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Without Copyrights

Without Copyrights Author Robert Spoo
ISBN-10 9780190469160
Release 2016-02-15
Pages 376
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The names of James Joyce and Ezra Pound ring out in the annals of literary modernism, but few recognize the name of Samuel Roth. A brash, business-savvy entrepreneur, Roth made a name--and a profit--for himself as the founding editor and owner of magazines that published selections from foreign writings--especially the risqué parts--without permission. When he reprinted segments of James Joyce's epochal novel Ulysses, the author took him to court. Without Copyrights tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself. From its inception in 1790, American copyright law offered no or less-than-perfect protection for works published abroad--to the fury of Charles Dickens, among others, who sometimes received no money from vast sales in the United States. American publishers avoided ruinous competition with each other through "courtesy of the trade," a code of etiquette that gave informal, exclusive rights to the first house to announce plans to issue an uncopyrighted foreign work. The climate of trade courtesy, lawful piracy, and the burdensome rules of American copyright law profoundly affected transatlantic writers in the twentieth century. Drawing on previously unknown legal archives, Robert Spoo recounts efforts by James Joyce, Ezra Pound, Bennett Cerf--the founder of Random House--and others to crush piracy, reform U.S. copyright law, and define the public domain. Featuring a colorful cast of characters made up of frustrated authors, anxious publishers, and willful pirates, Spoo provides an engaging history of the American public domain, a commons shaped by custom as much as by law, and of piracy's complex role in the culture of creativity.



Modernism and the Law

Modernism and the Law Author Robert Spoo
ISBN-10 9781474275828
Release 2018-08-09
Pages 208
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Exploring critical legal issues and cases of the period-from Oscar Wilde's prosecution for gross indecency to legal bans on such publications as D.H. Lawrence's Lady Chatterley's Lover, Radclyffe Hall's The Well of Loneliness, and James Joyce's Ulysses-Modernism and the Law is the first book to survey the legal contexts of transatlantic Anglo-American modernist culture. Written by one of the leading authorities on the subject, the book covers such topics as: · Obscenity laws and censorship · Copyrights, moral rights, and the public domain · Patronage and literary piracy · Privacy, defamation, publicity, and blackmail Including an annotated list of relevant statutes, treaties, and cases, this is an essential read for scholars and students coming to the subject for the first time as well as for experienced scholars.



Rt Copywrights Z

Rt Copywrights Z Author P. K. Saint-Amour
ISBN-10 9780801457968
Release 2011-02-23
Pages
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Rt Copywrights Z has been writing in one form or another for most of life. You can find so many inspiration from Rt Copywrights Z also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Rt Copywrights Z book for free.



Modernism s Print Cultures

Modernism s Print Cultures Author Faye Hammill
ISBN-10 9781472573278
Release 2016-08-25
Pages 208
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The print culture of the early twentieth century has become a major area of interest in contemporary Modernist Studies. Modernism's Print Cultures surveys the explosion of scholarship in this field and provides an incisive, well-informed guide for students and scholars alike. Surveying the key critical work of recent decades, the book explores such topics as: - Periodical publishing Â? from 'little magazines' such as Rhythm to glossy publications such as Vanity Fair - The material aspects of early twentieth-century publishing Â? small presses, typography, illustration and book design - The circulation of modernist print artefacts through the book trade, libraries, book clubs and cafes - Educational and political print initiatives Including accounts of archival material available online, targeted lists of key further reading and a survey of new trends in the field, this is an essential guide to an important area in the study of modernist literature.



Modernism Evolution of an Idea

Modernism  Evolution of an Idea Author Sean Latham
ISBN-10 9781472529152
Release 2015-10-22
Pages 272
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What exactly is "modernism??? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term "modernism?? from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of "modernism?? from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels



The Most Dangerous Book

The Most Dangerous Book Author Kevin Birmingham
ISBN-10 9780143127543
Release 2015-05-26
Pages 432
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An account of the dramatic writing of and fight to publish James Joyce's Ulysses reveals how the now-classic book was the subject of a landmark federal obscenity trial in 1933 that overturned key censorship laws.



