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Third Generation Holocaust Narratives

Third Generation Holocaust Narratives Author Victoria Aarons
ISBN-10 9781498517171
Release 2016-09-30
Pages 234
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This collection introduces the reader to third-generation Holocaust narratives, exploring the unique perspective of third-generation writers and demonstrating the ways in which Holocaust memory and trauma extend into the future.



Third Generation Holocaust Representation

Third Generation Holocaust Representation Author Victoria Aarons
ISBN-10 0810134098
Release 2017-01-15
Pages 256
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Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century--gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of "postmemory"; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.



A Thousand Darknesses

A Thousand Darknesses Author Ruth Franklin
ISBN-10 9780199718306
Release 2010-11-10
Pages 272
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What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust (and for memoir as an equally ambiguous form). The result is a study of immense depth and range that offers a lucid view of an often cloudy field.



Survivor Caf

Survivor Caf  Author Elizabeth Rosner
ISBN-10 9781640090095
Release 2017-09-01
Pages 206
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Named a Best Book of the Year by The San Francisco Chronicle "Survivor Café...feels like the book Rosner was born to write. Each page is imbued with urgency, with sincerity, with heartache, with heart.... Her words, alongside the words of other survivors of atrocity and their descendants across the globe, can help us build a more humane world." —San Francisco Chronicle As firsthand survivors of many of the twentieth century's most monumental events—the Holocaust, Hiroshima, the Killing Fields—begin to pass away, Survivor Café addresses urgent questions: How do we carry those stories forward? How do we collectively ensure that the horrors of the past are not forgotten? Elizabeth Rosner organizes her book around three trips with her father to Buchenwald concentration camp—in 1983, in 1995, and in 2015—each journey an experience in which personal history confronts both commemoration and memorialization. She explores the echoes of similar legacies among descendants of African American slaves, descendants of Cambodian survivors of the Killing Fields, descendants of survivors of the bombing of Hiroshima and Nagasaki, and the effects of 9/11 on the general population. Examining current brain research, Rosner depicts the efforts to understand the intergenerational inheritance of trauma, as well as the intricacies of remembrance in the aftermath of atrocity. Survivor Café becomes a lens for numerous constructs of memory—from museums and commemorative sites to national reconciliation projects to small-group cross-cultural encounters. Beyond preserving the firsthand testimonies of participants and witnesses, individuals and societies must continually take responsibility for learning the painful lessons of the past in order to offer hope for the future. Survivor Café offers a clear-eyed sense of the enormity of our twenty-first-century human inheritance—not only among direct descendants of the Holocaust but also in the shape of our collective responsibility to learn from tragedy, and to keep the ever-changing conversations alive between the past and the present.



Flying Couch

Flying Couch Author
ISBN-10 9781936787333
Release 2016-09-19
Pages 288
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A New York Times Book Review Editors' Choice • A Kirkus Reviews Best Nonfiction Book of 2016 • A Junior Library Guild Fall 2016 Selection Flying Couch, Amy Kurzweil’s debut, tells the stories of three unforgettable women. Amy weaves her own coming-of-age as a young Jewish artist into the narrative of her mother, a psychologist, and Bubbe, her grandmother, a World War II survivor who escaped from the Warsaw Ghetto by disguising herself as a gentile. Captivated by Bubbe’s story, Amy turns to her sketchbooks, teaching herself to draw as a way to cope with what she discovers. Entwining the voices and histories of these three wise, hilarious, and very different women, Amy creates a portrait not only of what it means to be part of a family, but also of how each generation bears the imprint of the past. A retelling of the inherited Holocaust narrative now two generations removed, Flying Couch uses Bubbe’s real testimony to investigate the legacy of trauma, the magic of family stories, and the meaning of home. With her playful, idiosyncratic sensibility, Amy traces the way our memories and our families shape who we become. The result is this bold illustrated memoir, both an original coming-of-age story and an important entry into the literature of the Holocaust.



