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The Musician s Guide to Theory and Analysis

The Musician s Guide to Theory and Analysis Author Jane Piper Clendinning
ISBN-10 9780393600483
Release 2016-06-01
Pages 1008
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The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.



The Musician s Guide to Theory and Analysis

The Musician s Guide to Theory and Analysis Author Jane Piper Clendinning
ISBN-10 0393263053
Release 2016-06-01
Pages 800
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The most comprehensive and integrated package for every music theory classroom.



The Musician s Guide to Theory and Analysis

The Musician s Guide to Theory and Analysis Author Jane Piper Clendinning
ISBN-10 0393124118
Release 2013-05-06
Pages 839
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Emphasizing real music and music-making, The Musician s Guide to Theory and Analysis gives students the hands-on tools they need to learn how music works."



The Musician s Guide to Aural Skills Ear training and composition

The Musician s Guide to Aural Skills  Ear training and composition Author Joel Phillips
ISBN-10 0393930955
Release 2011
Pages 546
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All the practical skills students need to succeed as professional musicians-in a single pedagogical program. The Musician's Guide to Aural Skills integrates all critical aural skills in a single teaching and learning program coordinated (chapter by chapter) with a companion text in theory and analysis. The two volumes, organized by skill type, contain a wide range of exercises, and a diverse repertoire of real music-classical, popular song, film and TV themes, folk songs. There is absolutely no need for supplementary materials, and students are involved in creative music-making from the very beginning. Volume 2 develops listening and writing skills in a complete ear-training, dictation, and composition manual. Each of the 40 chapters, corresponding to chapters in The Musician's Guide to Theory and Analysis, Second Edition, is organized in two parts-"Inductive Listening" and "Contextual Listening." A final "Composition" section leads students through individual and group compositions in a variety of styles. The text is packaged with a companion DVD that contains recordings for all the listening examples.



The Musician s Guide to Fundamentals

The Musician s Guide to Fundamentals Author Jane Piper Clendinning
ISBN-10 0393616576
Release 2017
Pages 375
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The Musician s Guide to Fundamentals has been writing in one form or another for most of life. You can find so many inspiration from The Musician s Guide to Fundamentals also informative, and entertaining. Click DOWNLOAD or Read Online button to get full The Musician s Guide to Fundamentals book for free.



Stage Presence from Head to Toe

Stage Presence from Head to Toe Author Karen A. Hagberg
ISBN-10 0810847779
Release 2003-01-01
Pages 109
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"This book focuses on the performance of classical music, but the basic principles are the same for all kinds of music. Musicians need to make their audiences receptive and to give them a lasting, positive impression. Just as classical training lays a foundation for the performance of other kinds of music, the basics of stage presence outlines here may be adopted to all kinds of performances, by all kinds of musicians." - page xiii.



A Guide to Musical Analysis

A Guide to Musical Analysis Author Nicholas Cook
ISBN-10 0198165080
Release 1994
Pages 376
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This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.



Building Better Dictation Skills

Building Better Dictation Skills Author Nathan O. Buonviri
ISBN-10 9781475813937
Release 2015-08-14
Pages 156
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Melodic dictation plays an important role in music theory classes, but instruction is often based on tradition rather than research. Dictation teachers and students do not just need more exercises and drills; they need to see deeper into the materials, consider how we connect to them, and practice wisely. Building Better Dictation Skills offers teachers and students the “why” and “how” of melodic dictation, through research-based exercises aimed at developing proactive musical listening. During dictation, students must actively involve themselves in the unfolding of an unfamiliar melody—using all of their musical skills in a concerted effort—to get into the composer’s mind and understand what is played. The author’s published research, on which this book is based, provides a level of insight unlikely to be discovered simply through drilling more melodies. Building Better Dictation Skills provides music educators and students with a concise, specific, and affordable resource that focuses on what they really need: dictation strategies aimed at learning beyond the “right answer.”



Strategies and Patterns for Ear Training

Strategies and Patterns for Ear Training Author Rudy T. Marcozzi
ISBN-10 0131872354
Release 2009
Pages 309
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Designed for the two year undergraduate sequence, Strategies and Patterns for Ear Training provides a concise step-by-step approach in aural training for music theory majors. Material is organized and presented in a progressive arrangement, and the text offers valuable strategies to students and teachers alike.



A New Approach to Sight Singing

A New Approach to Sight Singing Author Sol Berkowitz
ISBN-10 0393284913
Release 2017-03-15
Pages 400
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A classic sight-singing anthology featuring an ideal blend of newly composed melodies and music from the literature.