The Copyright Wars

The Copyright Wars Author Peter Baldwin
ISBN-10 9781400851911
Release 2014-09-22
Pages 552
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Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright—and its violation—a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries—and their history is essential to understanding today’s battles. The Copyright Wars—the first major trans-Atlantic history of copyright from its origins to today—tells this important story. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? The Copyright Wars describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. The book also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world’s intellectual property policeman in the late twentieth. As it became a net cultural exporter and its content industries saw their advantage in the Continental ideology of strong authors’ rights, the United States reversed position on copyright, weakening its commitment to the ideal of universal enlightenment—a history that reveals that today’s open-access advocates are heirs of a venerable American tradition. Compelling and wide-ranging, The Copyright Wars is indispensable for understanding a crucial economic, cultural, and political conflict that has reignited in our own time.



Copyrights and Copywrongs

Copyrights and Copywrongs Author Siva Vaidhyanathan
ISBN-10 0814788076
Release 2003-04-01
Pages 255
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Social movements inspired by powerful ideological beliefs continue to define global and national politics. In Yugoslavia, civil war is justified in the name of religion and ethnic identity. The Arab-Israeli conflict rages on, fuelled on either side by a conviction of indisputable ideological truth. Closer to home, American religious organizations consistently challenge political authority in the name of a higher morality. Existing theories either ignore the role of religion in social movement formation or discredit the claim that religious convictions can directly lead adherents to engage in political action. Through a detailed analysis of American and British evangelical Christians, J. Christopher Soper here demonstrates that religious commitments were, in fact, crucial in promoting political activism in both countries. Evangelical Christianity in the United States and Great Britain is the first book to provide such a comparative perspective. Focussing on the temperance movement and the politics of abortion, Soper highlights the similarities, and equally intriguing differences, between British and American political/evangelical structures. Using interviews and literature gathered from evangelical organizations on both sides of the Atlantic, he paints a fascinating picture of a hitherto neglected aspect of social movement theory. Evangelical Christianity in the United States and Great Britain is an invaluable new resource for scholars of religious studies, political science and sociology alike. Soper provides a unique model with which to view a dominant political trend: the mobilization of collective action groups around a set of powerful beliefs. His research can thus be applied beyond the boundaries of his chosen topic, and will be an important contribution to the study of any movement in which ideology assumes a significant role.



Remix

Remix Author Lawrence Lessig
ISBN-10 1594201722
Release 2008
Pages 327
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Argues for an end to the practice of criminalizing artists and Internet users who build on the creative works of others and for implementing a collaborative and profitable "hybrid economy" that encourages innovation and protects both creative and ethicalneeds.



The History and Adventures of the Renowned Don Quixote

The History and Adventures of the Renowned Don Quixote Author Miguel de Cervantes Saavedra
ISBN-10 9780820324302
Release 2003
Pages 942
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"Smollett's Don Quixote first appeared in 1755 and was for many years the most popular English-language version of Cervantes's masterpiece. However, soon after the start of the nineteenth century, its reputation began to suffer. Rival translators, literary hucksters, and careless scholars initiated or fed a variety of charges against Smollett - even plagiarism. For almost 130 years no publisher risked reprinting it.".



The Wind Done Gone

The Wind Done Gone Author Alice Randall
ISBN-10 9780547524931
Release 2002-04-08
Pages 224
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In this daring and provocative literary parody which has captured the interest and imagination of a nation, Alice Randall explodes the world created in GONE WITH THE WIND, a work that more than any other has defined our image of the antebellum South. Taking sharp aim at the romanticized, whitewashed mythology perpetrated by this southern classic, Randall has ingeniously conceived a multilayered, emotionally complex tale of her own - that of Cynara, the mulatto half-sister, who, beautiful and brown and born into slavery, manages to break away from the damaging world of the Old South to emerge into full life as a daughter, a lover, a mother, a victor. THE WIND DONE GONE is a passionate love story, a wrenching portrait of a tangled mother-daughter relationship, and a book that "celebrates a people's emancipation not only from bondage but also from history and myth, custom and stereotype" (San Antonio Express-News).