Remembering the Holocaust

Remembering the Holocaust Author Esther Jilovsky
ISBN-10 9781780936116
Release 2015-08-27
Pages 224
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An intriguing analysis of how place constructs memory and how memory constructs place, Remembering the Holocaust shows how visiting sites such as Auschwitz shapes the transfer of Holocaust memory from one generation to the next. Through the discussion of a range of memoirs and novels, including Landscapes of Memory by Ruth Kluger, Too Many Men by Lily Brett, The War After by Anne Karpf and Everything is Illuminated by Jonathan Safran Foer, Remembering the Holocaust reveals the pivotal yet complicated role of place in each generation's writing about the Holocaust. This book provides an insightful and nuanced investigation of the effect of the Holocaust upon families, from survivors of the genocide to members of the second and even third generations of families involved. By deploying an innovative combination of generational and literary study of Holocaust survivor families focussed on place, Remembering the Holocaust makes an important contribution to the field of Holocaust Studies that will be of interest to scholars and anyone interested in Holocaust remembrance.



Imprint

Imprint Author Claire Sicherman
ISBN-10 1987915577
Release 2018-01-10
Pages 224
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The emotional unravelling of a mind, body and soul - a remarkably new and original take on surviving the Holocaust three generations later.IMPRINT is a profound and courageous exploration of trauma, family, and the importance of breaking silence and telling stories. This book is a fresh and startling combination of history and personal revelation.When her son almost died at birth and her grandmother passed away, something inside of Claire Sicherman snapped. Her body, which had always felt weighed down by unknown hurt, suddenly suffered from chronic health conditions, and her heart felt cleaved in two. Her grief was so large it seemed to encompass more than her own lifetime, and she became determined to find out why.Sicherman grew up reading ANNE FRANK and watching SCHINDLER'S LIST with almost no knowledge of the Holocaust�s impact on her specific family. Though most of her ancestors were murdered in the Holocaust, Sicherman�s grandparents didn�t talk about their trauma and her mother grew up in Communist Czechoslovakia completely unaware she was even Jewish. Now a mother herself, Sicherman uses vignettes, epistolary style, and other unconventional forms to explore the intergenerational transmission of trauma, about the fact that genes can be altered and carry memories, which are then passed down�a genetic imprinting.With astounding grace and strength, Sicherman weaves together a story that not only honours her ancestors but offers the truth to the next generation and her now nine-year-old son. A testimony of the connections between mind and body, the past and the present, IMPRINT is devastatingly beautiful�ultimately a story of love and survival.



Inheriting the Holocaust

Inheriting the Holocaust Author Paula S. Fass
ISBN-10 9780813546476
Release 2008-12-30
Pages 210
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In Inheriting the Holocaust, Paula S. Fass explores her own past as the daughter of Holocaust survivors to reflect on the nature of history and memory. Through her parents' experiences and the stories they recounted, Fass defined her engagement as a historian and used these skills to better understand her parents' lives. Fass begins her journey through time and relationships when she travels to Poland and locates birth certificates of the murdered siblings she never knew. That journey to recover her family's story provides her with ever more evidence for the perplexing reliability of memory and its winding path toward historical reconstruction. In the end, Fass recovers parts of her family's history only to discover that Poland is rapidly re-imagining the role Jews played in the nation's past.



The Cambridge Companion to Saul Bellow

The Cambridge Companion to Saul Bellow Author Victoria Aarons
ISBN-10 9781107108936
Release 2016-11-28
Pages 254
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This book demonstrates the complexity of Bellow's work by emphasizing the ways in which it reflects the changing conditions of American identity.



A World Erased

A World Erased Author Noah Lederman
ISBN-10 9781442267442
Release 2017-02-07
Pages 256
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This poignant memoir by Noah Lederman, the grandson of Holocaust survivors, transports readers from his grandparents’ kitchen table in Brooklyn to World War II Poland. In the 1950s, Noah’s grandparents raised their children on Holocaust stories. But because tales of rebellion and death camps gave his father and aunt constant nightmares, in Noah’s adolescence Grandma would only recount the PG version. Noah, however, craved the uncensored truth and always felt one right question away from their pasts. But when Poppy died at the end of the millennium, it seemed the Holocaust stories died with him. In the years that followed, without the love of her life by her side, Grandma could do little more than mourn. After college, Noah, a travel writer, roamed the world for fifteen months with just one rule: avoid Poland. A few missteps in Europe, however, landed him in his grandparents’ country. When he returned home, he cautiously told Grandma about his time in Warsaw, fearing that the past would bring up memories too painful for her to relive. But, instead, remembering the Holocaust unexpectedly rejuvenated her, ending five years of mourning her husband. Together, they explored the memories—of Auschwitz and a half-dozen other camps, the Warsaw Ghetto Uprising, and the displaced persons camps—that his grandmother had buried for decades. And the woman he had playfully mocked as a child became his hero. I was left with the stories—the ones that had been hidden, the ones that offered catharsis, the ones that gave me a second hero, the ones that resurrected a family, the ones that survived even death. Their shared journey profoundly illuminates the transformative power of never forgetting.



