the color of the nude: critics named it a "brown Olympia". Careful deconstruction of this epithet allows Professor Pollock to explore the ways in which racist discourse structures art and art history, posing questions of cultural, sexual and ethnic difference in order to make us all self-critical, not only in regard to the gender, but also to the color of art history.



The Rape of the Masters

The Rape of the Masters Author Roger Kimball
ISBN-10 9781594033025
Release 2005-11-25
Pages 200
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"The Rape of the Masters" exposes the charlatanry that fuels much academic art history and leaks into the art world generally, affecting galleries, museums and catalogues. It also provides an engaging antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization.



In Another Light

In Another Light Author Patricia G. Berman
ISBN-10 0500290989
Release 2013
Pages 272
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Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.