Common As Air

Common As Air Author Lewis Hyde
ISBN-10 9781908526052
Release 2012-03-01
Pages 352
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DIV In 1963, Martin Luther King, Jr. delivered his famous ‘I Have a Dream’ speech. Thirty years later his son registered the words ‘I Have a Dream’ as a trademark and successfully blocked attempts to reproduce these four words. Unlike the Gettysburg Address and other famous speeches, ‘I Have a Dream’ is now private property, even though some the speech is comprised of words written by Thomas Jefferson, a man who very much believed that the corporate land grab of knowledge was at odds with the development of civil society. Exploring the complex intersection between creativity and commerce, Hyde raises the question of how our shared store of art and knowledge might be made compatible with our desire to copyright everything, and questions whether the fruits of creative labour can – or should – be privately owned, especially in the digital age. ‘In what sense,’ he writes, ‘can someone own, and therefore control other people’s access to, a work of fiction or a public speech or the ideas behind a drug?’ Moving deftly between literary analysis, history and biography (from Benjamin Franklin’s reluctance to patent his inventions to Bob Dylan’s admission that his early method of songwriting was largely comprised of ‘rearranging verses to old blues ballads, adding an original line here or there… slapping a title on it’), Common As Air is a stirring call-to-arms about how we might concretely legislate for a cultural commons that would simultaneously allow for financial reward and protection from monopoly. Rigorous, informative and riveting, this is a book for anyone who is interested in the creative process. /div



Postcolonial Piracy

Postcolonial Piracy Author Lars Eckstein
ISBN-10 9781472519436
Release 2014-10-23
Pages 256
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Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.



A Companion to Modernist Literature and Culture

A Companion to Modernist Literature and Culture Author David Bradshaw
ISBN-10 9781405154673
Release 2008-04-15
Pages 616
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The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism



Copyfraud and Other Abuses of Intellectual Property Law

Copyfraud and Other Abuses of Intellectual Property Law Author Jason Mazzone
ISBN-10 9780804779159
Release 2011-10-05
Pages 312
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Intellectual property law in the United States does not work well and it needs to be reformed—but not for the reasons given by most critics. The issue is not that intellectual property rights are too easily obtained, too broad in scope, and too long in duration. Rather, the primary problem is overreaching by publishers, producers, artists, and others who abuse intellectual property law by claiming stronger rights than the law actually gives them. From copyfraud—like phony copyright notices attached to the U.S. Constitution—to lawsuits designed to prevent people from poking fun at Barbie, from controversies over digital sampling in hip-hop to Major League Baseball's ubiquitous restriction on sharing any "accounts and descriptions of this game," overreaching claims of intellectual property rights are everywhere. Overreaching interferes with legitimate uses and reproduction of a wide variety of works, imposes enormous social and economic costs, and ultimately undermines creative endeavors. As this book reveals, the solution is not to change the scope or content of intellectual property rights, but to create mechanisms to prevent people asserting rights beyond those they legitimately possess. While there are many other books on intellectual property, this is the first to examine overreaching as a distinct problem and to show how to solve it. Jason Mazzone makes a series of timely proposals by which government, organizations, and ordinary people can stand up to creators and content providers when they seek to grab more than the law gives them.



Copyright Communication and Culture

Copyright  Communication and Culture Author Carys J. Craig
ISBN-10 9780857933522
Release 2011
Pages 272
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In this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. Employing both theoretical argument and doctrinal analysis, including the novel use of feminist theory, the author explores how the assumptions of modern copyright result in law that frequently restricts the kinds of expressive activities it ought to encourage. In contrast, Carys Craig proposes a relational theory of copyright based on a dialogic account of authorship, and guided by the public interest in a vibrant, participatory culture. Through a critical examination of the doctrines of originality and fair dealing, as well as the relationship between copyright and freedom of expression, she explores how this relational theory of copyright law could further the public purposes of the copyright system and the social values it embodies. This unique and insightful study will be of great interest to students and scholars of intellectual property, communications, cultural studies, feminist theory and the arts and humanities.



The Wonderful Wizard of Oz

The Wonderful Wizard of Oz Author L. Frank Baum
ISBN-10 ICDL:bauwond_00950019
Release 1900
Pages 329
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In the first of L. Frank Baum's time-honored Oz novels, country girl Dorothy Gale gets whisked away by a cyclone to the fantastical Land of Oz. Dropped into the midst of trouble when her farmhouse crushes a tyrannical sorceress, Dorothy incurs the wrath of the Wicked Witch of the West. Dorothy is desperate to return to her native Kansas, and, aided by the Good Witch of the North, she sets out for the Emerald City to get help from the legendary Wizard. On her way, she meets three unlikely allies who embody key human virtues—the Scarecrow, the Tin Woodman, and the Cowardly Lion.