The Complete Musician

The Complete Musician Author Steven Geoffrey Laitz
ISBN-10 0199742782
Release 2012
Pages 875
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Reorganized for greater flexibility, the two workbooks that accompany The Complete Musician, Third Edition, feature an innovative structure and format. Workbook 2 focuses on musicianship skills. Between the two workbooks, there are nearly 2,000 recorded analytical and dictation examples and almost fifteen hours of recorded music, all of which is included in high-quality MP3 format. * Accompanied by a CD (packaged FREE with the workbook) containing high-quality MP3 recordings of nearly all the music in the workbook * Presents a variety of crucial skill-development exercises that unfold in a consistent order for each chapter, organized by activity type: singing arpeggiations of the chord being studied, then within a tune from the literature; two-part singing; dictation; keyboard; then instrumental application * Presents more than 300 melodies, organized by harmonic device * Includes introductory level musicianship exercises * Offers specific guidelines and notational information for the dictation



The Musician s Guide to Theory and Analysis and Workbook

The Musician s Guide to Theory and Analysis and Workbook Author Jane Piper Clendinning
ISBN-10 0393574601
Release 2016-07-05
Pages 1008
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The most comprehensive and integrated package for every music theory classroom.



The Hero with a Thousand Faces

The Hero with a Thousand Faces Author Joseph Campbell
ISBN-10 9781577315933
Release 2008
Pages 418
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Discusses the universal legend of the hero in world mythology, focusing on the motif of the hero's journey through adventure and transformation.



Manual for Ear Training and Sight Singing

Manual for Ear Training and Sight Singing Author Gary S. Karpinski
ISBN-10 0393614255
Release 2017
Pages 464
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A research-based aural skills curriculum that reflects the way students learn.



World Music

World Music Author Terry E. Miller
ISBN-10 9781317434368
Release 2016-12-19
Pages 544
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World Music: A Global Journey, Fourth Edition takes students around the world to experience the diversity of musical expression and cultural traditions. It is known for its breadth in surveying the world's major cultures in a systematic study of world music within a strong pedagogical framework. As one would prepare for any journey, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple "sites" within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experiential "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Fourth Edition features: New sites! Plena from Puerto Rico Chuida from China Gagaku from Japan has returned from the Second Edition New "Inside Look" features spotlight distinguished ethnomusicologists such as Dr. Terence Liu, K.S. Resni, Dr. Sumarsam, Dr. Mick Moloney, Walter Mahovlich, Natalie MacMaster, and Gilbert Velez Addition of DANCE, inseparable to musical expression in some cultures Updates as needed, resulting from various changes in culture, politics, and war New and revised test questions, new photos, and other revised resources The dynamic companion website hosts interactive listening guides plus many student and instructor resources. A set of three CDs is available, with over three hours of diverse music examples necessary to the study. PURCHASING OPTIONS Print Paperback Pack - Book and CD set: 9781138911277 Print Hardback Pack - Book and CD set: 9781138911284 Audio CD: 9781138697805 eBook Pack - eBook and mp3 file: 9781315692791* *See VitalSource.com for various eBook options (mp3 audio compilation not available for separate sale)



This Bridge Called My Back Fourth Edition

This Bridge Called My Back  Fourth Edition Author Cherríe Moraga
ISBN-10 9781438454382
Release 2015-02-11
Pages 334
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Updated and expanded edition of the foundational text of women of color feminism. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.” Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth Praise for the Third Edition “This Bridge Called My Back … dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz “This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. A much-cited text, its influence has been visible and broad both in academia and among activists. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara “This book is a manifesto—the 1981 declaration of a new politics ‘US Third World Feminism.’ No great de-colonial writer, from Fanon, Shaarawi, Blackhawk, or Sartre, to Mountain Wolf Woman, de Beauvoir, Saussure, or Newton could have alone proclaimed this ‘politic born of necessity.’ This politic denies no truths: its luminosities drive into and through our bodies. Writers and readers alike become shape-shifters, are invited to enter the shaman/witness state, to invoke power differently. ‘US Third World Feminism’ requires a re-peopling: the creation of planetary citizen-warriors. This book is a guide that directs citizenry shadowed in hate, terror, suffering, disconnection, and pain toward the light of social justice, gender and erotic liberation, peace, and revolutionary love. This Bridge … transits our dreams, and brings them to the real.” — Chela Sandoval, University of California, Santa Barbara



A Musician s Guide to Theory and Analysis in Music

A Musician s Guide to Theory and Analysis in Music Author Jane Piper Clendinning
ISBN-10 0393976653
Release 2006-06-06
Pages 505
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This useful student resource provides the writing and analysis exercises students need to master the concepts in The Musician s Guide to Theory and Analysis. Each chapter includes three main sections: "Basic Elements," "Writing Exercises" (such as harmonizing melodies), and "Analysis" (of brief excerpts and complete works)."