Memoirs of a Holocaust Survivor

Memoirs of a Holocaust Survivor Author Icek Kuperberg
ISBN-10 1581127561
Release 2000
Pages 76
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Powerful in its stark simple language, Icek Kuperberg chronicles his personal experiences as a concentration camp prisoner during World War II. Interned in various work and death camps, Icek had to use his guile and wits to simply stay alive. That he persevered despite tremendous horrors and obstacles, testifies to his strong will to survive.



Y

Y Author Jack Adler
ISBN-10 0984984240
Release 2012-04-01
Pages 150
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In 1945, 16-year-old Yacob (Jack) Adler weighed only 65 pounds and could barely stand. Stories of the Holocaust have been told numerous times, but his candid narrative and firsthand account goes deep into the psyche of Nazi foot soldiers, their brutality, and insatiable appetite for the vicious treatment of innocent citizens.



Writing in Witness

Writing in Witness Author Eric J. Sundquist
ISBN-10 9781438470337
Release
Pages
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A comprehensive survey of the most important writing to come out of the Holocaust. Writing in Witness is a broad survey of the most important writing about the Holocaust produced by eyewitnesses at the time and soon after. Whether they intended to spark resistance and undermine Nazi authority, to comfort family and community, to beseech God, or to leave a memorial record for posterity, the writers reflect on the power and limitations of the written word in the face of events often thought to be beyond representation. The diaries, journals, letters, poems, and other works were created across a geography reaching from the Baltics to the Balkans, from the Atlantic coast to the heart of the Soviet Union, and in a wide array of original languages. Along with the readings, Eric J. Sundquist’s introductions provide a comprehensive account of the Holocaust as a historical event. Including works by prominent authors such as Primo Levi and Elie Wiesel as well as those little known or anonymous, Writing in Witness provides, in vital and memorable examples, a wide-ranging account of the Holocaust by those who felt the imperative to give written testimony. “Written in every European language, in every conceivable manner, and from every point on the Holocaust compass—prisons, ghettos, transports, concentration and labor camps, killing fields, bunkers, makeshift shelters, camps for displaced persons—these diary entries, letters, testimonies, eyewitness accounts, poems, stories, sermons, and inscriptions demand that they be heard. Written by Jewish men, women, and children; by Christian bystanders; and yes, even by two German perpetrators, they depict the living nightmare as it unfolds. Six nightmare years and their aftermath are rendered in a language that defies the limits of language; an inescapable present that eclipses the past and cries out to an unattainable future. In the beginning was the Holocaust, and this is its story as told by its original responders.” — David G. Roskies, author of Holocaust Literature: A History and Guide “Writing in Witness is a devastatingly and deeply honest work of testimony by those whose worlds were shattered by the catastrophic rupture of the Holocaust. It is also, and primarily, a testament to the strength and courage of those who experienced the atrocities of Nazism and who felt compelled to write about those events in clear, unsparing language. Eric Sundquist, editor of this important collection, provides a sensitive selection of primary texts by men and women who witnessed the machinery and implementation of genocide. In his thoughtful and knowledgeable introduction, Sundquist establishes the framework for the ethical engagement of reader and eyewitness in the calculation of enormous loss. The various genres of witnessing included in this collection—diaries, poems, memoirs, letters, records—evoke in their clarity ancient forms of lamentation and Midrash, giving voice to memory. With judiciously interpretive preliminary material introducing each section, Sundquist lets the witnesses speak for themselves. No course on Holocaust literature or history should be without this anthology.” — Victoria Aarons, editor of Third-Generation Holocaust Narratives: Memory in Memoir and Fiction “This wide-ranging and affecting collection of firsthand accounts of the Holocaust, each expertly chosen and deftly introduced and contextualized, will be ideal for teaching purposes and indispensable to anyone intent on recovering a sense of what the horror felt like. Eric Sundquist has assembled an extraordinarily illuminating and powerful book.” — Peter Hayes, Theodore Zev Weiss Holocaust Educational Foundation Professor Emeritus, Northwestern University “Writing in Witness is a rich assortment of written accounts of diverse aspects of the experience of the Holocaust that are skillfully chosen and masterfully introduced and contextualized. What emerges from an overarching reading of these collective texts is a sense of how the actors who experienced or witnessed the events of the Holocaust registered them in language and through the sometimes immediate, sometimes reflective process of writing.” — Erin McGlothlin, author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration



Memories Dreams Nightmares

Memories  Dreams  Nightmares Author Jack Weiss
ISBN-10 9781552381267
Release 2005
Pages 315
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The compelling memoir tells the story of Holocaust survivor Jack Weiss. This is the story of his abused childhood, how a deported eleven-year old boy escaped from certain death to join his father in the middle of a war. He was deported again to the infamous Auschwitz/Bierkenau concentration camp where he was selected for forced labour. Somehow, he miraculously survived these horrors, and at the age of 17, he was brought by the Canadian Jewish Congress to Winnipeg, Manitoba, where was finally able to carve out a life for himself.



Beach Music

Beach Music Author Pat Conroy
ISBN-10 9780307804730
Release 2011-08-03
Pages 800
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An American expatriate in Rome unearths his family legacy in this sweeping novel by the acclaimed author of The Prince of Tides and The Great Santini A Southerner living abroad, Jack McCall is scarred by tragedy and betrayal. His desperate desire to find peace after his wife’s suicide draws him into a painful, intimate search for the one haunting secret in his family’s past that can heal his anguished heart. Spanning three generations and two continents, from the contemporary ruins of the American South to the ancient ruins of Rome, from the unutterable horrors of the Holocaust to the lingering trauma of Vietnam, Beach Music sings with life’s pain and glory. It is a novel of lyric intensity and searing truth, another masterpiece among Pat Conroy’s legendary and beloved novels. Praise for Beach Music “Astonishing . . . stunning . . . The range of passions and subjects that bring life to every page is almost endless.”—The Washington Post Book World “Magnificent . . . clearly Conroy’s best.”—San Francisco Chronicle “Blockbuster writing at its best.”—Los Angeles Times Book Review “Pat Conroy’s writing contains a virtue now rare in most contemporary fiction: passion.”—The Denver Post “A powerful, heartfelt tale.”—Houston Chronicle



Fantasies of Witnessing

Fantasies of Witnessing Author Gary Weissman
ISBN-10 0801442532
Release 2004
Pages 266
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Fantasies of Witnessing explores how and why those deeply interested in the Holocaust, yet with no direct, familial connection to it, endeavor to experience it vicariously through sites or texts designed to make it "real" for nonwitnesses. Gary Weissman argues that far from overwhelming nonwitnesses with its magnitude of horror, the Holocaust threatens to feel distant and unreal. A prevailing rhetoric of "secondary" memory and trauma, he contends, and efforts to portray the Holocaust as an immediate and personal experience, are responses to an encroaching sense of unreality: "In America, we are haunted not by the traumatic impact of the Holocaust, but by its absence. When we take an interest in the Holocaust, we are not overcoming a fearful aversion to its horror, but endeavoring to actually feel the horror of what otherwise eludes us."Weissman focuses on specific attempts to locate the Holocaust: in the person of Elie Wiesel, the most renowned survivor, and his classic memoir Night; in videotaped survivor stories and Lawrence L. Langer's celebrated book Holocaust Testimonies; and in the films Shoah and Schindler's List. These representations, he explains, constitute a movement away from the view popularized by Wiesel, that those who did not live through the Holocaust will never be able to grasp its horror, and toward re-creating the Holocaust as an "experience" nonwitnesses may put themselves through. "It is only by acknowledging the desire that gives shape to such representations, and by exploring their place in the ongoing contest over who really 'knows' the Holocaust and feels its horror, that we can arrive at a more candid assessment of our current and future relationships to the Holocaust," he says.



Writing and Rewriting the Holocaust

Writing and Rewriting the Holocaust Author James Edward Young
ISBN-10 0253206138
Release 1990
Pages 243
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A carefully prepared historiographical work interprets the meaning of Holocaust literature as it examines the perpetuation of Holocaust memory and understanding in several forms of media studied ... Includes an extensive bibliography of works.